Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
Spinning Platters album reviews category. Click here to see all album reviews from the Bay Area Music Nerds.
In typical times, March would be the beginning of the music business’ “year.” Normally, there is a lull of news and new releases between December and February, and March usually starts with the Grammys, allowing everything to “wake up.” We would have a slew of festival line-ups coming through, and everyone looking to make a big year would be starting that cycle with SXSW. Continue reading “Single Review: “Pay Your Way In Pain” by St Vincent / “Leave The Door Open” by Silk Sonic”
These two shows at The Fox Theater in Oakland marked what was basically the last night on the road for what may have been the most challenging tour in Sleater-Kinney’s 25 years on this Earth. Not only were they out to support the single most-divisive record in their catalog, but their long-time drummer, Janet Weiss, abruptly quit the band in the middle of rehearsals.
A lot of hardcore fans felt betrayed. People were demanding refunds because they bought tickets under the impression that they were getting the core trio of Corin Tucker and Janet Weiss and Carrie Brownstein. All of this meant that, instead of hitting the road in celebration of their career, Sleater-Kinney have to prove themselves all over again. They couldn’t rest on their reputation of being the fiercest live band around.
In the year 2001, I was working at a Wherehouse Music in the Financial District of San Francisco, CA. During this time period, we received regular visits from representatives from major record labels who would drop off advance CD’s of the upcoming new releases. Mid-Summer, we got a record called In Search Of… by a band called N*E*R*D. This was a side project of popular producers The Neptunes, with Neptune Pharrell Williams handling all of the lead vocals. Yes, there was a time when people didn’t know who Pharrell Willams was! Continue reading “Spinning Platters Picks Six: Albums That Were Pulled Before Release”
The Center Won’t Hold is possibly the most divisive record of 2019. Months before even a single note was heard outside of the recording studio, when the photo of the band recording with Annie Clark of St. Vincent fame was released, many folks already had their minds made up. I heard declarations from folks that “Annie is going to replace Janet Weiss with a drum machine” and that “it’s just going to be a Carrie solo record.” Other fans were excited about the possible new direction, but those folks seemed to be muted by the naysayers, worried that an outside entity was going to destroy their favorite band. Continue reading “Album Review: Sleater-Kinney — The Center Won’t Hold“
Of all the bands that I’ve been obsessed with over my life time, Ladytron was one that I came to on the later portion of their career. While I appreciate their first two albums, it wasn’t until the dark post-rock infusion of Witching Hour that I my ears suddenly perked up and I realized how much more there was to this band. Even then I wasn’t fully hooked and completely obsessed until Velocifero blew my head apart. To say that I’ve been waiting and anticipating a new Ladytron album since Gravity the Seducer was released almost a decade ago is an understatement of the century – at least in my household – so imagine how excited I was when all the rumors were confirmed by an e-mail from Pledge Music that they were in the studio working on a new album and then later when Spotify notified me that a new single – at the time “The Animals” – had been officially released. I lost my shit. Plain and simple.
The release of Zeppelin Over China (Feb 1st), an album title appropriately conjuring visions of a large scale and high concept endeavor, has every indication of a major milestone for Guided By Voices and frontman Robert Pollard. The double LP album consists of 32 songs and clocks in at 75 minutes (yes, that’s only ~2.5 minutes per song) — no song reaches four minutes. The experience of listening to Zeppelin Over China is a truly cohesive yet rambunctious audio journey, with the tone set immediately with the quick grungy cuts “Good Morning Sir” and “Step of the Wave”. If you aren’t impressed after the first five songs, the extended tracklist won’t win you over by the end. But if you are impressed, or willing to give the remainder a shot, then completing the album feels expectedly rewarding. Continue reading “Album Review: Guided By Voices — Zeppelin Over China“
By The Spinning Platters Editorial Staff
It’s that time of year again… That time when you’ve read every other music site’s Album of The Year list, and have hated all of them because you haven’t seen the best one yet! We have an incredibly diverse group of records… Some you’ve seen on other lists, some you haven’t, and some you’ve likely never heard of before clicking on this post!
So, without further adieu, on with our list:
John Grant, the individual, is remarkable; he began his musical training at age four, and, prior to becoming a working indie rock star, with his band The Czars, had worked as Russian-English medical translator. He speaks four languages, and spent his childhood in Colorado, where he grew up in a religious family, and came out as gay in his twenties. He has struggled with addiction, and continues to struggle with severe anxiety. He is intense, wry, smart, and neurotic, and these traits inform his music. Continue reading “Album review: John Grant’s Love is Magic“
Laura Veirs hasn’t enjoyed the widespread popularity or been welcomed to the radio waves like her other Portland musician colleagues and frequent collaborators have, like The Decemberists and Sufjan Stevens. “Not a household name / but she’s been in your head all day / It would be so cool to be like Carol, Carol Kaye.” These lyrics from “Carol Kaye” off of Veirs’s 2010 incredible LP offering July Flame, just about sums it up. It’s unfortunate that Veirs isn’t the household name her music has well-earned the distinction of becoming. Alas, two more LPs and a collaboration album with Neko Case and k.d. lang (Case/Lang/Veirs) later, and Veirs is still delivering radio-worthy tunes that are as catchy as they are folksy and heartfelt. Continue reading “Album Review: Laura Veirs — The Lookout“
By The Spinning Platters Staff
2017 may go down as one of the worst years in recorded history. In fact, I’m almost 100% certain of that. However, the best art is created out of strife, and 2017 yielded an especially passionate crop of records. So, without further adieu, here is Spinning Platters’ Top 10 records of 2017, as selected and voted on by our entire team:
