Festival Review: Adult Swim Festival 2018 (DTLA)

Adult Swim Takes Over The Row

Rick-1

Coming off of a whirlwind Wasteland Weekend experience mere days before, I grabbed my camera and jumped right in to Adult Swim’s inaugural Adult Swim Festival. Taking place in DTLA’s The Row next to the now vacant American Apparel factory, the festival showcased Adult Swim’s animation and television series while musicians and comedians who have worked in some capacity with the company, performed back to back on two cat-themed stages across the long stretch of pavement from each other. The next two days were jam packed with non-stop entertainment featuring a plethora of artists that I was experiencing for the first time both sonically and visually.

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Show Review: Melvins, Boris, We Are The Asteroid at Echoplex 08/16/2018

It’s gonna get loud…

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It’s been a good bit of time since I’ve made it out to a show at one of my favorite venues in Los Angeles: Echoplex. While the lightning has never been the greatest for photography, the atmosphere and sound mixes have always made up for it and I’ve consistently had the most fun at pretty much every show I’ve seen behind their doors. Though, I’ll definitely admit that it’s sometimes hard to decipher their door times from show starting times and in this case I misread and ended up arriving FAR earlier than I ever have, but that’s just me griping. Even being in line about an hour and a half before opening couldn’t wreck my spirits. I was about to thrust myself into the noisiest room in Los Angeles. I was about to see Boris and the Melvins.

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Show Review: Steve Ignorant and Paranoid Visions, Modern Enemy at The Fonda 5/26/18

Revolution Songs The Whole World Needs

Steve Ignorant and Paranoid Visions-6

Hardcore, Anarcho, Crust, Street, Pop: Five ways to describe various aspects of punk rock music — and that’s just five — of which I’ve happily run around in circle pits, been pressed against sweaty beer spilling individuals, and genuinely rocked my head off to in my life thus far.

For myself and a great number of friends who grew up in the ‘90s, punk provided a sense of community in a rural hippie town that was otherwise obsessed with reggae and country music — figure that out — where you could go 6 miles north where horses have the right of way or 10 miles south where meth seems to be lurking around every corner. It gave us an outlet for our anger and disillusionment in our supposedly sleepy little town in the Lost Coast. It should come as no surprise that by high school I was listening to heavy doses of Subhumans, Leftover Crack, Bad Religion, and Crass.

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Show Review: Peter Hook and the Light, El Ten Eleven at The Wiltern 5/18/18

Take The Shock Away!Peter Hook and the Light-9

It often feels like a number of artists these days are playing up the waves of nostalgia for their music. So many bands that have been laying dormant have been coming out of the woodwork with reunion tours, new albums, and renewed activity, enough so that my lovely editor had made mention in passing to me that most of the bands at festivals were made up of 50 year olds. Personally, I don’t really care. I like music, and if a band I like gets back together or does something new, I’m all for it. So when I first heard that Peter Hook had formed his own band in 2008 and started playing Joy Division songs I was pretty much all for it. I love Joy Division. I lamented that Deerhoof and Xiu Xiu’s live Joy Division cover shows were so far out of reach and further lamented missing out on Hook’s shows, but it’s looking like 2018 is just starting to turn into MY year for concerts! Continue reading “Show Review: Peter Hook and the Light, El Ten Eleven at The Wiltern 5/18/18”

Show Review: Steven Wilson at The Wiltern 05/12/18

This band plays it To The Bone

Steven Wilson (Wiltern)-5 Steven Wilson is easily one of the most prolific recording artists of the last couple of decades. At the same time he was the main creative force behind Porcupine Tree, he also managed a number of side projects like Blackfield, No-Man, and Storm Corrosion, as well as remixing numerous classics by Yes, King Crimson, XTC, and others. After Porcupine Tree was put on an indefinite hiatus—there is still yet to be any official “end” of the band—Wilson’s solo career has flourished even further, defying genre expectations of the “progressive rock” scene in favor of creating honest artistic expression. His latest work, To The Bone, continues to push forward towards the art of “pop” even further than his last release, while still maintaining a melancholic edge that has been a theme of his work for quite some time. The North American leg of the To The Bone tour is coming to an end and I caught his Los Angeles performance at the historic Wiltern in Korea Town.

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The Substance of Peter Hook

Peter Hook and the Light hit the North American stages once again!

No language, just sound, that's all we need know.
Photo by Jonathan Pirro at The Mezzanine (SF) in 2011.

Peter Hook’s saga of rock and roll history is not one to be trifled with. His indelible mark as a bass player and musical progenitor has been left in the forms of both Joy Division and New Order, two bands who influenced incredible waves over their tenures. What probably sets him apart from most musicians involved in such influential and groundbreaking groups is his unabashed and pure honesty in recollection. Anyone could just accept the moniker of “groundbreaking creator,” but how many will tell you that their entire style evolved over the fact that their equipment was shit and they just couldn’t hear themself during band practice?

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Show Review: Stars at The Masonic Lodge 11/29/17

A concert in a graveyard? Why not!

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What exactly is it about Canada that produces such intriguing rock and roll acts? The great North is home to dozens of groups that broke through international barriers and still continue to impress to this day. Of course there are the obvious examples like Neil Young, Rush, The Guess Who, Arcade Fire, and NoMeansNo, but there is also that unique brand of indie/art with groups like Metric, Godspeed! You Black Emperor, The New Pornographers, and Broken Social Scene, the indie super band of which Amy Millan and Evan Cranley are members. Easily one of my favorites of all of them is Stars who take up a special place with their lush production and exploration of the various themes of love and heartbreak. In support of their recent double LP release, There Is No Love In Fluorescent Light, the band took over the Masonic Lodge at the Hollywood Forever Cemetery for three whole days of intimacy with their long-time fans and first timers alike.

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Show Review: Deerhoof, Christina Schneider’s Genius Grant, Mayya and the Revolutionary Hell Yeah at Teragram Ballroom, 09/22/17

Deeeeeeeeeeeerrrrrrrhooooooooooofff!

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I cannot start this without immediately stating my bias. I love Deerhoof. I’ve been in love with this strange quirky band since I was 16 years old in high school, and a friend of mine played the cleanest version that exists of “Gore in Crown,” though we knew it as “Gore in Beans.” They are a band that — for whatever reason — manages to attack their inspiration ceaselessly and never get redundant in doing so. Like Fugazi‘s later career, each album is new, fresh, and exciting, better than the album before it. This says nothing of their performances — of which the following is my fifth as an audience member — which always retain some of the highest energy of any show I’ve ever been to.

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Show Review: Dead Cross, Qui, Secret Chiefs 3 at El Rey, 8.21-22.17

“Nothing stops this tour!”

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Since supergroups seem to be the big deal right now, it’s hard to recognize any band who comes together in collaboration as anything but. However, it becomes crystal clear, when the band performs live, that “supergroup” is not as appropriate of a term. When talking about Dead Cross it is completely fair to say that this is a band, not another one-off album release. The self-titled album, recently released on Ipecac Records, is a blistering hardcore punk set that injects a new vitality into the genre.

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Festival Preview: FYF Fest

2017 seems to be the year of the music festival.  With new festivals like Desert Daze and Burger Boogaloo gaining traction, the stalwarts have upped the ante on their lineups, boasting unique and eclectic selections of damn fine music. FYF Fest has come a long way from its meager Echo Park beginnings and from July 21st to 23rd it will once again take over Exposition Park in Los Angeles this year and damn if they haven’t booked one hell of a lineup.

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