After a few days of rehearsals at Toyota Amphitheatre in nearby Wheatland to figure out how to put together their massive stage set, Slipknot‘s Knotfest Roadshow officially kicked off at Shoreline Amphitheatre in Mountain View on July 26. Joining Slipknot was an international array of metal including Volbeat (Denmark), Gojira (France), and Behemoth (Poland).
Carl Brutananadilewski of Aqua Teen Hunger Force demonstrating the abilities of The Foreigner Belt. (Got burned a bit by his tanning bed earlier.)
July Fourth, 2016! Wooooo! Yeah! Our country is still here! Let’s celebrate!
If you’d like to add to your celebrations this week in The Bay Area with a concert, I’ll tell you what we’ve got coming up: caricatures, drugs, dogs, and culture that you don’t have to pay for.
So, let’s preview. Time to preview. It’s time to preview now and now here are the previews.
In 1993, I was introduced to the music of Depeche Mode by a girl who lived across the hall from me at boarding school. Of course I was already familiar with hits “People are People,” “Strangelove,” “Enjoy the Silence,” and the phenomenal “Personal Jesus.” It was this friend’s influence, however, that led me to fall for what’s still my favorite Depeche Mode song today: “Somebody.” Sure, it’s easy for a 14-year-old girl to love a wistful song, but twenty years later I still adore it (almost thirty years after it was released). And I know, it might be such an obscure favorite that I wouldn’t hear it live, but I didn’t really care: I knew better than to pass up a ticket to see such an iconic band when given the chance. And so I made the trek down to Shoreline Amphitheatre last night to catch their Delta Machine tour (named for the recent album of the same name) – a journey which turned out to take me four hours from home. (Twice what it should be, thanks to an insane parking situation at the venue that will likely keep me from going there any time I can avoid it!)
(NOTE: I worked at Google for a number of years. Let us just say that I may be slightly biased…but I can also shed some light on accuracies and inaccuracies depicted in The Internship about life at Google.)
In a performance review, The Internship would meet expectations. It is a silly film with a few laugh-out-loud moments and many more moments that miss the mark. We have seen this story before — a group of underdogs learn to work together and discover real value in themselves that helps them fight against the odds. It crosses every stereotype and dots every cliché. The Internship borrows elements from fish out of water stories, bromance plots, and sappy inspirational tales. Such a concoction of non-surprises fit into a one-note joke of a movie would be forgivable if it were actually hilarious. Unfortunately, it is not. However, if you are a fan of Vince Vaughn’s motor mouth, you will have a good time. If you work in the tech industry, you will find the film highly amusing. But most importantly, if you don’t expect much, you will be decently rewarded.
In 2001, a car company that went by the name of “Honda” decided to add another package tour to the schedule. They called up blink-182, who were at the height of their popularity, and, one thing led to another, and 10 years later, fans of pop punk music became far more aware of automobiles. I was at the San Francisco date on that tour, a show at The Warfield with No Motiv and Alkaline Trio. Over the next ten years, blink-182 went through an awful lot, evolving, and then breaking up, and then their drummer almost died in a plane accident, inspiring them to get back together.
The definition of “arena rock” has changed shape a great deal in this modern era of music. While it’s mostly connected to which genres of music or artists can sell enough seats to fill an amphitheater with up to 22,000 people, it is also evocative of a time when a band’s show and stage set were so extravagant, flamboyant, and over-the-top that only a massive stadium could even hope to provide ample real estate for the performance. Thus, it is always quite amazing to see both of these factors fall into place, especially when the bands in question are of a somewhat-bygone era. This isn’t the 1970s, or the 1980s, but you would never have been aware that time had passed since that era, judging from the explosive response that greeted the two biggest acts of the Shoreline Amphitheatre’s KIHNCERT 2011: Chicago rockers Styx and English progressive godfathers Yes.
Staring down at their instruments, as they often do
People ask me all the time, “which band have you seen the most?” To this question, I answer Moxy Fruvous. If they ask me who’s in second place, I can answer that it’s Phish. Last night was the 22nd time I’ve seen Phish in concert, but for the first time in a dozen years. It’s hard to “review” a Phish show; it is what it is. Consider this a personal exploration into an evening of Phish. Continue reading “Show Review: Phish at the Shoreline Amphitheater, 8/5/09”
