Tag: st vincent

Festival Preview: BottleRock Napa Valley 2024

Happy New Year, live music lovers! BottleRock Napa Valley has announced the lineup for this year’s festival, and as usual, it’s got me looking forward to the summer!

It may seem like there’s a long time between the lineup announcement this morning and the festival itself, but I know from experience that the rest of the winter and the spring will both fly by, and before you know it, it’ll be time to gather at Napa Valley Expo once more.

After many years of speculation, Pearl Jam will indeed (finally!) headline the BRNV stage, as will Stevie Nicks, Ed Sheeran, and Maná. Headliners aside, I may be most excited to see Megan Thee Stallion, but also Cold War Kids, Queens of the Stone Age, Norah Jones, Dominic Fike, St. Vincent, The Offspring, Nelly, Bebe Rexha, Stephen Sanchez, Cannons, Holly Humberstone, The Record Company, Royal Otis, The Moss, and Mondo Cozmo.

As always, you can plan on finding amazing food, wine, beer, and cocktails to pair with your festival weekend. Trust me – you don’t want to miss this one!

You can find my 2024 BottleRock Napa Valley Preview playlist here, so you can listen along and get excited! Don’t have tickets? Don’t worry, you can get yours here. I’ll see you in Napa this summer!

Album Review: “Dig Me In: A Dig Me Out Covers Record” by Various Artists

Dig Me Out is a classic record. In many ways, it opened up the worlds of both Riot Grrl and Indie Rock to bigger, more mainstream audiences. It’s also nearly perfect as it is. When it was first announced, Dig Me In left me with mixed feelings… There could be some truly great interpretations of these songs on this record. But why mess with a good thing? I mean, other than to raise money for SMYRC, an organization that provides queer and trans youth a safe place to make art, 25% of the proceeds from this release go to. 

Anyways you can check this out yourself here, but my thoughts on it are below: Continue reading “Album Review: “Dig Me In: A Dig Me Out Covers Record” by Various Artists”

Spinning Platters’ Top 20 Albums of 2021

By The Spinning Platters Staff

This was an intense year… It feels like we’ve lived 300 in the last 3 months, TBH. Anyways, here’s the Top 20 records of 2021 as voted by the staff at Spinning Platters. You may notice a couple of late 2020 releases here… Similar to the Grammy’s, we don’t do a typical calendar year. Instead, we do 11/20-11/19 as a year. Because, really, in those last six weeks of the year, can anyone develop an emotional connection to a record? Continue reading “Spinning Platters’ Top 20 Albums of 2021”

Single Review: “Pay Your Way In Pain” by St Vincent / “Leave The Door Open” by Silk Sonic

 

In typical times, March would be the beginning of the music business’ “year.” Normally, there is a lull of news and new releases between December and February, and March usually starts with the Grammys, allowing everything to “wake up.” We would have a slew of festival line-ups coming through, and everyone looking to make a big year would be starting that cycle with SXSW. Continue reading “Single Review: “Pay Your Way In Pain” by St Vincent / “Leave The Door Open” by Silk Sonic”

Spinning Platters’ Top 50 Records from our First Decade: 11-30

As Spinning Platters has managed to continue for far longer than anyone would’ve expected us to, so has this list. Here are records 11-30 from the first decade of Spinning Platters. For those looking to read #31-50, click here!

Continue reading “Spinning Platters’ Top 50 Records from our First Decade: 11-30”

Spinning Platters’ Top 50 Records from our First Decade: 31-50

Our very first photo posted was too small an image of Marnie Stern & I. I stand by the importance of this image.

The very first article posted to Spinning Platters was March 25th, 2009. It was a diary of the first few days of my second visit to SXSW. You can read that here, and even look at a picture of me 29 year old me with Marnie Stern. 

That means this little music blog that has evolved into a music, film, theater, and comedy blog, and has been around for more than a decade at this point. So, in order to commemorate this time, I reached out to every person that has ever contributed to the site to pull together a top 50 records of the first ten years of Spinning Platters. That would be between March 2009 and March 2019. 

