“Ice Cream Piano” begins with a healthy dose of guitar feedback and pronounced strumming, and then the first few lines of the album soothingly unfold, “‘Fuck the world’ / You said it quiet / No one could hear you / No one but me / Cynical, you can’t deny it.” It’s a surprising, but no less strong, sequence of phrases on which to launch Vampire Weekend’s fifth studio album, Only God Was Above Us. The album explores the status quo, including international conflicts, generational attitudes, and society’s unrelenting grip on historical traumas. And yet, Only God Was Above Us, named after a headline quote in the Daily News from a real-life Aloha Airlines flight incident in 1988, is not overtly political. Rather, it’s a musical commentary about fatalism and disillusionment, punctuated by an ultimate yearning for hope and progress. It’s the most cohesively inspired Vampire Weekend album yet, with the band diving head-first into a (mostly) New York City urban soundscape of grunge and grit (see the album cover image above) while not abandoning their gleeful chamber pop origins. Continue reading “Album Review: Vampire Weekend, “Only God Was Above Us””
Category: Album Reviews
Spinning Platters album reviews category. Click here to see all album reviews from the Bay Area Music Nerds.
Album Review: Elbow, “Audio Vertigo”
‘You’re a pitiless millstone / Impossible check / You’re a lure to the shore / And the rocks and a wreck / You’re a slender and elegant foot on the neck / And I love you.’ Elbow frontman Guy Garvey delivers these poetically devastating lyrics on “The Picture,” one of twelve tracks from the band’s tenth studio album, Audio Vertigo. Elbow’s previous album, Flying Dream 1 (which landed on our Top 20 Albums of 2021 list), was whimsical and contemplative, and now the band has emerged post-pandemic with a boisterous spirit, delivering an album full of groovy hooks and dark romantic musings. Continue reading “Album Review: Elbow, “Audio Vertigo””
Album Review: Steven Wilson – The Harmony Codex
It’s like listening to a kaleidoscope.
Anyone following Steven Wilson’s career, either via his work with Porcupine Tree or solo, has at least a tertiary understanding of his work as a remixer. He has done remixes of back catalogs for absolute legends like King Crimson, YES, XTC, ELP, and Jethro Tull, not to mention one-offs of bands like Black Sabbath, Opeth, Caravan, Chicago; the list goes on. He has spoken in interviews stressing the difference between a remix and a remaster and how much more work goes into remixing. Surround sound is nothing exactly new in this day and age. Still, technology has advanced over the years since 5.1 gave way to 7.1, which gave way to Dolby Atmos – the current standard for theatrical surround sound – allowing for all sorts of experimentation as home sound systems have been catching up.
Continue reading “Album Review: Steven Wilson — The Harmony Codex”
Album Review: Dethklok – Dethalbum IV
“WE ARE ALL GOING TO DIE”
It’s been a long and difficult saga for Brendon Small, but with the upcoming release Metalocalypse: Army of the Doomstar, we will finally have a conclusion to the story of the “greatest band on earth,” Dethklok. Despite the more obvious humor of Metalocalypse, there has always been a love and adoration for heavy music, from the overarching score, guitar squealing censor blips, and the four absolute crushers of albums.
Spinning Platters’ Top 10 Albums of 2022
By The Spinning Platters Editorial Team
Good news, everyone! Just like every other year, Spinning Platters is publishing the LAST top albums of the year list you’ll be reading. Our entire team has been listening to each other’s favorite records, no matter how painful it can get, and we’ve voted on our 10 favorite albums of 2022! Without further adieu, here we go: Continue reading “Spinning Platters’ Top 10 Albums of 2022”
Album Review: The New Dark Ages by Gwar
Metalheads are gonna hate this album.
But damn, Mike can sing.
