Buy! your ticket to see your favorite artists. Attend! to be with your closest 3,000 friends. Embrace! those odd conversations. Experience more music than advertised. This year at one of the hidden side stages was a “BitchFit” performance. A band of 4 friends unapologetically kicking in doors and yelling that violence will no longer be tolerated. Frontwoman Ailish shared a megaphone with fans to actively scream NO to their personal situation. This was followed by the crowd’s response – “fuck (person’s name), you suck.” The four artists are small, but their ideals and voices are changing the world. Continue reading “Mosswood Meltdown Day 3 — Highlights from the Mosh Pit”
Tag: Oakland
2026 Mosswood Meltdown – Day 1: Blurring the lines of Music Genres – Pavement, Wednesday, Vivian Girls
Photos and Review by: Emily Anderson
Punk rock is more than music; it is a way of life. As life changes, punk will echo the experiences. The first day of the Mosswood Meltdown festival put awkward to a ripping beat, swirled in a country twang, and added comedy to remind us at times we really don’t know the lyrics. During Mosswood Meltdown, nothing is ever certain; its punk rock why expect anything else.
Vivian Girls – Beat vs Mosh
Their intro-set had an elegant awkwardness that matched the tone of the dark lyrics as they echoed versions of death. Each song spiraled into the next flawlessly. Then the announcement -“Here are a few old songs”; thus, the second set. The transition was from an awkward movement to clean angelic harmonies on top of a ripping, punk-beat that was faster than the mosh pit could circle, bump, or bounce. A distinct crowd favorite -“Out For The Sun”- amplified the beautiful chaos.
Wednesday – Who doesn’t love a punk rock scream!
They have a perfect blend of music containing variations from multiple genres: Rock, Punk, and Country. Their southern origin (North Carolina) bleeds country twang vibes into a punk rock edgy aesthetic. Allowing a hard rock power cord build up bridge bleed in a country twang with punk rebellion. It united every unique genre, as if this is the natural intended order of the world.
Karly Hartzman’s claim “Outlaw people are the punkest people out there” seemed believable when they transitioned from rock to country with the song “Phish Pepsi.” The entire band had an explosive performance. The following explanation revealed their reason and reality. On their last tour they could not celebrate the death of Lindsey ‘war-hawk’ Graham. Karly said she had to “Scream in memory from all the children that died in all the wars started by Lindsey Graham.”
“Wednesday” is the embodiment of their mixed genre style without rules. I noticed the guitarist adjusted the drums as the drummer tuned the guitar. When Karly inquired about the Oakland fragrance, a bottle was tossed from the crowd to the stage. Its contents were gingerly shared on stage. The performance was louder, faster, and more punk than previous.
Pavement – Comedy or concert?
Pavement’s performance was a remembrance to value the present, past, and unexpected. It was humorously linked by the charm, charisma, and comedy that only Pavement could deliver. The setlist ranged from Hits to dusty B-sides. They took liberties with legendary rock classics such as Led Zeppelin’s ‘Stairway to heaven’ by keeping the rhythm and altering the lyrics to “I should have rehearsed in the hotel room, cause I didn’t get it right”, instead of “truly makes me wonder.”
There was a musical tour of California, via a Pavement song to describe each city. It kicked off with the announcement ‘Oakland was the better part of Stockton’ which was followed by hardcore punk screaming guitar riffs. Most memorable mentions were “Sound” for the desperate housewives of Alameda, “Down Down” for the Joaquin River, with a little something special for the beautiful city of Lindsy.
There were some sentimental moments in remembrance of Gary Young, the original drummer who left us in 2023. A voice from the band yelled out he left us long before that. This might have been the reference to Gary leaving the band in 1993 for his own endeavors. Despite the laughs on his birthday date resembling the unending math equation of pie; it was a sentimental movement. Shortly after a man from stage right ran into the stage and grabbed a mic. Security was quick to escort his return to backstage but Pavement’s Mark Ibold put his arm around him and they sang furiously loud.
Show Review: Alex G at The Fox Theater – Oakland, 9/23 & 24
I was planning on taking my 15-year-old daughter to see Alex G. She’s the reason I got into him six years ago. She discovered him on YouTube, and over time she grew increasingly irritated by the hordes on TikTok who butchered his lyrics and turned his shows into screaming matches over mis heard refrains. Continue reading “Show Review: Alex G at The Fox Theater — Oakland, 9/23 & 24”
Punk Rock show reviews: Summer Circus of Discontent
Photos and review by: Alan Ralph @ConcertGoingPro
Back in the day, Warped Tour was the travelling festival of the summer. It’s back after a six-year absence, but as a destination festival, with one of its three locations being in Southern California.
Historically, the Bay Area always reaps the rewards of destination festivals like Coachella where bands will book other nearby shows or West Coast tours outside of the festival’s radius clause— so much so that Spinning Platters esteemed Editor even coined the phrase Fauxchella (and owns that domain name!) — and each year keeps track of Coachella bands that make their way up here.
So now, one of the advantages of Warped Tour bringing nearly 100 punk rock bands to Long Beach is that some of them will book in the Bay Area… and in the span of four nights following Warped Tour Long Beach, five of the travelling festival veterans and one LBC newbie made the journey up here.
