Glenn Close in ALBERT NOBBS
Glenn Close has long been perceived as an intimidating woman, which likely stems from a number of factors. Maybe it’s because of her unhinged work in the iconic role of Alex Forrest, the psychotically unstable mistress who will not be ignored, in the ’80s landmark Fatal Attraction. It could be due to her impossibly imperious turn as the scheming, vicious Marquise de Merteuil in Stephen Frears’ Dangerous Liaisons. The under-21 set likely grew up cowering from her scenery-chewing Cruella De Vil in the live-action 101 Dalmations. Not even the small screen has been safe from Close’s fire-breathing intensity, whether it be her hugely acclaimed work on The Shield, or her two-time Emmy-winning turn on Damages as Patty Hewes, the ferocious litigator who will stop at nothing — nothing — to win a case. So even though Close is currently promoting what is arguably the least threatening character she has ever played, this does not necessarily make her more comfortable to be around. At least not when she turns the tables during our interview and begins grilling me about my thoughts on her Oscar-nominated new film, Albert Nobbs.
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Tickets to see this guy go on sale Friday morning, but his pants are opening for Wilco all throughout the Bay Area this week.
The brain of Dakin Hardwick, our managing editor, looks like this right now: Sketchfest, Sketchfest, Sketchfest. So when he sat down to write our weekly guide to Bay Area Concerts, he just wrote “Sketchfest” next to everything. Now, I’m going to deny that you should be going to lots of Sketchfest events (and then reading about them here on Spinning Platters), but there are a few concerts worth mentioning this week. And if I mention a Sketchfest event, too, well …
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by Larry Rivera
People teemed into the Dark Room Theater, a black box in one of the City’s most colorful neighborhoods (i.e. a paradoxical place of real and fictitious danger). The lobby was littered with nonsensical paraphernalia (manikins, fake chickens, etc.). A one-eyed French Bulldog, Maggie, basked in the attention from adoring strangers. Sketchfest in the Mission, the largest focus of the festival’s freshest talent, was set to begin.
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“The Price is Right Theme” played over the PA and the lights dimmed. It was 10:15 p.m. and the second half of the Sketchfest Dozen double feature was about to begin, this time featuring Moshe Kasher and Jessi Klein.
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The SF Sketchfest Dozen is a noble and novel concept. Twelve vetted new headliners from across the country perform over three weeks at the Punch Line, one of the most revered comedy clubs in the country. [read the whole post]
During Sketchfest, it’s interesting how one could make show decisions. There are the headliners, and there are the special guests. No matter what, you will find something new. I stumbled across Superego because of the advertised guests. Paul F Thomkins is a genius, and I really enjoyed Erinn Hayes in Parenthood. So, I stumbled out of bed at 11:30 in order to go see comedy on a Saturday early afternoon. Which really isn’t a time that comedy should happen.
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