This is GWAR’s 15th studio album and the 2nd studio album (or 3rd depending on how The Disc WIth No Name is counted) with Mike Bishop, slave to The Berzerker Blothar, at the mic. GWARs history in metal, and what influenced them, is on clear display. This album took me on a tour of metal history. From the gloom of Doom Metal to the sweaty LA club scene, over to an arena in England. I can already feel the heat and sweat pressing in when next I see them. I can tell which track will move the pit round, up and down, or give it a rest. I’ve been on this blood, and piss slick road for over 30 years, and The New Dark Ages is, in this Bohab;s opinion, not just an excellent album, but it’s more of a departure from what I would call their “sound”, you know it when you it. Let’s call it, AO, After Oderus. This album feels like a natural progression from The Blood of Gods T and I’m here for it.
The New Dark Ages is coming your way June 3rd. You can prepare for your listening in both the physical and virtual realms experience here!
Album Review: The Black Keys, “Dropout Boogie”
From the twanging riffs and thumping percussion that open the album on the single, “Wild Child”, we know we’re in for a head-bopping, foot-stomping, groovy record. Dropout Boogie is The Black Keys’ eleventh studio album (!) and a conscious return to stripped down hard-nosed bluesy rock ‘n’ roll they first earned a passionate fanbase and later numerous accolades. For the first time in their studio album discography, the Akron, Ohio duo of Dan Auerbach and Patrick Carney solicited collaborations from other artists and the result is a river flow of laid back jaunts, comfortable grooves, and a few raw first take recordings. All hail the majesty and imperfections of the blues-rock guitar!
Continue reading “Album Review: The Black Keys, “Dropout Boogie””
Album Review: Wet Leg / Wet Leg
There hasn’t been a debut rock record anticipated as hotly as Wet Leg’s debut in over 20 years. I haven’t seen this kind of prerelease hype since The Strokes’ monster debut Is This It. Continue reading “Album Review: Wet Leg / Wet Leg”
Album Review: Spoon, “Lucifer on the Sofa”
If you don’t know Spoon, you’ve probably still heard a handful of Spoon songs and, unknowingly, are a fan. The rock band from Texas has produced a steady flow of albums since 1993, including a handful of radio singles and major contributions to the Stranger than Fiction soundtrack, culminating (but hopefully not finishing) with their tenth studio album, Lucifer on the Sofa. I would’ve guessed Lucifer on the Sofa as a more likely Cake album title than a Spoon one, but considering the album was mostly conceived and recorded in and around COVID lockdowns, the title is apt in describing the set of ten songs’ lyrical and instrumental battle against one’s own domestic demons. With a stripped-down rock n’ roll sensibility, Spoon has delivered a live-esque studio album that plays like a group artistically re-coalescing together for a spontaneous living room concert, and we’re lucky enough to have a front-row sofa seat.
Continue reading “Album Review: Spoon, “Lucifer on the Sofa””
Reissue Spotlight: Deluxe & Reimagined Editions Of 2020 Releases by Thao & The Get Down Stay Down and Diet Cig
The beauty of bringing a new body of work out on tour is that it allows the artist to find new ways to connect with their own music, oftentimes giving space for a song or collection of songs to grow and evolve. The performer-audience dynamic allows for both the fan and the songwriter to find new meaning and new layers in a piece of work.
Sadly, many of the best records of 2020 never got that chance to grow with an audience. I’ve spent the better part of a year and a half longing to hear what happens with Diet Cig’s Do You Wonder About Me? once given the chance for a live audience to take it in. Although that has yet to happen, the band has found numerous ways to reconnect with the songs and connect to fans without the opportunity to bring it live. They have done filmed livestreams. They’ve commissioned artists to reinterpret the album as a zine. And now they are blessing us with I Don’t Like Driving Like I Used To, and EP of alternate takes of tracks from Do You Wonder… that were recorded during this ever so lengthy quarantine.
This companion to a genius record is coming your way October 1st. You can presave your copy on your favorite streaming platform immediately.
Also breathing new life into their 2020 release is Thao & The Get Down Stay Down. Temples is probably Thao’s most electric record to date, and like the Diet Cig album, a record that helped ease me through the despair of the last 19 months. On October 29th, she is bringing us Temples – Deluxe Edition, where she strips four Temples standout tracks free of the electronic elements and lays them down on acoustic instruments accompanied by strings, no doubt inspired by her neighbors that she introduced us to during her Tiny Desk Concert.
Preorders of Temples – Deluxe Edition will begin soon!