Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
Sometimes you just need a good, hook heavy pop-punk jam to get through things. You will have those in spades, and “nothing good to cry about” will make you feel all the feels you had when all you needed to get through the hard stuff was the right song.
All you need to learn more about wilt and select your preferred outlet for listening is here.
The first BottleRock was 13 years ago. I’m an avid concertgoer and Bay Area native, but, for whatever reason, making my way to BottleRock just hasn’t worked out. This year, however, there was a near-perfect synthesis of life and lineup working out for me to make my way there for a day. Continue reading “BottleRock 2026: A First Timer’s Impression”
Rilo Kiley has been a major part of my life for multiple decades and life changes. I’ve seen them play electric and acoustic. I’ve seen them in teen centers and massive outdoor sheds. We used “More Adventurous” to walk down the aisle at my wedding.
I love this band. Enough to travel an hour away for a late-night show. Continue reading “BottleRock AfterDark Review: Rilo Kiley with Whitmer Thomas at Uptown Theater — Napa, 5/22/26”
What can I say? I love a good punk rock mosher. “grin & bear it” by Welsh Riot Grrl act Panic Shack ticks all the boxes- intelligent feminist lyrics, sung with their Welsh accent, and a BPM that gets the heart rate into danger territory. I love them, and love this song. And somehow Super Furry Animals AND Sex Pistols are taking them out on the road next year! Continue reading “Single of the Week: “grin & bear it” by Panic Shack”
I didn’t post this on Friday. Because I knew what was coming. Gen Z’s greatest songwriter, Sabrina Teitelbaum aka Blondshell, had a new single coming down the pike. And it’s a banger. So heavy- both sonically and emotionally. I can’t wait for this record to drop. Enjoy “Heart Has To Work So Hard” NOW!
Fall tour dates HAVE dropped, including an appearance at the historic Castro Theater in SF. Full dates here, including sign up for the May 20th presale!
I wish I could say that no AI was used on this podcast. I hate AI, but I also don’t have a budget for a producer, so I use Riverside.com to help edit these.
I know. I told Julia Kugel and Scott Montoya of Soft Palms, whose book “How To Be Self-Reliant In The Music Industry” is out now, and they are not fans of AI, either. They are smart folks who have been through a lot with Soft Palms, as well as their own bands, The Coathangers and The Growlers, and Julia’s solo project, Julia, Julia.
Their upcoming record, In Echo, is out TODAY! They will also be touring the US and EU this late Summer and Fall. Tour dates here.
First of all, it’s been 15 years since the last new music dropped from ANY Beastie Boy. It’s also been 14 years, nearly to the day, since Adam Yauch left this mortal plane. But Mike D gifted us his first solo single today, and it’s a chaotic, jungle-influenced bit of sonic joy. Think DJ Shadow meets AK 1200. Anyways, “Switch It Up” is great.
He’s also playing a few headlining shows, with a show at Sid The Cat Auditorium on Sunday, and Xanadu in Brooklyn May 22nd-23rd.
Sunflower Beam’s Julia Cumming’s solo debut is out today, and the latest single is a heartbreaker AND heartmender. A beautiful song about finding resolution in an old relationship. We’ve all been there, and she captures it in such a lovely way.
Julia is on your favorite DSP and at your local indie retailer TODAY!
Spacemoth is back! I’m bloody thrilled… She’s returned with a bright and sunny bit of krautrock joy. Does that make sense? NOT AT ALL! Until you listen to the track. Heck, even Willow Smith is on board at this point. Put your brain in a swimming pool in the sun and enjoy.
“Do We Exist?” is the first single off Spacemoth’s sophomore record, Inward Eye, dropping June 26th. See them at their record release show at Rickshaw Stop on July 24th, or at the King Gizzard & The Lizard Wizard curated Field Of Vision Festival August 14-16! Or on your computer right now courtesy KEXP!
I don’t like to pick covers for Single of the Week, but I’ll make an exception here- Kate Nash has presented a retelling of Sinead O’Connor’s “Famine,” which tells the truth about the Irish potato famine and how it all ties back to English Imperialism. Last night I saw Habibi perform, and their lead singer, Rahill, discussed at length what’s happening in Iran, and it was potent. (Her song about that is dropping soon) But the history of false famines to control a population is as painful as it is deliberate. (See: US destroying Cuba RIGHT THIS FUCKING SECOND)
“Famine” is ready to stream now, and the 7″ can be preordered for release July 17th.
