Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
Hello! It’s your favorite procrastinating music blog here to present you with… THE LAST TOP ALBUMS OF 2023 LIST! I know everyone else is trying to be first. But the one you remember best is the last one you read, and this is probably the best list anyway. It’s also only 10 records, so you can really sink your teeth into it.
For as long as I can remember, independent record stores across the world have celebrated Record Store Day. At first a small initiative to get people to shop at their local record stores, it’s now an excuse for thousands of people to join hours-long queues at record shops across the world to buy one (or several) of the several hundred special releases made for that day that will only ever be sold in stores, and for which pre-orders are not allowed to be taken. As the list of releases has grown, the quality of those releases has diverged. While some of the announced records are long-awaited reissues of rare and important material, others are obvious cash grabs meant to appeal to the completist nature of a certain type of collector. Now, I’ll sort some of these in buckets for you, starting with the most essential and ending with the least essential.
I’ve focused on the U.S. list for this post as this is where we are and will be waiting in line.
Continue reading “Record Store Day 2023 — My Guide to the Most and Least Essential Releases”
This was an intense year… It feels like we’ve lived 300 in the last 3 months, TBH. Anyways, here’s the Top 20 records of 2021 as voted by the staff at Spinning Platters. You may notice a couple of late 2020 releases here… Similar to the Grammy’s, we don’t do a typical calendar year. Instead, we do 11/20-11/19 as a year. Because, really, in those last six weeks of the year, can anyone develop an emotional connection to a record? Continue reading “Spinning Platters’ Top 20 Albums of 2021”
Hello there, loyal readers. And if you are a loyal reader, you’ll know that I am really like the band Wet Leg. Like, to a degree almost as uncomfortable as their band name. (And by I, I mean Dakin Hardwick, the Music Editor for this very site.) And since I have a forum to talk about how much I like something, I’m using that forum to shout any Wet Leg news that I can. Today’s news is great. First, we have a 3rd single called “Too Late Now” that you can set on repeat just like the first two songs. This one has the same biting commentary, but with a slower build-up and less overtly funny lyrics. This one also has a fiercely loud b-side, “Oh No,” a track that would be right at home on the playlist of a college radio station in 1991.
But that’s not all! We FINALLY have a release date for their Self-Titled debut coming out on Domino Records on April 8th! Preorders are happening NOW! And of course, there is a limited edition vinyl pressing with a bonus 7″ and an extra booklet. Lastly, we’ve got a full slate of North American tour dates coming your way below the jump! And if you missed out on tickets to their SF and LA club shows, they’ve been added to the bill to Chvrches at the Bill Graham Civic and Hollywood Palladium dates! Continue reading “Wet Leg Debut Album Out April 8th”
Habibi was one of like five bands to get to complete their 2020 tour before the world shut down. And their good fortune did not end there… Anywhere But Here landed the band on a slew of year-end lists, enough to get the attention of the legendary label Kill Rock Stars, which is AMAZING news because there were six years between the band’s self-titled debut and second record!
