Film Feature: Carrie and Chad Pick the 2024 Oscars

Film critics Carrie and Chad on who will – and who should – win the 96th Academy Awards

The 96th Academy Awards air tomorrow, Sunday, March 10th, on ABC at a new, earlier 4:00 pm PST start time. Friendly reminder to fellow film fans: don’t forget to spring forward for daylight savings, or you might miss the start of the show! Below, Spinning Platters film critics Carrie Kahn and Chad Liffmann share their predictions and thoughts for the major categories. Although we feel smug when our picks win, we don’t mind some upsets to keep things interesting! You can print your own ballot here. Good luck to all!

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Film Review: “Kung Fu Panda 4”

Fourth time around, kung fu fighting animals still make for a fun outing

The Kung Fu Panda franchise has been a reliable family-friendly brand since the first film was released in 2008, spawning three sequels and a few television series. What could be more thrilling than adorable animals displaying kung fu moves if you’re a child? And for adults, kinetic animated action sequences and efficient running times are welcome. Despite the noticeable absence of some major characters, Kung Fu Panda 4 continues the series’ consistent level of fun, once again embracing its charismatic central protagonist while featuring abundant colorful fight sequences.

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Film Review: “Dune: Part Two”

Dune: Part Two is a majestic and visual masterpiece

When Denis Villeneuve first revealed that his adaptation of Dune was going to be divided into two parts (kept relatively secret for some reason until the first part’s release in 2021), the news was somewhat disappointing. Was the justification for two parts simply another studio cash grab? Would the first part contain enough story to justify its existence? The answer, as you may know, was that Dune: Part One blew away everyone’s expectations, establishing Villeneuve’s vision as unique, monumental, and cinematically astounding. The stakes were high for Dune: Part Two, since Part One was a critical and box office success and even made a push for the Best Picture Oscar (which it lost to CODA, yeesh). Now Dune: Part Two has finally arrived after a long delay due to the WGA strike last year, and it’s a masterpiece. The new film expands upon the original’s narrative scope, delivering nearly three hours of stunning visual storytelling and character arcs, placing it among the best sci-fi epics of the last fifty years, and making it perhaps one of the greatest sequels in cinema history.

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Film Review: “Drive-Away Dolls”

Few clever moments can’t salvage solo Coen brother project 

BFFs Jamie (Margaret Qualley, l.) and Marian (Geraldine Viswanathan) run into some trouble.

Following in his big brother Joel’s footsteps, Ethan Coen steps outside the pair’s successful filmmaking partnership with Drive-Away Dolls, his first solo narrative feature. Unfortunately, Ethan doesn’t do as well as his brother did with his 2021 award-winning The Tragedy of Macbeth. Drive-Away Dolls probably won’t win any awards, but it’s a serviceable, if mostly forgettable, attempt at a retro, low-brow comedy.

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Film Review: “Suncoast”

Linney anchors solid feature debut

Kristine (Laura Linney, l.) and her daughter Doris (Nico Parker) face the stress of a caring for a relative with a terminal illness.

In the early 2000s, filmmaker Laura Chinn was a teenager living with her mother in Clearwater, Florida. Chinn’s older brother Max, terminally ill with brain cancer, spent the last few days of his life in a hospice center with an internationally famous resident: Terri Schiavo. Schiavo’s right-to-die legal case spanned fifteen years, from 1998 until 2005, when the courts finally allowed her husband to remove her feeding tube. In Chinn’s feature film debut, she turns this grim early experience into Suncoast, a fictional, semi-autobiographical tear-jerker of a movie with a few tonal problems, but also much to recommend it.

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Film Review: “The Teachers’ Lounge”

The Teachers’ Lounge is a riveting microcosm of society’s clashing principles

The Teachers’ Lounge (original German title Das Lehrerzimmer) comes from director Ilker Çatak (I Was, I Am, I Will Be), and though you may not have heard of this German arthouse film, it earned numerous end-of-year accolades and is now nominated for Best Foreign Language Film at the upcoming 96th Academy Awards. The Teachers’ Lounge is a surprisingly gripping allegorical narrative about how seemingly trivial instances, under the right circumstances and involving certain types of individuals, can build up to damaging consequences.

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Film Review: “Sometimes I Think About Dying”

Ridley shines in poignant character study 

Released today in the middle of what seems like unending gray Bay Area winter weather, Sometimes I Think About Dying is the perfect film to watch given our collective dreary mood. 

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Film Review: “Argylle”

Argylle is a silly waste of (too much) time and (too much) talent

Before we get too far into this review, have you seen the newest Apple laptops and desktops? If not, don’t worry, because Argylle will show you. Yes, the new Apple Original Film, the spy thriller Argylle, is very much a commercial for Apple products. But that’s the weakest of my criticisms. The best thing about Argylle being released is that we don’t have to sit through its excruciating trailer anymore, which seemed to precede every movie in existence for the past four months. The worst thing about Argylle is that the full-length film is just as excruciating.

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Film Review: “Driving Madeleine”

A trip through Paris reveals the power of memory and connection

Madeleine (Line Renaud) connects with Charles (Dany Boon), her taxi driver on a long ride through Paris.

The new French film Driving Madeleine will no doubt remind American viewers of 1989’s Driving Miss Daisy and 2018’s Green Book, two award-winning American movies about disparate characters connecting because of a car ride. But Driving Madeleine (or Une Belle Course, its original French title) removes the racial themes and white savior narratives that garnered criticism of the latter two films, and it’s all the better for it. While slightly predictable, Driving Madeleine is a charming, intelligent, and warm character study. If you can’t take a Sunday drive through Paris any time soon, watching this film makes for a great substitute.

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Film Feature: Carrie’s Top 10 Films of 2023

Here’s what you’ve been waiting for: my 2023 cinematic favorites! You can also check out fellow film critic Chad Liffmann’s list here to compare and contrast and see who you agree with more. Will Oscar voters agree with us? We’ll find out when the nominations are announced on January 23rd!

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