Single Of The Week: “L’Internationale” by Downtown Boys

Did you know there is a big film coming out about Karl Marx’ daughter, Eleanor called Miss Marx? And the New England punk band Downtown Boys is doing the music for it? Neither did I. But with the Republican ticket calling two unabashedly pro capitalism presidential candidate “Socialists,” it might be nice to see what a socialist ACTUALLY is. The lead single is a cover of the classic left wing anthem “L’Internationale,” written by Eugene Pottier. 

This track can be found in all the usual places, and, also DON’T FORGET TO VOTE VOTE VOTE VOTE VOTE!!!  Make a plan.  Email me if you need help making a plan. Let’s get that monster out of office ASAP. 

Keep Live Alive: Save Our Stages Fest is THIS WEEKEND!!!

For this of you somehow missing out on the biggest news story of the century, a horrific pandemic has upended any business where people congregate together. The industry ravaged most by COVID-19 might be the independent live entertainment industry. I mean, sharing airspace and transmitting aerosols IS the business model, so this industry is essentially on hold until the bitter end of this thing, which is still unknown. In order to help prevent this entire world from going under, over 3.000 independent venues, promoters, and festivals in all 50 states have gotten together to form NIVA- National Independent Venue Association.  Continue reading “Keep Live Alive: Save Our Stages Fest is THIS WEEKEND!!!”

Spinning Platters presents “How Did I Get Here?” Episode 10 with David Owen, Co-Founder of Sketchfest

Spinning Platters presents “How Did I Get Here?” is available most everywhere you enjoy podcasts. You can find us and subscribe here!

In this installment, I got to speak to SF Sketchfest co-founder David Owen about, well, how to put on an underground comedy festival, and what do you do when it’s no longer underground. We talked about his first production, his first festival, how he met Cole Stratton and Janet Varney, the other two founders of the festival (SPOILER: It’s Talking Heads related, just like the name of this podcast), and how they are handling things when it’s entirely unknown when the festival will be safe to play out again. 

SF Sketchfest is doing a virtual live read of Plan 9 From Outer Space just in time for Halloween with Kat Aagesen, Maria Bamford, Bobcat Goldthwait, Dana Gould, Jean Grae, David Koechner, Tim Meadows, Laraine Newman, Oscar Nunez, Bob Odenkirk, Jonah Ray, Paul F. Tompkins, Janet Varney, Baron Vaughn, plus musical accompaniment by Eban Schletter. Well, just before Halloween. October 29th to be precise. Tickets can be purchased here!

SF Sketchfest’s archives have also been opened up for rental, and those shows can be found here!

If you have any feedback about this episode, feel free to email me at dakin@spinningplatters.com. If you like what you heard and want to help support this thing, feel free to Venmo me whatever tip you feel is adequate @Dakin-Hardwick.  And, most importantly, please go to SaveOurStages.com to find out what you can do to help independent promoters and venues weather this COVID crisis so we have shows to go back to when this pandemic is over. Thanks for listening!

Vinyl Reissue Spotlight: The Return Of The Greatest Hits Album

There are a lot of things unexpected about 2020 that are less than enjoyable… You know, like the raging pandemic threatening to destroy civilization as we know it and ruining pretty much all joys in life. One surprisingly pleasant thing is the return of the “Greatest Hits” record. With the whole “spending 100% of my time at home” business that comes with life right now, I’m finding myself putting more music on my turntable and doing a lot less streaming and making playlists. The sound is warmer, and the ceremony of putting on a record continues to fill me with great joy. The “greatest hits” format also means you get the songs that have followed you around- the songs they played live, the tracks you’d hear out and about, back when going out and about was a thing you could do without risking your life and the lives of all your loved ones. It’s comforting to reminisce about the pre-pandemic life over the joy of a hits compilation. 

I’m also an apartment dweller in the Bay Area, so shelf space is at a premium. Continue reading “Vinyl Reissue Spotlight: The Return Of The Greatest Hits Album”

Single Of The Week: “Stupid Boys” by Bleached

Last night, Bleached played their first show of 2020. It was a livestream, sponsored by our friends at General Election LA. It was fantastic. Sorry you missed it. Instead, here’s a brand new single from LA’s finest! It’s a fun song, that fuses together the disco energy of last year’s Don’t You Think You’ve Had Enough? with the classic, brash Ramonsean punk they were doing when we first fell in love with this band. This is an ear worm that will have you dancing all the way to the polls… Which reminds me to MAKE SURE YOU DEVELOP A VOTING PLAN!! Don’t leave it up to chance… I made some short videos a few years ago to help with electoral anxiety, especially if you haven’t been a regular participant in the electoral process. 

“Stupid Boys” can be found in all the usual places, and the livestream of last night’s show will remain live here until 7pm PST, so take a long lunch and enjoy!

Spinning Platters presents “How Did I Get Here?” Episode 9 with Lani Torres of Ivy Room

Spinning Platters presents “How Did I Get Here?” is available most everywhere you enjoy podcasts. You can find us and subscribe here!

 Our guest this week is Lani Torres, co-owner of Ivy Room, a great 200 cap room in Albany, CA. We talked about her first show, how she fell into working in live music, we waxed nostalgic about the Bay Area show scene, and talked a bit about running a music venue. 

