Both the best and worst spot at a Helio Sequence show.
When I arrived at The Independent on Thursday, I immediately took the spot in the front row immediately in front of the draped drum kit on stage right. I knew from past experience with Helio Sequence that this is both the best and worst spot to be when they play. It’s the best because you get to watch the crazy, happy faces of Benjamin Weikel as he slams away brilliantly on his drum kit. And it’s the worst because you’re really close to that drum kit. And it’s loud. Continue reading “Show Review: Helio Sequence with Slowdance at The Independent, 10/4/2012”
My best friend is the opposite of me. I’m flighty, she’s focused. I’m crazed, she’s calm. I can’t handle being alone, she craves it. In fact at some point in our friendship she told me I was no longer allowed to complain about not having plans for the night, because she didn’t understand why it was an issue. And would then go on to explain how a great night for her (great, people!) could involve a bottle of wine and some Agatha Christie movies.
One of the most difficult challenges that can face a band is the task of replacing their lead singer, since they are often one of the most important elements of the band’s sound, as well as one of the most recognizable faces in the group. When said band performs a genre of music as complex as symphonic heavy metal, that task becomes even more Herculean, especially when said vocalist possesses an incredible range, classical training, and a truly operatic quality to their voice — and such was the case in 2005, when Finnish band Nightwish were searching for someone to fill the shoes of signature siren Tarja Turunen. Two years later, soubrette soprano Anette Olzon took up the reigns, and remained with the quartet for half a decade. Halfway through their fall 2012 tour, however, a sudden hospitalization was the straw that broke the proverbial camel’s back for Olzon’s position with Nightwish, and former After Forever vocalist Floor Jansen was summoned with barely a moment’s notice to spare. What the band may have planned after their Imaginaerum tour is still unknown, but Jansen has risen magnificently to the challenge before her, and if the band’s performance at the Warfield was any indication, she may remain with the group for a long time yet.
Perhaps due to the myriad of musical selections these days, there’s chance you haven’t heard of them, but young English rock duo, Blood Red Shoes, are on a mission to change that. Leaving their familiar Europe, they arrive almost two years to the day they first played the States, bringing their simplistic but powerful set to entice those who don’t know and incite those that do. In an area chock full of both local and visiting fresh talent, how would these Brighton, UK natives fare?
The view from the ferris wheel, courtesy Flikr user tumburre.
(This post is actually from 2009. Our esteemed Editor In Chief, Gordon Elgart, wrote it. But he’s lame and not coming out this year. So I, Dakin Hardwick, have made a few tweaks for this year’s festival guide. Not many, however, because when you put on the best music festival in California, you don’t need to make too many changes every year.)
This weekend’s Treasure Island Music Festival has quickly become my favorite musical event of the year. There are no conflicting set times, so you can see everyone on the bill. The size of the festival is fairly small, so it’s easy to get around. The setting in the middle of San Francisco Bay is absolutely stunning. And something about all of these combine to keep the people going in a relaxed, pleasant mood that makes being there all the more enjoyable. Set times are up, but, seriously, you should just expect to be there from morning til night, because it would be foolish not to.
Now, you might think going to this festival is as easy as hopping in your car and going to the festival to enjoy some music, but you’d be wrong. Read on, and I’ll teach you how to avoid rookie mistakes.
Playing at Slim’s on Monday night? Or what people will be doing all weekend at Golden Gate Park? You decide.
Oh, man. Rocktober continues! This weekend in the Bay Area is completely crazy. Fleet week, Hardly Strictly Bluegrass, a 49ers game, the Giants and A’s in the playoffs, Oracle Open World, Castro Street Fair … and all the shows and concerts I’m about to suggest that you do otherwise. This is the absolute best time of year to live here, so enjoy it all!
starring: Anna Kendrick, Brittany Snow, Anna Camp, Rebel Wilson, Skylar Astin, Adam DeVine, John Michael Higgins, Elizabeth Banks, John Benjamin Hickey
written by: Kay Cannon
directed by: Jason Moore
MPAA: Rated PG-13 for sexual material, language and drug references
I’ve warned you. Put this post down! Don’t you dare read it before seeing the movie!
Please don’t read this post until you’ve already seen Rian Johnson’s excellent film, Looper. I’m about to spoil the heck out of it. There are some lingering questions about this movie (most of them crazy theories) that I want to discuss with someone, so I’m asking you, the Internet, to discuss it with me. If you click to read more, I’m going to assume you’ve seen it. Click below to reveal spoilers. Continue reading “Click to Reveal Spoilers: Questions About What Happened in Rian Johnson’s “Looper””
Looper, the ingenious new sci-fi drama from writer/director Rian Johnson (Brick), has one hell of a setup. The year is 2044, and time travel hasn’t been invented yet — but it will be. And when it is, it immediately becomes illegal. But in the bombed-out dystopian American future of Johnson’s imagining, time travel’s illegality just means powerful crime syndicates are the only ones with access to it. Due to implanted tracking devices, disposing of bodies in the future is impossible. So the mobsters dispatch their targets back to 2044, bound and hooded, where they are immediately shot and killed by assassins known as “loopers,” who then incinerate the remains. But a new crime boss known as The Rainmaker has risen to power, and he is determined to “close the loops” by finding the future versions of the assassins from 2044, sending them back in time and having them killed — by the younger versions of themselves. Got that? The loopers are understandably perturbed by this, and a moment’s hesitation can lead to the older version of themselves escaping and creating quite a time-space conundrum. Such is the case with Joe, played in 2044 by Joseph Gordon-Levitt and in the future by Bruce Willis.
