Mosswood Meltdown is an annual beacon for all the freaks, geeks, rebels, righteousness, and everything that smells like punk rock. The East Bay punk scene has continued to thrive, as punkers converge on familiar and unique locations from 925 Gilman Street to the beach with a solar-powered van and even the public transit system. This is a dedicated mob of misfits that continues to expand and connect. It was no surprise that this year’s Mosswood Meltdown had a significantly larger attendance than years past. Moving the date to an off-holiday weekend was a plus. Although headlining a legend like Devo and closing the festival with Bratmobile, a new uprising force in the punk world, is a stronger likelihood for a significant increase in attendance. My main complaint was that this festival ended too soon. I am still hungry and looking forward to next year. This must have been a shared feeling, as the early bird tickets for 2026 sold out quicker than a sneeze.
The outstanding and highlighted punk-rock performances were Exploding Hearts, Giuda, Prison Affair, Osees, NIIS, and Twompsax. Every single moment on stage was special for a variety of reasons, listed below in order of appearance, with grand photo memories.
Gentleman Jesse
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Gentleman Jesse opened the festival with high-energy, simple lyrics and a catchy pop-punk feel. The musical influences of the Ramones were evident. The set was solid and better than I had initially previewed on Spotify and YouTube. The crowd demanded an encore, but the band politely declined until Charles (the MC) sided with the crowd. Lead singer Jesse Smith smiled broadly and said, “Only because it is your birthday, Charles.” Jesse was kind, considerate, and certainly prepared. They played a quick two additional minutes, then jumped off the stage.
Diesel Dudes
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Diesel Dudes delivered a hardcore/electro-punk with muscle joke theatrics. After the drummer finished his power weight lifting and dropped the barbell with a vibrating thump, I realized it wasn’t a fake prop, and neither was the show. The lyrics and beat were repetitive, yet not boring. The weight lifting powered up as the songs intensified. Performing alone is exhausting, and adding push-ups and weight lifting makes me think about how hard it is in the music industry. It was a heavy-hitting, thrusting, good time.
NIIS
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NIIS was anything but typical hardcore. Their extra fierce, raging presence energized everyone. The lyrics roared commands to fight for America, especially that ICE can “fuck off.” Vocalist Mimi SanDoe must have frightened the audio engineer as her mic was muted quite a few times. I enjoyed the ferocious expression. NIIS (nice) crushed it on multiple levels, from expressive, poignant lyrics to screaming guitar riffs. NIIS gifted the crowd with a live version of their fresh album release “NIIS World”.
Bleached
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Bleached 🙂 The return of Jennifer and Jessie Clavin with Bleached was wildly welcomed. Bleached has a calmer and polished sound compared to their previous project, Mika Miko. Smooth and heartfelt, they rolled out songs that have been missing from their live performances for over 3 years. There is a special connection with their fans that has only grown stronger.
Prison Affair
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Prison Affair (a musical project from Barcelona) links gritty vocals and lyrics that challenge isolation and one’s choices. The egg-punk sound emphasizes high-hitting guitar riffs, utilizing a forceful drum beat that holds the chaos together. It’s fast; it’s quick; it’s punk. The songs average one and a half minutes in length. Snoozing is not an option. If so, you will miss something truly special and punk.
Exploding Hearts
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Exploding Hearts ended abruptly 20 years ago, after playing San Francisco’s Bottom of the Hill. The band’s sole release has been remixed and resurfaced by Terry Six, the only surviving member of the original band. The current success of the tour is a statement to the timelessness of the Exploding Hearts’ 1st and Last album. At Mosswood Meltdown, the entire band entered the stage with a commanding presence – kind, purposeful, and powerful. The set ended with the favorite “I’m a Pretender.” The vibe was of old friends in the prime of their musical profession. After their set, many fans spilled guilty confessions of missing their last SF performance. Yet, instead of feeling closure, they only want more. My response is always to choose to see your favorite band live; obligations will always be around the next day. Then again, second chances usually exceed expectations when Terry Six is involved. Unsure if this is a one-off tribute tour or a launch into the development of a fresh new album. I am hoping for the latter.
Osees
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Osees’ mix of drums and dancing vocal madness into an unhinged experience. Frontman John Dywer continues to bring something new and often chaotic to the live performances. The music hits garage rock, psychedelic punk, artfully delivering a unique, interesting, powerful, loud, poetic sound. The set-up was time-consuming, yet the outcome was rewarding.