Ivy Room is located at 860 San Pablo Ave. Sadly, they aren’t doing live music right now due to COVID, but they are open for take out cocktails and food from 4-8 Thurs-Sat and 2-6 on Sundays. If you want to support the venue while it’s shuttered, they have a GoFundMe and some lovely merch for sale. They also have BITCH from Bitch and Animal and the legendary Detroit Cobras booked for shows next September, and you’ll probably see me at one or both of these. You can pick tickets up for those here

If you have any feedback about this episode, feel free to email me at dakin@spinningplatters.com. If you like what you heard and want to help support this thing, feel free to Venmo me whatever tip you feel is adequate @Dakin-Hardwick.  And, most importantly, please go to SaveOurStages.com to find out what you can do to help independent promoters and venues weather this COVID crisis so we have shows to go back to when this pandemic is over. Thanks for listening!

Single of the Week: Can You Dance To A Feeling? by The Shutups

Oakland’s own The Shutups are bringing us this week’s Single Of The Week. “Can You Dance To A Feeling?” is a power pop burner, great for getting ready to go out. Yes, I know you can’t go out until sometime next year, but it still feels good to listen to the music that helps you feel that way. The music video also takes place largely outside of the Loard’s Ice Cream shop by my gym, which I miss going to, and can’t wait to see that reopen sometime next year. 

You know what you don’t have to wait until next year for? The EP that this week’s single comes off of! by The Shutups is out TODAY and since it’s Bandcamp day, you can buy it right now and 100% of the money you drop on it will go straight to the band so they can, um, buy more ice cream? Also, tonight at 8pm, the band is playing (an empty) Ivy Room, with the whole thing getting streamed on Kill Rock Stars YouTube Channel!

Vinyl Reissue Spotlight: Group Sex by Circle Jerks

2020 was going to be a great year. My concert calendar was pretty much full for the year by the end of February. One of the most exciting things for me was that Bikini Kill and Circle Jerks, two of bands from my most formative music experiencing years, were going to grace the world with full tours for the first time in decades. Circle Jerks were due to play their debut record, Group Sex, in it’s entirety on this tour. Sadly, I sold my CD of this long ago, back in my most broke days. So, to celebrate, I found myself using Spotify (I know…) to get amped for this tour, as well as introduce my 18 month old kid to this music. Which did make for epic dance parties throughout the house during the early days of “Shelter In Place,” while awaiting for us to get our act together and stop transmission of the virus so we could enjoy our Summer. 

Sadly, as the pandemic progressed, hopes were dimming for that tour to come to fruition. THEN- THE WORST THING HAPPENED!!! Group Sex abruptly disappeared from streaming services. Sure, there are other fine Circle Jerks records, and a live album from the 80’s that features many of these tracks, but it wasn’t the same. (Thank god we can still listen to their Debbie Gibson collaboration!) There was a giant, gaping hole in my child’s hardcore education. But, fear not- it’s coming back! (Also, the band WILL BE TOURING IN 2021! US Dates, including, hopefully, a proper rescheduling of their Oakland show will be coming)  Continue reading “Vinyl Reissue Spotlight: Group Sex by Circle Jerks”

Spinning Platters presents “How Did I Get Here?” Episode 8 with Ashley Graham

Photo by Paige Parsons

Spinning Platters presents “How Did I Get Here?” is available most everywhere you enjoy podcasts. You can find us and subscribe here!

Ashley Graham is the marketing director for The Fillmore and The Masonic. She’s also the art director behind those amazing Fillmore posters. In her free time, she’s also the advisor to Andrew St James. We talked about her career, of course, and what it’s like to land a dream job where you actually get to work with Sammy Hagar. Yes, we talk about Sammy Hagar. We also talked about what it’s like when you have a promo cycle plotted out for an artist, only to have it upended due to COVID and you have to get creative. 

You can follow Ashley on Instagram here. And Andrew St James can be found here. His Fast Times project can be found here, and his new band, Juan Wayne, can be found here

If you have any feedback about this episode, feel free to email me at dakin@spinningplatters.com. If you like what you heard and want to help support this thing, feel free to Venmo me whatever tip you feel is adequate @Dakin-Hardwick.  And, most importantly, please go to SaveOurStages.com to find out what you can do to help independent promoters and venues weather this COVID crisis so we have shows to go back to when this pandemic is over. Thanks for listening!

Single of the Week: nowhere, man by tUnE-yArDs

Merrill Garbus has kept herself incredibly busy since 2018’s I Can Feel You Creep Into My Private Life. She’s been producing other people’s music, as well as scoring Boots Riley’s epic film Sorry To Bother You, as well as his yet to be named TV show project. I was actually thinking that she was about ready to let tUnE-yArDs go, and then this  chaotic piece of music landed on my headphones today, and, well, WOW! This is the biggest, noisiest thing that we’ve every gotten from Garbus & company, and I’m all in. She manages to keep her groove while attacking you with piano and electric guitar and feedback. So many emotions. So much happening, and it just feels like my brain right now. 

“nowhere, man” can be found in all of the usual places. No word yet on whether this is from an upcoming full length, or it’s just a one off track, but it’s a good one, so enjoy!