Continue reading “Punk Rock show reviews: Summer Circus of Discontent”
Show Review: IDLES at The Fox Theater, 5/10/24
Yes. I consider myself a fan of “punk rock.” But I will admit I’ve spent very little time with this decade’s reigning punk rock kings. It’s not to say that I’ve completely avoided them- I definitely adore their aesthetic and agree with their stance of what is essentially “aggressive positivity in the face of oppression.” It’s a group of five white guys with guitars that seem to be fully aware of their privilege and what to do with it. I like that. It’s just, well, there is so much quality music out there being created that I will often simply disregard anything by “five white guys” as something that I don’t need.
That being said, IDLES live proved that I’ve been missing something magnificent this entire time. Opening their set with the intensely atmospheric “IDEA 01,” I still wasn’t sure what to expect. This really wasn’t “punk,” as I have known it in the past. It was clearly something “new,” and I am here for it.
The band spent the next literal two hours going in and out of shadows onstage, with guitarist Lee Kiernan periodically flinging himself off stage. Singer Joe Talbot danced like the drunkest uncle at the wedding while dryly uttering the most profound lyrics I’ve heard in a long time. Despite being on tour to promote this year’s TANGK, they pulled equitably from their entire catalog, all while speaking about positivity and pushing for a Free Palestine (including donning a “Free Palestine!” hat thrown from the crowd, which Talbot said something along the lines of “this message is worth getting lice for”) Not long after this comment, we ended up with an a capella rendition of Mariah Carey’s classic “All I Want For Christmas (Is You),” always unexpected, but much less expected in May.
Anyway, that was a lovely, sweaty good time. I even tripped over Lars Ulrich, of all people, who was dancing and singing along and enjoying himself a great deal without any attention being brought to his presence. It was a lovely time, and I expect this band to share a lovely time with folks for many years.
Single of the Week: “Make It Up” by King Isis
My first thought, before I even took a chance with an artist called “King Isis,” was, “That’s an awfully brave name!” Digging deeper and learning that King Isis is named after the ancient Egyptian goddess and adding the gender play to that would definitely deeply offend that other organization that ruined the word. So, yeah, I’m already impressed. And the song? It’s a guitar-driven, slightly sludgy, yet incredibly catchy song that doesn’t remind me of anything, and it’s great. And the video is dark and weird and clearly filmed in Oakland, so it’s a bonafide win all around.
“Make It Up” is available in all the usual places. More to come, of course… And you can find all that out here!
Show Review: alt-j at The Fox Theater, 3/23/23
Ten years got behind alt-j’s seminal record, An Awesome Wave. The still-fresh sound, now topped with nostalgia and ten years of collecting new listeners, filled the Fox in Oakland to the rails. The record flummoxed reviewers when it dropped. Did they love Joe Newman’s creaky tessellating shrill, yet palatable scree? They were confused and transfixed. The romance and journey of each song alt-j spins are solidly complicated layers. It could easily be written off as a neo/hippy/gen x-z Dj tricks. It’s simply an unexpected sound and a labor to hear all the detail packed into such a small scape of one song. The lyrics are not the first thing a listener will hear. A world music or drum and bass mask is removed upon several listens, then the intimacy of Joe’s lyrics are more decipherable. Sigur Ros comes on like a drug in a similar way. An opium lull takes over the body before making sense of what’s being said. The assumed keyboard or effects are often woven tapestries of one note sung over and over by Newman, Unger-Hamilton, and Sonny. It’s incredibly well thought out. Syncopated laser lights beat along to bass lines and drums. Chris Koruda style. Props to the lighting guy they have with them on this limited run. Continue reading “Show Review: alt-j at The Fox Theater, 3/23/23”
Show Review: Parquet Courts, Automatic at The Fox Theater – Oakland, 4/27/22
Well, that was refreshing, and thank the gods of mix-boards and acoustics the sound was on point…
Continue reading “Show Review: Parquet Courts, Automatic at The Fox Theater — Oakland, 4/27/22”
Film Feature: Best of the 2021 Sundance Film Festival
True story: my friend met her husband on a Sundance shuttle bus. They struck up a conversation, kept in touch after the Festival ended, and, 15 years and three kids later, the rest is history. Maybe lightning struck again for some lucky couple this year, but I’m guessing probably not. As much as Sundance staff strived to make the 2021 virtual Fest feel like those of past years, Zoom “waiting rooms” and video Q and A’s just couldn’t replicate the feeling of being bundled up at 7:30am in a waitlist line, passing the time and distracting yourself from the cold by idly asking your neighbor, “What have you seen so far that you’ve liked?” The cheery, disembodied “Hi from Boston!” chats that flashed on screen in this year’s pre-screening digital lobbies just couldn’t offer the same sort of in-person connection that can only be found by bonding over waitlist numbers 99 and 100 and mushy theater concession tuna wraps. That said, however, the quality of the films shown at this year’s Festival, which concluded last week, still measured up to Sundance’s best. Below we take a look at four documentaries and four features that are worth seeing.
Continue reading “Film Feature: Best of the 2021 Sundance Film Festival”
Theater Review: J Jha shines in Geetha Reddy’s retelling of Mahabharata at Ubuntu Theater in Oakland
The Mahabharata is an ancient Indian epic written in Sanskrit, the longest piece of prose ever written, which would take 12 days to perform if spoken non-stop. Playwright Geetha Reddy took on the challenge of dismantling this story into an hour and a half solo performance. And J Jha, with direction from Ubuntu Theater company founder Michael Socrates Moran, took on the task of recreating this piece. Continue reading “Theater Review: J Jha shines in Geetha Reddy’s retelling of Mahabharata at Ubuntu Theater in Oakland”