Edward Sharpe & The Magnetic Zeros is the self-titled third full-length album from the 10-person folk rock group. It’s fitting that the group’s third album is self-titled, since it emits a level of musical maturity that signals that they’ve finally found their authentic stride. Their super popular debut album, Up From Below, was filled with songs that were heard all over the radio and in commercials, movies, and just about everywhere one looked. Yet Up From Below felt forced, as if the group jumped onto the folk revival bandwagon late and inserted as many trending characteristics as they could. The same level of mass consumption didn’t occur with the second album, Here, but it nevertheless catered to a fan base eager to hear catchy choruses and jangling folk-rock melodies. With Edward Sharpe and the Magnetic Zeros, the group has merged catchy hooks with natural sounding music composition. The songs don’t feel contrived. Sure, the album still carries a dose of pretentiousness that the group will never be able to shake. However, frontman Alex Ebert feels more at home here, embracing the rawness and eclectic range of influences and tones, and the band is able to follow suit, creating what may end up being one of the best albums of the year.
Continue reading “Album Review: Edward Sharpe & The Magnetic Zeros”
