Single of the Week: “Ceci n’est pas un cliché” by Charlotte Adigéry & Bolis Pupul

I love dance music. But I need my dance music to feel like it’s made by humans. This track by Charlotte Adigéry & Bolis Pupul has a tight, solid groove and an infectious bassline that all sounds and feels like it was made with human hands. They call to mind 00’s legends New Young Pony Club, The Rapture, and yes, even a little LCD Soundsystem at times. (But without all the things that make LCD Soundsystem an absolute bore. Yeah. I said it.) “Ceci N’Est Pas Un Cliche'” is a great song for when you need a great sweat. 

“Ceci N’Est Pas Un Cliche'” is out now in all the usual places. Their upcoming full length record, Topical Dancer, is coming to stores, DSP’s, and your mailbox on March 4th and can be prewhatevered here. Oh, and as regular readers of this site have gotten drilled into their skulls- get yourselves vaxxed and boosted and keep your N95 sealed to your face so you can catch them live this Spring, including a gig at our beloved Popscene on May 18th! 

Single of the Week: “Looking Backward” by Melody’s Echo Chamber

It’s been far too long since we’ve heard from Melody’s Echo Chamber. Her delightful psychedelic pop is kind of a warm, sonic hug. “Looking Backward” features her soulful soprano over layers of harp, funk bass, guitars, strings and electronic elements that manage to send you into space, the mall, and home on the couch with a hot chocolate that may have a microdose of LSD, or might just be made with whole milk. Either way, it’s a pleasant experience. 

“Looking Backward” can be enjoyed right now in all the usual places. It’s the lead single off Emotional Eternal, her full-length album coming to DSPs and your turntable on April 29th. Reserve your copy / prep your playlists here! 

SF Sketchfest Moved to 2023

I hate making these posts. But, at this point, I think I’d hate NOT making these posts more… The hypertransmissibility of the Omnicron variant has forced SF Sketchfest to move the whole shebang to next year. The good news? They’ve managed to rebook nearly every single show to January 20th – February 5th, 2023. This means that you still get to see Viva Variety!, David Alan Grier, and freaking Perfect Strangers reunion, and even see me faint at the sight of the great D’Arcy Carden doing an improvised musical

An updated schedule can be found here. Hold onto your tickets, because they will be good for the new date. If you can’t make it, the individual ticketing companies will be reaching out to handle refunds shortly. (Just please give them some time, as everyone is drowning right now)… Until then, why don’t you listen to my interview with 2023 SF Sketchfest performer Jean Grae while waiting in line for your booster. Also, GET YOUR BOOSTER!! GET YOURSELF SOME N95s. CAN’T FIND THEM? DOUBLE UP YOUR MASKS AND MAKE SURE THEY ARE ON TIGHT. 

Single of the Week: “Against Face” by Cy Dune

When the world lost Akron / Family’s Miles Seaton last year, we lost one of the greatest noise experimentalists of the modern era. Now, 11 months later, we are getting new music from another member of the Akron / Family, er, family- Seth Olinsky’s new project Cy Dune. The first release from Cy Dune is “Against Face,” a song that has flavors of the experimental layers of his former band, with a garage punk grit and groove that makes you want to both scream and dance. So, please, play it LOUD. LOUDER!!!

Against Face” is the first single off Cy Dune’s upcoming full-length of the same name, out March 3rd. Preorder & presave details coming soon. Keep an eye out here for more info when it comes! 

Film Feature: Chad’s Top 10 (Double Feature) Films of 2021

2021 was a good year for movies, and not much else. The box office, and inevitably the upcoming Oscars ceremony, won’t be evident of such, but the quality of filmmaking and storytelling this year was noteworthy. As I began constructing my Top 10 Films of the Year, I realized that not only was it challenging to narrow it down, but there were a handful of appropriate film pairings — equal in stature, themes, and style. While I admit this list is somewhat a cop out, here’s my Top 10 Double Features of 2021 (all released after the 2021 Oscar ceremony on April 26th). I do believe they represent the best films that I’ve seen released this year:

  1. In the Heights / West Side Story

This ‘New York song and dance’ double feature is an obvious duet. On the positive side, both films surprised audiences (and critics) with an abundance of colorful energy, and on the flip side, both films feature male leads with some troubling choices in their personal lives. In any other year, or perhaps ten years ago, these two films would be atop the box office and Oscar predictions, especially the one where Steven Spielberg directs his first musical that is an adaptation of another movie that won Best Picture.  This year they’ll both have to settle for being two overflowing-with-life musicals that will become more and more appreciated over time.

