Film Review: “Dune: Part Two”

Dune: Part Two is a majestic and visual masterpiece

When Denis Villeneuve first revealed that his adaptation of Dune was going to be divided into two parts (kept relatively secret for some reason until the first part’s release in 2021), the news was somewhat disappointing. Was the justification for two parts simply another studio cash grab? Would the first part contain enough story to justify its existence? The answer, as you may know, was that Dune: Part One blew away everyone’s expectations, establishing Villeneuve’s vision as unique, monumental, and cinematically astounding. The stakes were high for Dune: Part Two, since Part One was a critical and box office success and even made a push for the Best Picture Oscar (which it lost to CODA, yeesh). Now Dune: Part Two has finally arrived after a long delay due to the WGA strike last year, and it’s a masterpiece. The new film expands upon the original’s narrative scope, delivering nearly three hours of stunning visual storytelling and character arcs, placing it among the best sci-fi epics of the last fifty years, and making it perhaps one of the greatest sequels in cinema history.

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Film Feature: Chad’s Top 10 (Double Feature) Films of 2021

2021 was a good year for movies, and not much else. The box office, and inevitably the upcoming Oscars ceremony, won’t be evident of such, but the quality of filmmaking and storytelling this year was noteworthy. As I began constructing my Top 10 Films of the Year, I realized that not only was it challenging to narrow it down, but there were a handful of appropriate film pairings — equal in stature, themes, and style. While I admit this list is somewhat a cop out, here’s my Top 10 Double Features of 2021 (all released after the 2021 Oscar ceremony on April 26th). I do believe they represent the best films that I’ve seen released this year:

  1. In the Heights / West Side Story

This ‘New York song and dance’ double feature is an obvious duet. On the positive side, both films surprised audiences (and critics) with an abundance of colorful energy, and on the flip side, both films feature male leads with some troubling choices in their personal lives. In any other year, or perhaps ten years ago, these two films would be atop the box office and Oscar predictions, especially the one where Steven Spielberg directs his first musical that is an adaptation of another movie that won Best Picture.  This year they’ll both have to settle for being two overflowing-with-life musicals that will become more and more appreciated over time.

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