BottleRock Napa Valley 2024 Festival Journal, Day 2

(You’re reading Day 2. Be sure to check out Day 1!)

Saturday in Napa dawned bright and sunny for another day of festival fun! My first stop was the Verizon stage, where I caught Holly Humberstone. The girl’s voice is absolutely angelic, and while I only know a few of her songs so far, I enjoyed her performance. She was a treat to start a lovely day, and I was happy to hear both “The Walls Are Way Too Thin” and “Falling Asleep at the Wheel.” You can find the entire setlist here (Verizon; BRNV photos) Continue reading “BottleRock Napa Valley 2024 Festival Journal, Day 2”

BottleRock Napa Valley 2024 Festival Journal, Day 1

Even if I weren’t eagerly awaiting this year’s BottleRock Napa Valley, as I do every year, I would have known it was coming: Napa weather has been absolutely perfect lately. Highs in the mid-70s, clouds are few and far between, and there’s often a lovely breeze if you get a little hot in direct sunlight. Seriously, it’s been wonderful. It’s perfect festival weather! Continue reading “BottleRock Napa Valley 2024 Festival Journal, Day 1”

How Did I Get Here? with Miki Berenyi

This episode features Miki Berenyi, famous for fronting the legendary 4AD act Lush. We talked about her career, the nature of the UK music press, radio, the economics of touring, and accidentally putting together a band! Berenyi recently released a memoir called ?fingers crossed: how music saved me from success?, and it’s endlessly captivating. She is playing shows in the US in June, then returning to the UK on the fall. Those dates can be found ?here?. And her latest single, ?Vertigo?, is streaming in all the usual places.

Single of the Week: “Lucky” by Raveena

At the core, “Lucky” is a stunning little R&B ballad that could’ve come out anytime in the last 50 years and it would’ve felt just as timely and timeless. The song is both light and sexy, and even without this video, I would’ve really dug it. But THIS VIDEO?!?!?! It’s hands down my favorite movie of the year at this point. This video is visually stunning and tells a complete story in 3:44. Anyone who tells you their movie needs to be 3+ hours should watch this piece of art. 

“Lucky” is off of Raveena’s upcoming full-length, Where The Butterflies Go In The Rain, coming your way June 14th

Show Review: Decapitated + SepticFlesh at DNA Lounge, May 18, 2024

Photos and review by: Alan Ralph @ConcertGoingPro
Decapitated photos by: Zoran Theodorovic of Capital Chaos TV

After just over a month on the road, co-headliners Decapitated and SepticFlesh, along with Kataklysm and Allegaeon, held their penultimate show of the Cancer Culture Over North America tour at DNA Lounge in San Francisco. The show was packed from the first band to the last, and all four felt like they could have been the headliner!

Continue reading “Show Review: Decapitated + SepticFlesh at DNA Lounge, May 18, 2024”

Show Review: CSS, Agender at The Independent, 5/14/24

I’ve waited 18 years for this. CSS was a big part of my 20’s. I was heavy into the electroclash universe, and made it through plenty of drunken dance parties, sweating the booze out to “Let’s Make Love (And Listen To Death From Above.” But I never ended up seeing them. It simply never worked out, and as their visits to the States became fewer and further between, I just chalked it up to the “I can’t see everybody.” 

Well, then Just Like Heaven released their 2024 lineup. I already knew Gossip was back, but I was surprised to see CSS hidden on one of the lower lines. (SACRILEGE!) Not long after this announcement a small number of tour dates appeared, and I decided it was finally time to make this one happen.  

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Warming up the crowd was LA’s Agender. This is one of those bands that simply hit on the nose EXACTLY everything that I usually want to hear. They pooled elements of disco, hardcore, pop-punk, and stoner metal into a joyful cacophony that flooded my brain with some much-needed serotonin. This was excellent. 

CSS took the stage to the bouncing beats of the Vengaboy’s classic, “We Like To Party.” They seemed to burst onto the stage in a fit color and energy, powering through “CSS Suxxx” in all its pop-punk glory. Lead singer Lovefoxxx would fling her Rapunzel-esque hair with such intensity that I was nervous band members would get hurt. The energy was infectious, and this certainly didn’t feel like we were watching a band that hadn’t performed together regularly in almost a decade. 

With no new material to pull from, the setlist itself did largely feel like a career retrospective, with Lovefoxxx telling stories about the early days of the band, and hitting songs from every portion of their career. She spoke of auditioning for CSS while wearing a Motörhead shirt, despite only knowing “Ace Of Spades” and being a tad embarrassed, only to find that the band was more Madonna than Motörhead anyway. They even covered a few songs that they used to play in their early days- an epic rendition of Madonna’s “Hollywood,” and a live mashup of Sleater-Kinney’s “I Wanna Be Your Joey Ramone” and Jennifer Lopez’s “Jenny From The Block,” which was far more fun than you could ever imagine it being. 

