Go-Go’s musical Head Over Heels misses the beat

Edited by Jessica Vaden

Peppermint (center) will become the first woman who is trans to originate a role on Broadway, starring as Pythio (The Oracle of Delphi), pictured here with members of the ensemble performing the Go-Go’s “Vision of Nowness.” All photos courtesy of Joan Marcus, 2018.

San Francisco got a peek at the new musical Head Over Heels before it heads to Broadway; it features hits from the iconic ’80s new wave band the Go-Go’s, known for their fun, cheeky songs. But underneath the funky stockings and pop sensibilities is a groundbreaking band led by five women, who ventured into what turned into the boys’ club of the late ’70s Los Angeles punk scene, playing legendary venues such as Whiskey a Go Go and The Masque. They wrote fierce lyrics, jammed with the rockers, made their way onto MTV, and paved the way for an entire generation of women who play. [read the whole post]

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Not much has changed since 1677 — Role Players Ensemble brings Aphra Behn’s The Rover to the Danville Village Theatre

Edited by Jessica Vaden

David J. Bohnet plays Don Pedro, Florinda’s overbearing brother. Nicolette Ellis is Florinda and Terrance Smith as Belville. Photos by Marian Bliss, 2018, courtesy of RPE.

Perhaps now more than ever we are questioning the social constructs that have been put into place for us, especially for those of us on the margins, or in places where our identities intersect. In an attempt at dismantling oppression, we look at its history… starting from gender bending to gender breaking, and finally, to what we assume will become the complete elimination of gender roles. [read the whole post]

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All Photos by Rob DeMartin.

Several months ago, I first read that Bruce Springsteen was setting out to do a one-man show on Broadway. My immediate thought was, “I would really like to go to that, but I doubt I’m going to make it to New York anytime soon.” There was a period where you could sign up for the “Ticketmaster Verified Fans” program, which, somehow, determined who was an actual fan and who was a reseller (not entirely sure how this works, and not really sure it does, but that’s for another article). I almost signed up for that, but didn’t. I didn’t want to get my hopes up. [read the whole post]

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2018 San Francisco International Film Festival ends this week

If you haven’t made it out to the SF International Film Festival yet, don’t worry – you still have one more day to catch some great films. The Festival ends tomorrow, Tuesday, April 17th, and tickets to remaining screenings can be found here.

Spinning Platters continues its coverage by taking a look at four films that screened at the Fest that will be opening soon here in the Bay Area (we note each film’s opening date below), so if you had hoped to see some of these at the Fest and missed them, you’ve got a second chance. And even though the Fest ends soon, stay tuned to Spinning Platters; we’ll have some wrap up coverage after the Fest concludes.

1.) Kodachrome
(Canada/USA 2017, 105 min. Marquee Presentations)

Matt (Jason Sudeikis, l.), Zoe, (Elizabeth Olsen), and Ben (Ed Harris) have some fun.

Upon hearing the title of director Mark Raso’s new film, you would be forgiven for thinking it might have something to do with Paul Simon’s 1973 single of the same name. That song is referenced in the film, but never played, which is for the best, since the last film to take its title from a Paul Simon song was a huge flop. Raso fares better here, working from a script by the author and screenwriter Jonathan Tropper (This is Where I Leave You). Based loosely on a 2010 article in the New York Times about the closing of the last photo lab in the country to develop Kodak’s famed color film, Kodachrome is a father-son redemption story that calls to mind Sam Shepard, and not just because Shepard stalwart Ed Harris plays Ben, the estranged, terminally ill famous photographer father to Jason Sudeikis’s wounded music producer son Matt. The actors are believable as a father and son with a complicated history, which helps detract from the cliché of their road trip from New York to Kansas to drop off old Kodachrome rolls of Ben’s before the lab closes. Accompanying the duo is Zoe (Elizabeth Olsen), Ben’s nurse and assistant and, of course, love interest for Matt. Olsen’s likable presence and her chemistry with Sudeikis also help keep the story from feeling too obvious, and you find yourself wanting to spend more time with them. The film does occasionally succumb to the hackneyed, though, as when Matt and Zoe finally look at Ben’s developed slides (you’ll have long since guessed what’s on them), in a somewhat cloying scene that may remind some viewers of the famous “The Wheel” episode of Mad Men. But with its nostalgic look at how our analog world has given way to digital, Raso and Tropper manage to pull off a charming narrative that would have felt derivative with a lesser cast at the helm.

Kodachrome will open in the Bay Area this Friday, April 20th.

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Kate Nash is somebody that too many people have forgotten about. She put out Made Of Bricks, a massive, brilliant record of bright, yet jaded, pop nearly 16 years ago. The kind of album Elvis Costello could have done if he had been a teenage girl. Her follow up, My Best Friend Is You, recast her as a garage punk heroine. She put away the piano, picked up the guitar, and managed to put out an even better record than her first one. It was such a departure from the first album that few fans followed, and with her name tied to the unfairly mocked “pop” genre, few fans of garage rock followed. This is OK, because this gave her the freedom to follow that with the riot grrrl flavored, lo-fi masterpiece, Girl Talk. And, just this last week, she followed up Girl Talk with yet another reinvention. Yesterday Was Forever is another lo-fi treat, with her signature sharp, biting lyric writing, fuzzy guitars, and adding in analog drum machine beats and trap-influenced syncopation, making a very surprising and highly listenable record. [read the whole post]

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Laura Veirs hasn’t enjoyed the widespread popularity or been welcomed to the radio waves like her other Portland musician colleagues and frequent collaborators have, like The Decemberists and Sufjan Stevens. “Not a household name / but she’s been in your head all day / It would be so cool to be like Carol, Carol Kaye.” These lyrics from “Carol Kaye” off of Veirs’s 2010 incredible LP offering July Flame, just about sums it up. It’s unfortunate that Veirs isn’t the household name her music has well-earned the distinction of becoming. Alas, two more LPs and a collaboration album with Neko Case and k.d. lang (Case/Lang/Veirs) later, and Veirs is still delivering radio-worthy tunes that are as catchy as they are folksy and heartfelt. [read the whole post]

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Film Feature: SFFILM 2018 Festival Spotlights #2

April 9, 2018

Make time for these three great documentaries at the 61st San Francisco International Film Festival 1.) Carcasse (Iceland/France 2016, 61 min. Vanguard) Faraway lands and anthropologic impulses lured filmmaker Gústav Geir Bollason to the subject of how we adapt the 21st century’s material bounty to the timeless problems of survival. Drawing heavily from Robert Flaherty […]

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Film Review: Blockers

April 6, 2018

Don’t let anyone Block you from seeing this smart, funny comedy The teen sex comedy is given a refreshing update in Blockers, director Kay Cannon’s feature film directorial debut. Cannon, an actress and screenwriter best known for the Pitch Perfect series, brings a welcome feminine touch to a genre that’s typically directed by men, for […]

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Outside Lands 2018: 48 Hours After The Line Up Dropped

April 5, 2018

It’s the same story every festival: In the days and weeks leading up to the line up announcement, people try to predict the line up. Then folks get their hopes set super high with some imaginary Beatles / Smiths / Talking Heads / Mozart & Salieri reunion, and then nothing else is ever good enough. […]

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Show Review: The Darkness with Diarrhea Planet at The Regency Ballroom, 3/31/2018

April 4, 2018

Rock is dead, people say. They say this because EDM and hip-hop headliners rule the festival stage, and when a rock band is seen anywhere on stage, it’s always dismissed as a legacy act. When people say this, they’re stupid. , but Iif they need convincing, here comes a tour that gives a big giant […]

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