Treasure Island Music Festival 2018 Journal

The Treasure Island Music Festival has, historically, been the last hurrah of summer. Taking place in the middle of October (or late September), it’s usually sunny and a great way to let go of the carefree warm months, before we all have to buckle to the stress of the holiday season.

Sadly, they had to take 2017 off. Even sadder was that, due to maintenance on the island, Treasure Island, for the first time, had to move from its namesake venue. We ended up drifting east a few knots to the shores of Oakland, to a beach in the middle of West Oakland’s warehouse district called Middle Harbor Park. Continue reading “Treasure Island Music Festival 2018 Journal”

Show Review: Bent Knee, Gatherers at Cafe du Nord, 6/23/18

Cafe du Nord has been back for about a year, and I still hadn’t been to a show there. So, I played a little bit of show roulette. I decided to check out something, anything, just to see what the space has become. Lucky for me, Boston’s Bent Knee was playing the night I decided to drop in. A band I’ve been meaning to check out, too! So, my night has been confirmed. Continue reading “Show Review: Bent Knee, Gatherers at Cafe du Nord, 6/23/18”

Spinning Platters Interview: Chad Heimann, Talent Buyer at August Hall

For those that have lived in the Bay Area for a long time, there was a long stretch of time where it felt like we were losing venues left and right. In the last two years however, it seems that the tides are turning in the other direction. Legendary venues Cafe du Nord and Swedish American Hall have reopened after several years of laying dormant. The UC Theater – best known as the place to see Rocky Horror Picture Show in the Nineties – has resurrected itself as a rock club. And brand new spaces like Cornerstone and Starline Social Club are really killing it in the East Bay.

The most recent addition to our live music landscape is August Hall. This venue is going in at the same location as the old Ruby Skye, only it’s been totally remodeled, and they’ve added a full restaurant and bowling to the space! They are opening up this weekend with SF’s own Giraffage on Saturday night, and the epic double bill of Courtney Barnett and Jay Som on Sunday. Spinning Platters had a chance to interview their talent buyer, Chad Heimann, about the venue, his career, and we did a little bit of making fun of Ruby Skye.

They’ve got a stacked calendar here, but you better act soon, as shows are selling out left and right.

Continue reading “Spinning Platters Interview: Chad Heimann, Talent Buyer at August Hall”

Noise Pop Show Review: Nilbog with Chaki at Rickshaw Stop, 2/26/2018

All photos by Natalia Perez.

I’d like you to close your eyes for a moment and think of the nerdiest concert you can imagine. What do you see when you do this? Apocalyptica Plays Metallica by Four Cellos? The Fair Maidens Play Iron Maiden by Four Ukuleles? Queensryche doing Operation Mindcrime AND Operation Mindcrime 2? Well, my fellow music nerds, I am here to report that I have a concert nerdier than my wildest dreams, and it was wonderful.

Continue reading “Noise Pop Show Review: Nilbog with Chaki at Rickshaw Stop, 2/26/2018”

Noise Pop Review:Too Much Johnson and Oddsac

Too much Johnson in my Oddsac

Joseph Cotton shows absolutely no respect for his suit.
Joseph Cotton shows absolutely no respect for his suit.

Let me say right here, at the outset of this double review, that I had no intention of deliberately pairing Too Much Johnson and Oddsac together for any comedic purposes. Yes, it’s very easy to “put too much Johnson into the oddsac” or snickeringly flippant to say something like “too much Johnson, the story of oddsac’s life.” Nope, not having it. You can’t pin it on me. Sure, accuse me of being wildly naive, but when I looked through the film offerings when the Noisepop 2018 schedule was released, I picked these two purely for what I thought was their cinematic possibilities. Too bad the best things about these two offerings are the many jokes that can be made from their titles.

Continue reading “Noise Pop Review:Too Much Johnson and Oddsac

Noise Pop Review: The Album Leaf, Vákoum, Indy Nyles at Swedish American Hall, 2/23/18

All Photos by Natalia Perez

I’ll start by telling you that I have The Album Leaf’s emblem tattooed on the inside of my right wrist.  Let’s just say, my love for their music runs deep, and my respect for them as musicians is significant. I’ve been able to see them perform live several times over the years, each time special and important to me – and Friday night’s show was everything I wanted. From the opening acts until the last note of “Lights” at the end of the evening, it was intimate, emotionally powerful, and beautifully passionate.