The joy of this set and the happiness emanating from the stage made it hard for me to believe that this tour was a one-off. They sounded as tight as ever, and everyone on stage seemed to be having the time of their lives. The audience gave right back, with a mix of newer, younger fans who never got to see the band in their heyday alongside folks who never missed a show, dancing up a storm, and giving right back to the band. The electroclash hits felt like an old friend that we lost contact with and then found each other again after years, but it felt like no time had passed. Two key moments where this happened with me were “Music Is My Hot Hot Sex” and “Alala.” I forgot how much I moved to those songs in the past, but it was just like riding a bicycle. 

I genuinely hope we get to spend time with CSS again. This show was everything that makes going to shows great: the songs, the crowd, the band. It was such a joy. 

Single of the Week: “touchdown (4-track) by dear francis

I’ve been following the music of Jennifer Francis Clavin for a long time now… I believe I first heard the music of Mika Miko while working at a chain music store in 2006, when I would play anything the Kill Rock Stars would send us, and fell in love. Her band after Mika Miko broke up, Bleached, immediately became my favorite band. In the passing years, Clavin’s songwriting seemed to mature with me. Were we psychically connected? Or is she just that good at conveying her own emotions in a way that feels like “mass empathy”? Does any of this even make sense? I don’t know, but “touchdown (4-track)” is a her debut solo single (under the moniker “dear francis”), and, man, this song just tingles the soul. 

“touchdown (4-track)” is just the beginning of a whole new side of Ms Clavin. The track can be streamed and saved and purchased and all that good stuff in all the usual places. Expect more news in the coming months! 

Film Reviews: “Babes” and “Back to Black”

Weekend movie choices: Amusing comedy or forgettable biopic? 

The summer blockbuster movies season is still a few weeks away, but in the interim two very different smaller pictures featuring female protagonists open today. Are they worth seeing? Read on to find out! 

Continue reading “Film Reviews: “Babes” and “Back to Black””

Show Review: IDLES at The Fox Theater, 5/10/24

Yes. I consider myself a fan of “punk rock.” But I will admit I’ve spent very little time with this decade’s reigning punk rock kings. It’s not to say that I’ve completely avoided them- I definitely adore their aesthetic and agree with their stance of what is essentially “aggressive positivity in the face of oppression.” It’s a group of five white guys with guitars that seem to be fully aware of their privilege and what to do with it. I like that. It’s just, well, there is so much quality music out there being created that I will often simply disregard anything by “five white guys” as something that I don’t need. 

That being said, IDLES live proved that I’ve been missing something magnificent this entire time. Opening their set with the intensely atmospheric “IDEA 01,” I still wasn’t sure what to expect. This really wasn’t “punk,” as I have known it in the past. It was clearly something “new,” and I am here for it. 

The band spent the next literal two hours going in and out of shadows onstage, with guitarist Lee Kiernan periodically flinging himself off stage. Singer Joe Talbot danced like the drunkest uncle at the wedding while dryly uttering the most profound lyrics I’ve heard in a long time. Despite being on tour to promote this year’s TANGK, they pulled equitably from their entire catalog, all while speaking about positivity and pushing for a Free Palestine (including donning a “Free Palestine!” hat thrown from the crowd, which Talbot said something along the lines of “this message is worth getting lice for”) Not long after this comment, we ended up with an a capella rendition of Mariah Carey’s classic “All I Want For Christmas (Is You),” always unexpected, but much less expected in May. 

Anyway, that was a lovely, sweaty good time. I even tripped over Lars Ulrich, of all people, who was dancing and singing along and enjoying himself a great deal without any attention being brought to his presence. It was a lovely time, and I expect this band to share a lovely time with folks for many years. 

Kerry King (of Slayer) ‘From Hell I Rise’

Review by: Alan Ralph @ConcertGoingPro
Cover photo by: Jim Louvau @jimlouvau

“It’s gonna sound like Slayer without it being Slayer.” (Paul Bostaph, August 27, 2020, Metal Injection

“[O]f course it’s gonna sound like Slayer; I wrote 90% of the last record [Repentless].” (Kerry King, May 13, 2024, Revolver)

After an eighteen-month ‘final’ tour, Slayer called it quits on November 30, 2019, and it surprised absolutely no one that Kerry King would be back. Even the guitar picks that he threw out from the stage every night on the final tour said: Kerry King will be “Reborn” in “2020”.  

Continue reading “Kerry King (of Slayer) ‘From Hell I Rise’”