While the band is in the studio working on LP #3, they have treated us with an EP of cover songs from some of their favorite performers. The first single is a cover of the Kleenex classic “Nice,” translated into Farsi by lead singer Rahill Jamalifard. The EP, called Nice Try, will be ready for your ears very soon. You can watch this countdown clock with bated breath like I have to know the minute it’s read! And they are also going on tour! Check out the dates below: Continue reading “EP Preview: “Nice Try” by Habibi AND TOUR DATES”
I know, I know, I know… We are all so very sick of COVID lockdowns and masking and social distancing and everything. And with recent news from the CDC saying that vaccinated folks drop the masks and live life like it’s normal should mean that we should stop seeing new postponements, right? Yet, just today, the Hella Mega Tour featuring Green Day, Weezer, Fall Out Boy, and The Interruptors just got pushed out a few more months, starting July 24th, 2021 in Dallas. This, along with recent news of Bikini Kill, Motley Crue, (which, if you don’t immediately scream to yourself “I’m gonna win that Motley Crue mirror if it fucking kills me” when you see those two band names together, then what are you even doing reading this blog?) and Rage Against The Machine pushing their late Summer / early Fall 2021 shows even further down the line, it’s gotta be a little frustrating, right? Continue reading “In Defense Of: One Last Postponement”
Record Store Day didn’t really happen this year, but tomorrow is the first of 3 “RSD Drops” where most of what was intended to be released back in April is finally being sent to your local independent record store. Methods of sale vary wildly from store to store so be sure to call or email ahead to find out how to wait in the queue, if you’re even able to. Records will be online much faster than ever before, so keep your eyes on the independent sellers who also sell online. For actual, final Record Store Day info, visit http://www.recordstoreday.com. And now, travel back in time to early April when I was about to press publish …
For a dozen years now, independent record stores across the world have celebrated Record Store Day. At first, a small initiative to get people to shop at their local record stores, it’s now an excuse for thousands of people to join hours-long queues at record shops across the world to buy one (or several) of the several hundred special releases made for that day that will only ever be sold in stores, and for which pre-orders are not allowed to be taken. As the list of releases has grown, the quality of those releases has diverged. While some of the announced records are long-awaited reissues of rare and important material, others are obvious cash grabs meant to appeal to the completist nature of a certain type of collector. Now, I’ll sort some of these in buckets for you, starting with the most essential, ending with the least essential. Continue reading “Record Store Day 2020: A Woefully Out-of-Date Preview of What Was Supposed to Happen”
On Monday, I woke up to the painful news that many people in the garage and punk scenes had been accused of taking advantage of underage fans. It left me feeling heartbroken and angry. This is a scene that I always took great care of and pride in. It felt safe, and it seemed, on the surface, to be very open and accommodating and respectful. I wrote a piece that is a little disjointed and without a clear focus. But it was also a very pure sense of how I was feeling, and I’d like to share it with you.
Before I continue, I’d like to clear the air a bit… Spinning Platters, though priding itself on elevating female voices and always being on the side of believing women, has made a few mistakes. I was reminded by a fellow writer that we did, indeed, sponsor a few screenings of the R Kelly film Trapped In The Closet. I even presented R Kelly trivia at one of these events. If I could take that back, I would. We also once had a member of our staff that was accused of many of the same things being written about Burger Records and many folks within that scene. When this came to light, we immediately fired this writer, but we did it silently, without any statement. It seemed like the right thing to do at the time, but after the deafening silence of the men when women come forward, I realized that our silence only protects the perpetrator. It does nothing for the victims, and, really, does nothing to help move society forward. I am grateful that Total Trash, the folks that put on Burger Boogaloo, made a statement, and that they have cut ties with Burger Records and will be renaming the event. I am also grateful that Nobunny has actually admitted to wrong doing, something that few others are willing to do. We need more men to step up. We need more men to call out their fellow men for bad behavior. We need men to admit to the ways they’ve abused people they hold power over, and take responsibility for their actions. After the jump is the piece I wrote… Continue reading “Op-Ed: The Damage Of Rock n Roll’s Obsession With Underage Girls”
Twenty eight years ago PJ Harvey released her debut album. Dry is a vital part of the collective howl of early 90s feminist punk, a subgenre defined by women with loud guitars who demanded a seat at the musical table. Bands like Bikini Kill, Le Tigre, Hole, Babes in Toyland, Sleater-Kinney and L7 pushed against the erasure of women in punk and changed the landscape of popular music forever. Continue reading “A Reflection on PJ Harvey’s Dry“
So, as you may have noticed that this site has been quiet for a few weeks. That’s not so much because a lack of content, but, to be totally frank with you, this whole COVID-19 thing has left me feeling, well, really depressed. In a way where I just didn’t want to touch the site at all, because I didn’t want there to be a long stretch of “this is how we are going to handle things in the COVID-19 era” content with livestreams and think pieces and weird, meandering posts about whether or not the live event industry can overcome this without any real knowledge of when this will end. It all became more real when I lost my day job as Venue Success Specialist at Eventbrite, because, well, nobody can put on events pretty much anywhere in the world right now. Continue reading “A Letter From The Editor: Let’s Make Sure Live Music Stays Alive”
