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Slim’s

Everybody wants to party with Ricky Reed

The Limousines

The Limousines were already on stage when I walked in a bit late.  The first thought that popped into my head was “this is going to be boring, because the music was very bland.”  First impressions though are a dangerous thing because they are often way off the mark.  After less than a minute, when the song changed and the beat started resonating with my heart beat, I started swinging my hips a little bit.  The crowd was very much loving The Limousines.  I can’t say the drunk energy was infections, rather it made me a bit envious that I wasn’t as drunk as everyone else; because maybe I would have enjoyed them more.  By the end of their set there was still a little blah quality that I couldn’t quite put my finger on.  At one point I thought it was either the singer’s voice or the lyrics.  And since I didn’t particularly dislike the singer’s voice, I guess by default that means the lyrics were what I didn’t like.  I felt that there wasn’t anything being said in the lyrics of the songs, as if a bunch of random words were strung together; nor was there any obvious difference from one song to the next.
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We were promised awesome

I feel like I’ve been on a music marathon this past week. And then, this Saturday was the show I’ve been looking most forward to. That night We Were Promised Jetpacks were back in town and I f’ing love them. Yes this review will be extremely positive because this was hands down the best show I’d seen as of yet during Noise Pop. [read the whole post]

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The "no camera" policy leads to another subpar phone-taken photo, this time of Rooney.

The "no camera" policy leads to another subpar phone-taken photo, this time of Rooney.

A collection of pop bands came to Slim’s on Sunday night to rock out in front of a small but extremely enthusiastic crowd, comprising mostly young women excited to see one of their favorite bands. Personally, I was drawn to the show by the appearance of Tally Hall, but was looking forward to a full Rooney set, having only seen them as an opener before. I didn’t know an important thing about them, though, which explains a lot. [read the whole post]

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Not In Frame: Harry Partch or Harry Patch

Not In Frame: Harry Partch or Harry Patch

The Fiery Furnaces have been in the press quite a bit lately. Not because they put out a record of Fiery Furnace covers, but because of their mythical feud with Radiohead & Beck. My relationship with this band is a little strange. I saw them open for The Shins many years ago, and they blew me away. I ran out to purchase their current record at the time, Rehearsing My Choir, and was taken aback even more. They reminded me of everything the band Caroliner was trying to accomplish, only without the distraction on the costumes. I was hooked for months to this record, but never went further. I kept missing out on new releases, for one reason or another, and whenever they came around, I couldn’t make it. So, this cold November night, I decided to finally see them again. [read the whole post]

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ichirou

Ichirou Agata, guitarist of Melt-Banana

There were a great deal of shows to visit this All Hallows’ Eve’s Eve, ranging from electronica in arenas to punk rock in bars; despite the drastic number of shows involving bands that I’d seen on one-to-a-few occasions, it was Melt-Banana that I ended up seeing. It seemed rather appropriate; on the eve of the holiday most responsible for darkness, chaos and the warding off of evil spirits, what better occasion to see a trio of Japanese noise-punk musicians with their own sets of sonic banshee howls and thundering rhythms? Being an avid fan of experimental music and Japanese power noise, I had a feeling that this was going to be a rather exciting show; I was not prepared, however, for how wild it got inside.

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The-Heavy

Providing the Groove

Mid-afternoon on the day on the concert I started feeling ill. Time came to start heading to the city and I told myself I was going no matter what. Driving along the 24 I see a sign that the Bay Bridge is closed…what the heck? This can’t be right. A quick call to 511 confirmed that the bridge was indeed closed.

Suddenly I had the perfect excuse not to go. I was sick and the bridge was closed; no one could blame me for not going. But something inside me, quite possibly the contrarian drive I have, told me if the bridge was closed I had to go. [read the whole post]

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Show Review: Eisley at Slim’s, 10/15/09

October 17, 2009

So often there are those bands that fall between the cracks of your musical world.  They fight and claw their way in, trying to have a place in your collection.  They try to pop up on your Pandora station, or while you’re trying to decide if you should buy this eighty dollar shirt at a [...]

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Show Review: School of Seven Bells, Warpaint and Phantogram at Slim’s 10/6/09

October 8, 2009

I had only a passing familiarity with School of Seven Bells before it was suggested I would like them.  I believe I was told, “If you like Murder By Death, you should check out School of Seven Bells.”  That’s a poor “RIYL,” but it turned out fine in the end.  Still, this is a band [...]

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Spinning Platters Podcast: Episode 3 – The View

August 21, 2009

Episode 3 of the Spinning Platters podcast is now available below, and in iTunes.  Dakin, Gordon and D.P. are joined on this episode by writer Raffi Yousouffian for a discussion of:

What we’ve been listening to
Cult Bands
Stop the War on Fun and the ongoing fight to keep San Francisco all-ages clubs open

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Patrick Wolf at Slim’s, 6/8/09

June 11, 2009

Describing Patrick Wolf is hard. I was just asked, “what kind of music is he?” I did not have a quick answer. I hemmed and hawed. I know I like it, and I know it should make for an interesting live show, so there I was at Slim’s on a Monday night seeing the Nylon [...]

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