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Spinning Platters’ Top 20 Albums of 2021

By The Spinning Platters Staff

This was an intense year… It feels like we’ve lived 300 in the last 3 months, TBH. Anyways, here’s the Top 20 records of 2021 as voted by the staff at Spinning Platters. You may notice a couple of late 2020 releases here… Similar to the Grammy’s, we don’t do a typical calendar year. Instead, we do 11/20-11/19 as a year. Because, really, in those last six weeks of the year, can anyone develop an emotional connection to a record? Continue reading “Spinning Platters’ Top 20 Albums of 2021”

Film Feature: Carrie’s Top 10 Films of 2021

After having to watch the bulk of our films from our living rooms in 2020, the slow but sure return to cinemas in 2021 was more than welcome. And the year rewarded us with many Top 10 list worthy contenders. I’ve narrowed mine down to the list below. You can also check out fellow film writer Chris Piper’s list here, as well as my 2020 list hereNow stop reading lists, and go seek these out! 

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Film Feature: Chris Piper’s Top 10 Films of 2021

Chris Piper's Top 10 films of 2021
Chris Piper’s Top 10 films of 2021

Films make a big comeback in 2021

2021 in American cinema was remarkable in how it seemed so… normal. Whatever the numbers say, my feeling was that the year started a little slowly, then found its footing around March, then kicked into something like a normal gear over the summer. As fall approached, and it seemed to me more theaters reopened, a slate of films pretty much like those in 2019 awaited. Winter seemed to bring somewhat larger than normal crop of smaller-budget films, and here we are, at the end of the year with a number of solid films released, awards season in full swing, and waiting for Oscar noms in just over a month.

So here are my top 10 films of 2021. See these 10 films in any order you want, preferably in the theater, but on your couch if you must. Here’s hoping for more of more of the same in 2022. Continue reading “Film Feature: Chris Piper’s Top 10 Films of 2021”

Spinning Platters presents “How Did I Get Here?” Season 3, Episode 3 with Jean Grae

It’s been a loooong time, hasn’t it? Fear not- I will try not to leave you, my loyal listeners, hanging for this long again. And it was worth the wait… This might be the only episode that is- ENTIRELY UNEDITED. I got to speak with noted polymath Jean Grae about, well, pretty much everything. We talked about being highly ambitious from a young age, we talked about her career in music, her jump into stand-up, writing a book, composing score, and pretty much everything else you can imagine. We even discussed the Lisa Lisa in great detail. And for those that stop listening halfway through, we do ACTUALLY solve COVID in the last five minutes, so you will definitely want to hang on for that.
 
Jean Grae is coming to SF for SF Sketchfest the final weekend of the festival. Her schedule can be found here! Grae is also still putting out music faster than most people can decide what to listen to, and her Bandcamp page is full of amazing stuff for you to listen to and purchase.

 

Film Review: “The Tender Bar”

An elegy for a Tender Bar: Affleck bright spot in familiar memoir-based story 

Young J.R. (Daniel Ranieri, l.) listens intently to life lessons dispensed by his Uncle Charlie (Ben Affleck). 

George Clooney wears his director hat for The Tender Bar, and with a script by William Monahan (The Departed) and Ben Affleck in the lead, the film, on paper, seems full of promising cred. So imagine my disappointment, then, as I watched the movie and the whole thing felt… familiar. Unoriginal. Cliche. The picture has a few decent performances, but sadly is ultimately forgettable.

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