Devo
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DEVO! Red Cone Heads flooded the festival early, announcing their favorite musical heroes are coming – D.E.V.O! These legendary icons surely delivered with preserved voices and fine-tuned instrumental fun. There were several set pauses for outstanding kick-back ’80s-style videos. Hinted mentions of the current world issues, yet keeping the vibe light. Such as:
“A warning that in this world we live in – we must – WHIP IT!”
The remix of the Rolling Stones’ “I can’t get no satisfaction” into the egg-punk beat and poetic spitting lyrics.
De-evolution is real! We don’t have to look for it.” “There was a question: Are we not Men! Response WE ARE DEVO!”
“Questioning freedom of choice: ‘Where did it go?’” “Do you want Boogie Boy? We do too!”
A memorable special appearance of ‘Booji Boy’ spoke of memories of John Waters and Boogie Boy’s good fortune to meet “Divine.” Sweet ending as the set transitioned to the end with their own version of “Beautiful World.”
TINA!!!
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TINA!!! This band really emphasized the attitude within “Bubblegum punk.” Tina (Boom Boom) is no stranger to the festival, with her previous band “Trash Women”. She blasted the favorites – “She’s so tough”, “Dirty Lies”, then thought all emotions: sad, angry, and fun… It was a great hangover cure!
Guida
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The Giuda experience was an Italian 5 finger air-punch of a good time. The lyrics are fun, fast, and catchy. Good luck attempting to sing along; the beat is quick with rock ‘ n ‘ roll rebellion riffs. The explosive energy from frontman Nenda is matched with the lead guitarist Lorenzo, bassist Danilo, guitarist Michele, and drummer Alex. The energy can move the handicapped into a jiggling dance squad. This festival gig was on the tail end of their US tour, and the band played a local club the night before; yet, they shook the ground like no other. I truly doubt they sleep. There is a Facebook post that they are currently recording something new at Studio 606 in LA – truly excited and looking forward to the next one…
Haus Of Libations
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Haus of Libations -An outrageous blast of ridiculously adult fun. The humorous acting and insightful props were creative and played well with the theme. The audience’s laughter rocked the venue—an enjoyable, radically uncomfortable show, created for everyone.
Twompsax
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Twompsax! Gotta love a poetic sound check. It was reminiscent of a vip show. Cher Strauberry, front person, sweetly gave a little teaser and something extra to restless fans between sets. Her multiple enthusiastic jumps and theatrics in expressing honoring yourself were emotionally uplifting. The set ended with Cher tossing the mic to a friend in the crowd, as a gift for her trans-birthday. As a crowd sang “Happy Birthday”, there was no need for a microphone. The entire city celebrates you. That is a community, friend!
Kreayshawn
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Kreayshawn – Natassia’s honest and commanding performance sparked the crowd. Backed by a spinning genius Jewells Pena (DJ Fatboy), was stop, drop, and stomp. The “Hello Kitty” presence was a fun addition, despite Kreashawn claiming she is a dog-lover. It was a sweet lead-in toward “Missing Kitty,” a cat who acted like a dog. Unsure if her little cat was ever found? Kreayshawn’s rhymes and word juxtaposition are creative, intelligent, and humorous. After an energizing performance and long commute, she did pay tribute to her fans with a meet/greet along the rail for photos and signatures. Honoring fans is such a big part of the community. Rap isn’t my go-to genre; yet, Kreashawn was captivating, engaging, and isn’t to be ignored.
La Luz
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La Luz‘s dreamy, sweet lullaby music swept the stage. Absent were the vocals until the second half of the set. The euphonious vocalizations blended with ethereal synthesizers and guitars to deliver a heavenly calm. They enhanced the afternoon with classic psychedelic-pop, delivering a soothing summer love vibe. La Luz introduced an additional band member, “the professor,” who led a worm dance competition down the center of a parted crowd. These female psychedelic musicians bring sweetness to the world with a timeless message.
Shannon and the Clams
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Shannon and the Clams! Shannon enthusiastically reminisced on the days she wrote her at Mosswood Park. Life can be so surreal at times. John Waters’ introduction was that “music is her ultimate cure.” The set kicked off with a rock version of “You Will Always Bring Me Flowers,” then moved into the sweet Doo-wop and blues/rock rhythm they are known for. It was a happy set that would cure anyone’s saddest moment.
