Film Feature: Carrie’s Top 10 Films of 2021

After having to watch the bulk of our films from our living rooms in 2020, the slow but sure return to cinemas in 2021 was more than welcome. And the year rewarded us with many Top 10 list worthy contenders. I’ve narrowed mine down to the list below. You can also check out fellow film writer Chris Piper’s list here, as well as my 2020 list hereNow stop reading lists, and go seek these out! 

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Film Feature: Highs and Lows from the 2020 Sundance Film Festival

The 2020 Sundance Film Festival concluded this weekend with Festival jurors bestowing prizes upon 28 of the 128 films shown during the ten-day Fest. All the winners can be found here, but, as I did last year, below I present my own highlights — good and bad — and let you know which films you should SEE or SKIP, should any of these be widely released at some point.

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Film Review: Transformers: The Last Knight

This movie goes for Big Dumb Fun, and is certainly big and dumb

             Sir Anthony Hopkins about to chew some scenery in Transformers: The Last Knight

A few years back, I wrote a “live blog” of Transformers 4: I Can’t Remember the Subtitle, the first in the Michael Bay x Hasbro series of films to star Mark Wahlberg. It was a pretty silly movie, but looked amazing in IMAX 3-D, as many scenes were shot natively with IMAX 3-D cameras. This time around, nearly every shot in the final film comes from IMAX 3-D cameras, so of course I had to head out to the theater to provide another Transformers live blog!

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Film Review: Spotlight

Power of the press is real hero of McCarthy’s inspiring, well-executed picture

The Boston Globe Spotlight team (from left: Rachel McAdams, Michael Keaton, and Mark Ruffalo) uncover a major story.

Writer/director Tom McCarthy is perhaps best known for his character-driven films like The Station Agent, The Visitor, and Up. With his new film Spotlight, though, McCarthy stresses the story itself, yet his film proves just as successful – if not actually more so – than his earlier pictures that favored rich character development. Indeed, not since 1976’s All the President’s Men has a film so deftly and engagingly captured the heart-pounding excitement of intrepid reporters uncovering a major story of enormous national significance.

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