Beginning the evening was Indy Nyles, with a compact-but-complex set up on a table in front of the stage. It was an interesting dynamic to be on the same level as the performer, with no barrier to audience members seeing every cord connected, each individual button and key selected.  I was impressed with his ability to capture the audience’s attention, forming a quiet energy while building and layering the arcs of his music.

Continue reading “Noise Pop Review: The Album Leaf, Vákoum, Indy Nyles at Swedish American Hall, 2/23/18”

Noise Pop Review: Amy Shark, BOWER, MILCK at The Independent, 2/21/18

All Photos by Natalia Perez

Last night’s performances were raw, emotional, and beautiful. You know that feeling you get when someone chooses to open up to you, sharing a personal experience that may have hurt them deeply, but also helped shape them into who they are? All of the performers chose to open themselves up to a room full of strangers, connecting us to each other with emotive lyrics and personal stories of the human heart – both in their song lyrics, and in the backstories while introducing the next song. Continue reading “Noise Pop Review: Amy Shark, BOWER, MILCK at The Independent, 2/21/18”

Spinning Platters’ Guide To Noise Pop 2018

No. Not a “Bro” marathon. More like a hip music marathon?

Noise Pop is upon us again… Also known as that week where Bay Area music fans marathon as many shows as they can in a single week. And, well, not all of us can be in multiple places at once, so let’s try to limit our Noise Pop anxiety a bit!

Full schedule, full fest badges, and individual show tickets can be found here! Continue reading “Spinning Platters’ Guide To Noise Pop 2018”

Noise Pop Show Review: clipping. with Baseck, DJ Marco De La Vega and 93 Bulls at Starline Social Club, 2/24/2017

Exciting evening of noise and rhythm in a new addition to Oakland’s vibrant live music scene

Daveed Diggs of Clipping.
Daveed Diggs of clipping.

It’s hard to find a more jarring juxtaposition of talents and roles than those that Oakland-born hip-hop star Daveed Diggs has possessed as of late. After half a decade building a steady underground following as the MC of noise trio clipping., he became a household name after taking on the role of Marquis de Lafayette/Thomas Jefferson in the original production (and first Broadway run) of the massive hit musical Hamilton. Finishing his theatrical run in mid-2016, Diggs hurtled right back into his work with the experimental outfit, knocking out two releases in the latter half of the year and continuing a heavy schedule of touring. The group’s Noise Pop gig at Oakland’s young-but-blossoming Starline Social Club was one of the first in the festival to sell out, and even with three openers on the bill and a long, rainy night to greet them at the end of it, rabid fans of the three-piece packed the walls of the bright ballroom and celebrated the return of their heroes, in the hometown of the man at their helm.

Continue reading “Noise Pop Show Review: clipping. with Baseck, DJ Marco De La Vega and 93 Bulls at Starline Social Club, 2/24/2017”

Noise Pop Show Review: Cloud Nothings w/Itasca, Never Young, Kid Trails at The Independent, 2/20/2017

Energetic, potent set slightly marred by confusing opener pairing

Dylan Baldi of Cloud Nothings
Dylan Baldi of Cloud Nothings

It’s been a few years since we’ve crossed paths with Dylan Baldi and his chaotic music assemblage, Cloud Nothings, but their recorded output has confirmed that they have been taking some excellent time to polish and tighten up their sound. While absent of gigantic, sprawling bruisers like “Wasted Days” (the 8-minute magnum opus from Attack On Memory), their new record Life Without Sound continues to sport excellent 90s grunge/alternative staples along with a modern sense of punkish attitudes and new-school production, and the resultant collection of songs is delightful to listen to. Their Noise Pop show was one of the more popular gigs — badge-toting friends of mine claimed they couldn’t make it into the sold-out show even before the openers had finished — but while the Cleveland foursome brought the noise and the bouncy response to the show, it was at the end of a strange rollercoaster of genres that, if nothing else, made the audience even more hungry for the headliners to appear.

Continue reading “Noise Pop Show Review: Cloud Nothings w/Itasca, Never Young, Kid Trails at The Independent, 2/20/2017”