Not everyone got back to me. I even got a couple, “I don’t remember doing this” emails from people that only contributed a couple of articles. However, this is definitely a list that represents the tastes of everyone that has been part of this thing. Since 50 records is a lot to take in at once, I’m just going to give you 31-50 today. Only without any words about the record at all, just a video from that album. Coming soon will be 11-30 with more commentary, and 1-10 with even more commentary will be coming your way before Christmas. So without further adieu, here’s your list! 

Continue reading “Spinning Platters’ Top 50 Records from our First Decade: 31-50”

Single Of The Week: The Future Is Here by Sleater-Kinney

This is the second single off Sleater-Kinney’s highly anticipated 9th studio album, The Center Won’t Hold. For those who felt the first single, “Hurry On Home” was a departure, it was merely the gateway to “The Future Is Here.” Kicking off with a simple, analog synth riff before some of the most subtle drumming of Janet Weiss’ career kicks in. Corin Tucker then comes in, singing in the lowest register I’ve ever heard her sing in. What this becomes is a beautiful, kind of gothy song that feels more like Siouxsie and The Banshees or The Cure than the driving psych rock or classic punk that we’ve grown used to from Sleater-Kinney.

It’s been 25 years since Sleater-Kinney first entered the world as a functioning unit. Since then they’ve continuously challenged themselves with every record, proving to have the most consistent and exciting discography in rock n roll. The Center Won’t Hold will be available in all of the usual places on August 16th, or you can preorder from the band here!

Tickets for their Fall US Tour went on sale this morning, and tickets to those shows can be found here! Presale begins on Monday for their Winter EU Tour, so don’t forget to join their mailing list at sleater-kinney.com for presale info!

BONUS Single Of The Week: Hurry On Home by Sleater-Kinney

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STOP THE PRESSES!!!! Sleater-Kinney have dropped their first single in two years, and the first track to come off their upcoming, hotly anticipated follow up to 2015’s brilliant No Cities To Love. It’s a driving rock number that doesn’t sound like anything the band has ever done. Elements of industrial, no wave, and post punk color the song, with Carrie’s signature snarl taking center stage while Corin’s passionate yelp providing color and discord.

STOP THE PRESSES!!!! Sleater-Kinney have dropped their first single in two years, and the first track to come off their upcoming, hotly anticipated follow up to 2015’s brilliant No Cities To Love. It’s a driving rock number that doesn’t sound like anything the band has ever done. Elements of industrial, no wave, and post punk color the song, with Carrie’s signature snarl taking center stage while Corin’s passionate yelp providing color and discord.

The full length record, produced by Annie Clark of St Vincent fame, street date is still TBD. However, if this track is any sign of things to come, then Sleater-Kinney will have released 8 perfect records in their lengthy career. You can stream the single in all the usual places, or you can preorder the 7″ here! And the band will be on tour from Indigenous People’s Day to Thanksgiving, so make sure you book hotel rooms and get time off from work NOW so you can hit as many of these as possible. Or just go to the show in your hometown…

Spinning Platters Interview: Choreographer Annie-B Parsons

New York, NY – December 16, 2015 – Annie-B Parson, at her home in Cobble Hill, Brooklyn.

David Byrne’s American Utopia has been regarded as one the most ambitious stage shows in rock history; a performance that enables the entire band to move freely about the stage is rare. Spinning Platters recently had an opportunity to catch up with one of Byrne’s collaborators on this project, choreographer Annie-B Parsons, to discuss this show, her method, and music in general.

How did you end up syncing up with David Byrne? Continue reading “Spinning Platters Interview: Choreographer Annie-B Parsons”

Spinning Platters’ Top 10 Albums of 2017

A look back at the records that got us through the dumpster fire that was 2017…

By The Spinning Platters Staff

2017 may go down as one of the worst years in recorded history. In fact, I’m almost 100% certain of that. However, the best art is created out of strife, and 2017 yielded an especially passionate crop of records. So, without further adieu, here is Spinning Platters’ Top 10 records of 2017, as selected and voted on by our entire team:

Continue reading “Spinning Platters’ Top 10 Albums of 2017”