“GWAR LIVES!”
I have a death wish. A metal death wish. So it was clear that I had to work 9 hours and high tail it straight to Downtown Los Angeles for a night of total fucking metal at The Belasco Theater. The occasion? GWAR. Need I say more?
Author: Oliver Brink
Oliver is a lover of film, music, theatre, and art. He writes and works out of Los Angeles.
Show Review: Subhumans, Neighborhood Brats, SMUT, Fissure at Echoplex 10/22/2019
“This is not an advert!”
Sometimes, you need to get the hell out of the house and go to a punk show. Especially in times as trying as these, perhaps because of times as trying as these, it just feels good to go somewhere where you can yell and get all that pent up anger at a seemingly unstoppable corrupt world with a bunch of like minded people. So, I hopped on the scooter and puttered off to Echo Park to the surprisingly dark-lit Echoplex for a night of punk rock fury.
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Show Review: IDLES, Surfbort at The Wiltern 2019/10/08
IDLES, the unstoppable force, returns!
I do not get out to enough concerts. I work in live theatre which means when I’m on a “show run” I’m locked in with only Monday nights off for the next two months of my life at a time, so I have to fit in whatever I can between plays. Therefore, it’s almost serendipitous that the first show I’ve been to since May happens to also be an IDLES show, this time at The Wiltern in Korea Town.
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Show Review: IDLES, Fontaines D.C. at The Fonda Theatre 2019/05/22
“If you don’t like cliches, fuck yourselves.”
As I get older, I have to admit that I really appreciate having a barricade to shoot photos from. I get that it’s not most audience member’s cup ‘o tea, but when you’re lugging around 5k worth of camera equipment it’s nice to not have to worry quite as much about being shoved around by rabid fans. This is one of the reasons why I tend to truly enjoy concerts at the Fonda Theatre in Hollywood. Continue reading “Show Review: IDLES, Fontaines D.C. at The Fonda Theatre 2019/05/22”
Show Review: Amanda Palmer: There Will Be No Intermission at The Theatre at the Ace Hotel 5/11/19
“There will be…. ONE intermission.”
I have to start by admitting that what I witnessed this evening is difficult to paraphrase. To do so would be a disservice to the intimacy and honesty that Amanda Palmer shared with us. While that certainly sounds like an excuse for laziness, I am being quite earnest. It’s hard to come to terms with it, but I’m at a complete loss of how to describe what I experienced in that giant ex-movie palace where I watched a woman tell her story armed with nothing but a Steinway grand piano, a ukulele, and a hell of a lot more bravery than I think I’ll ever know.
Show Review: The Faint, Choir Boy, CLOSENESS at The Roxy Theatre 05/08/19
“Like a cast shadow”
I don’t often make it down to the Sunset Strip in Rock and Roll West Hollywood. It’s not that I don’t like it, it’s just that it’s expensive and the parking is absolutely terrible. However, I’ve a lot of fond memories of late night jaunts to The Rainbow Room for pizza, beers, and bitch sessions about freelance work with some close friends and it just so happens that the Roxy Theatre is right next door. So, of course I was going to make a trek out to street where rock and roll really cemented its place in popular culture to see The Faint and whoever is touring with them.
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Show Review: Industrial Accident: The Story of Wax Trax! Records, Ministry, Cold Cave at The Teragram Ballroom 04/22/2019
I have to confess, I was completely in the dark about Wax Trax! Records, which seems criminal to me now considering my music tastes. So, what better way to learn the whole story than a documentary screening followed by a concert?
Show Review: SRSQ, Uniform, and The Black Queen at The Regent 03/28/19
“Maybe we could just…”
After a long work period it’s nice to have an evening to cut loose and check out some damn good music. It was this thought that ran through my head as I navigated through traffic on a Thursday night from Sherman Oaks to downtown Los Angeles to see The Black Queen perform at the Regent. It wasn’t too cold, though that may have been from all the traffic, and something in the air just said that tonight was going to be a good night for some dark and synthy dream pop.
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Album Review: Ladytron – Ladytron
Of all the bands that I’ve been obsessed with over my life time, Ladytron was one that I came to on the later portion of their career. While I appreciate their first two albums, it wasn’t until the dark post-rock infusion of Witching Hour that I my ears suddenly perked up and I realized how much more there was to this band. Even then I wasn’t fully hooked and completely obsessed until Velocifero blew my head apart. To say that I’ve been waiting and anticipating a new Ladytron album since Gravity the Seducer was released almost a decade ago is an understatement of the century – at least in my household – so imagine how excited I was when all the rumors were confirmed by an e-mail from Pledge Music that they were in the studio working on a new album and then later when Spotify notified me that a new single – at the time “The Animals” – had been officially released. I lost my shit. Plain and simple.
Show Review: Ministry and Carpenter Brut at The Fonda, 12/20/18
“This is The Twilight Zone!”
It seems I’m developing a bit of a reputation for my love of metal music. Sure enough, most of my tastes gravitate in a heavy, guitar crunching, angry spitting, violent dancing, political attack that much of metal shares with the world. This is why it should come as no surprise that I leapt for the chance to see Ministry at the Fonda Theatre one Thursday afternoon. However, this was no ordinary metal show, for Al Jourgenson and his cohorts were sharing the stage with 80s horror synth revivalist Carpenter Brut – whom I’ve also become deeply enamored with over the past year since Leather Teeth was released – and newcomers Alien Weaponry from New Zealand.
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