Bratmobile
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Relieved Bratmobile is on the main stage this year. In 2023, I was climbing and swinging from the speakers just to get a decent photograph. This crowd was tight and intense. Having a photo pit didn’t matter; everyone crashed through to get closer to the front of the stage. Lead singer Allision had a few polite political discourses with advice on being creative with retaliation. Bratmobile always gives the crowd more than they can handle and is very generous in sharing the stage. Returning to the stage was Brontez Purnell (Brauny) with his special dance moves, Drew from Trap Girl singing “Bitch Theme”, “Fix It,” and The Linda Lindas with “Cherry Bomb”, and closing the night with Trent from The Mummies doing his best Danzig impersonation on “Where Eagles Dare.”
A special THANK YOU to all the sponsors, vendors, and fans that make this festival possible!
Jennifer Clavin has been near the top of my interview bucket list since the inception of this site a whopping 15 years ago. (!) I’ve followed her career through Mika Miko to Bleached, watching her mature as a songwriter while I’ve matured along with her, with her music helping me navigate my life. She’s recently stepped out from behind the comfort of a band and has released three singles as a solo act under the alias Dear Francis. We discussed her career and craft and even hit on the joy of rescuing animals.
She’s been posting links to her new music here as it’s ready to share. She’s playing Heavy Manners Library in LA on Sunday, October 27th. This is her first solo show EVER, and I’m sad I can’t come down for it. But you should if you are in Southern California. Tickets here!
dear francis is the nom de plume of Jennifer Clavin, my personal favorite songwriter, possibly ever? She spent her teens and 20s co-fronting the legendary Mika Miko, then she broke off and put together the power-pop tinged Bleached, and now she’s gifted us with the third release as a solo artist, and it’s bloody intense. Produced by No Age’s Randy Randall, this song is about losing a dear friend to addiction and the complexities of the emotions involved. If you’ve been through this, the song will feel like a warm hug. If you haven’t, this track will get you a little closer to understanding someone who has.
There’s exciting stuff on the horizon with dear francis. New tracks can be found here as they arrive, and for those in LA, she’s debuting this project live ON MY BIRTHDAY (10/27) and Heavy Manners Library! (I’m on the Bay Area and can’t make it, but you should!)
I’ve been following the music of Jennifer Francis Clavin for a long time now… I believe I first heard the music of Mika Miko while working at a chain music store in 2006, when I would play anything the Kill Rock Stars would send us, and fell in love. Her band after Mika Miko broke up, Bleached, immediately became my favorite band. In the passing years, Clavin’s songwriting seemed to mature with me. Were we psychically connected? Or is she just that good at conveying her own emotions in a way that feels like “mass empathy”? Does any of this even make sense? I don’t know, but “touchdown (4-track)” is a her debut solo single (under the moniker “dear francis”), and, man, this song just tingles the soul.
“touchdown (4-track)” is just the beginning of a whole new side of Ms Clavin. The track can be streamed and saved and purchased and all that good stuff in all the usual places. Expect more news in the coming months!
I love seeing a band “off cycle” or when they don’t have anything specific to promote. They are loose. They don’t have to focus on promoting anything. It’s when a band gets to simply be themselves on stage. I’ve probably seen Bleached more than almost any other band at this point (not to dismiss their recent Single Of The Week, of course), but this may be the first time I’ve seen them like this.Continue reading “Show Review: Bleached with Thank You Come Again and DJ Omar at The Chapel, 11/15/22”
I am ALWAYS ready for a new Bleached track. This one is a big, classic power-pop number. Heavy in the riffage, and colors of Bangles-esque minor key harmonies… A catchy, optimistic number from a band from Jennifer Clavin, a songwriter that, somehow, always knows exactly what I need right when I need it.
You can buy/stream “Flip It” in all the usual places. Bleached are also playing a handful of dates this November, including a 5th Anniversary show for the Lodge Room in LA on November 9th and a 10th Anniversary show for The Chapel on November 15th. They put on a fantastic show. So get your Omicron booster and party with us!
Last night, Bleached played their first show of 2020. It was a livestream, sponsored by our friends at General Election LA. It was fantastic. Sorry you missed it. Instead, here’s a brand new single from LA’s finest! It’s a fun song, that fuses together the disco energy of last year’s Don’t You Think You’ve Had Enough? with the classic, brash Ramonsean punk they were doing when we first fell in love with this band. This is an ear worm that will have you dancing all the way to the polls… Which reminds me to MAKE SURE YOU DEVELOP A VOTING PLAN!! Don’t leave it up to chance… I made some short videos a few years ago to help with electoral anxiety, especially if you haven’t been a regular participant in the electoral process.
“Stupid Boys” can be found in all the usual places, and the livestream of last night’s show will remain live here until 7pm PST, so take a long lunch and enjoy!
“Like a punk rock Leap Year, BB2021 will be back next July to slam your ass and tickle your musical pleasure!” – John Waters
God. COVID-19 is the worst, and has managed to bring out the worst of humanity, at least in the US and much of Europe. Sadly, because we are in capable of comprehending how helping others avoid getting sick will, in turn, help prevent us from getting sick, everything is being pushed til 2021.
There are a lot of bad people out there, but the organizers of Burger Boogaloo are not those people. Remember when we all gushed over how amazing the Burger Boogaloo 2020 line up was? Well, they worked hard and managed to get nearly every single one of those bands on board for Burger Boogaloo 2021, coming to you July 10th & 11th! That means we get the triumphant Bay Area returns of Bikini Kill, Circle Jerks, and Carbonas. We also get to see California punk legend Alice Bag as well as Bay Area legends Flipper, The Rubinoos, and Pansy Division. We also have Bleached and Shannon Shaw, both of which have released career best records in recent years. Rounding out the line up are The Fevers, Hammered Satin, Midnite Snaxxx, and Younger Lovers. Well, until they release more bands that will inevitably knock your socks off.
So, you know you are going to go. Why don’t you buy your tickets now so you can finally get excited about something? I know damn well I could use a little joy in this world.
So, as you may have noticed that this site has been quiet for a few weeks. That’s not so much because a lack of content, but, to be totally frank with you, this whole COVID-19 thing has left me feeling, well, really depressed. In a way where I just didn’t want to touch the site at all, because I didn’t want there to be a long stretch of “this is how we are going to handle things in the COVID-19 era” content with livestreams and think pieces and weird, meandering posts about whether or not the live event industry can overcome this without any real knowledge of when this will end. It all became more real when I lost my day job as Venue Success Specialist at Eventbrite, because, well, nobody can put on events pretty much anywhere in the world right now. Continue reading “A Letter From The Editor: Let’s Make Sure Live Music Stays Alive”
Our very first photo posted was too small an image of Marnie Stern & I. I stand by the importance of this image.
The very first article posted to Spinning Platters was March 25th, 2009. It was a diary of the first few days of my second visit to SXSW. You can read that here, and even look at a picture of me 29 year old me with Marnie Stern.
That means this little music blog that has evolved into a music, film, theater, and comedy blog, and has been around for more than a decade at this point. So, in order to commemorate this time, I reached out to every person that has ever contributed to the site to pull together a top 50 records of the first ten years of Spinning Platters. That would be between March 2009 and March 2019.
Not everyone got back to me. I even got a couple, “I don’t remember doing this” emails from people that only contributed a couple of articles. However, this is definitely a list that represents the tastes of everyone that has been part of this thing. Since 50 records is a lot to take in at once, I’m just going to give you 31-50 today. Only without any words about the record at all, just a video from that album. Coming soon will be 11-30 with more commentary, and 1-10 with even more commentary will be coming your way before Christmas. So without further adieu, here’s your list!
Mosswood Meltdown is an annual beacon for all the freaks, geeks, rebels, righteousness, and everything that smells like punk rock. The East Bay punk scene has continued to thrive, as punkers converge on familiar and unique locations from 925 Gilman Street to the beach with a solar-powered van and even the public transit system. This is a dedicated mob of misfits that continues to expand and connect. It was no surprise that this year’s Mosswood Meltdown had a significantly larger attendance than years past. Moving the date to an off-holiday weekend was a plus. Although headlining a legend like Devo and closing the festival with Bratmobile, a new uprising force in the punk world, is a stronger likelihood for a significant increase in attendance. My main complaint was that this festival ended too soon. I am still hungry and looking forward to next year. This must have been a shared feeling, as the early bird tickets for 2026 sold out quicker than a sneeze.
