Carrie Kahn – Page 15 – Spinning Platters

Film Review: The Way Back

Affleck is true champ in worthwhile basketball drama

High school basketball coach Jack (Ben Affleck) tries to motivate his team.

Remember the “Sad Ben Affleck” meme that was circulating a few years ago? Maybe you thought to yourself, “Hmmm… that would make a great film. Especially if it were combined with an underdog high school basketball movie like Hoosiers.” Well, sorry to say, but director Gavin O’Connor has beat you to it in his new Affleck-helmed picture The Way Back. But you know what? All kidding aside, despite a few flaws, the movie actually works, and Affleck delivers what’s easily a career best performance.

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Film Review: Ordinary Love

This is no ordinary love: Neeson and Manville make cancer drama worth seeing

Husband Tom (Liam Neeson) supports wife Joan (Lesley Manville) as she undergoes breast cancer diagnosis and treatment.

“How do you say to someone ‘don’t die’?” a character asks in Ordinary Love, which pretty much sets the tone for this grim but well done film about a long married couple coping with the wife’s recent breast cancer diagnosis. The movie is startling realistic, so much so that anyone who has been through cancer (either as a patient, or as a supportive family member/friend) may want to avoid it for the unpleasant memories it may bring back. Consider that your upfront trigger warning. But Irish husband/wife directing team Lisa Barros D’Sa and Glenn Leyburn, working from a script by Irish playwright Owen McCafferty, have crafted a nuanced, raw, and well-acted picture that, despite the downer subject matter, is worth your time.

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Film Feature: Carrie and Chris Pick the 2020 Oscars

Film critics Carrie and Chris on who will – and who should – win the 92nd Academy Awards

The 92nd Academy Awards air tomorrow, Sunday, February 9th, on ABC at 5:00 pm PST. Once again, Spinning Platters film critics Carrie Kahn and Chris Piper share their predictions — and hopes — for the major categories. A lot of the winners feel like locks, based on earlier award season wins, but, honestly, we’d rather have some upsets to make for an interesting show then have all our predictions come true. Fingers crossed for some liveliness!

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Film Feature: Highs and Lows from the 2020 Sundance Film Festival

The 2020 Sundance Film Festival concluded this weekend with Festival jurors bestowing prizes upon 28 of the 128 films shown during the ten-day Fest. All the winners can be found here, but, as I did last year, below I present my own highlights — good and bad — and let you know which films you should SEE or SKIP, should any of these be widely released at some point.

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Film Feature: Carrie’s Top 10 Films of 2019

Top 10 lists are notoriously subjective, of course; one fan’s “best” can easily be another’s “worst.” To be included on my Top 10 Films of the Year list, a film has to do two things: affect me profoundly while watching it, and stay in my thoughts long after the credits roll. Below are my ten favorite films of 2019 that meet that criteria. You can also check out my list from last year here.

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Film Review: Uncut Gems

Sandler reason enough to see stressful new Safdie brothers’ picture

Fast-talking jeweler Howard Ratner (Adam Sandler) peddles his wares.

“You are the most annoying person I have ever met,” Howard Ratner’s soon-to-be ex-wife Dinah (Idina Menzel) tells him midway through Benny and Josh Safdie’s new film Uncut Gems. By that point, you’ll be bound to agree with her. As played by Adam Sandler in a career defining performance, Howard is not exactly pleasant to spend time with. The film, too, can be equally unpleasant: it’s a frenetic, exhausting experience that may leave you emotionally spent. But Sandler is absolutely riveting, and, annoying as Howard may be, he’s a character unlike any we’ve seen before. Sandler’s brilliant portrayal of him is reason alone to give this frenzied picture a chance.

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Film Review: Star Wars: The Rise of Skywalker

Abrams is back in command, but is that all there is?

The gang’s all here: (from l.: Chewbacca (Joonas Suotamo), Poe (Oscar Isaac), Finn (John Boyega), and Rey (Daisy Ridley) gather aboard the *Millennium Falcon*.

Let me say up front that what you are reading will be a completely spoiler-free review of the new, ninth and final Star Wars movie, The Rise of Skywalker. So read on without fear. I want to be careful about revealing any of the film’s surprises, since, if you’re a fan of the franchise — especially a Gen X’er one like me — you’ve waited a long time for this finale, and you deserve to watch it fresh. Instead, I’m going to talk about feeling, because feeling is big in this film.

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Film Review: The Aeronauts

Look! Up in the air! It’s a benignly entertaining ballooning movie!

Aeronauts James (Eddie Redmayne) and Amelia (Felicity Jones) try to break the world’s height record for a gas-powered balloon.

As far as family-friendly holiday movies go, you could do worse than British writer/director Tom Harper’s The Aeronauts. An old-fashioned Victorian costume drama, it’s thrilling without being scary, has no sex, swearing, or violence, and extolls the virtues of science, adventure, and reaching for the stars, as it were. And sure, you may forget about it as soon as you walk out of the theater, but you’ll have a pleasant enough time watching its story unfold.

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Film Review: A Beautiful Day in the Neighborhood

Hanks and Rhys make Heller’s neighborhood worth visiting

Mr. Rogers (Tom Hanks, l.) is delighted to meet skeptical journalist Lloyd (Matthew Rhys).

I know a lot of folks who rolled their eyes when they heard that Tom Hanks was going to star as the beloved children’s show host Mr. Rogers. “Can’t this man ever play a serial killer?” they grumbled. While it’s true that in the new film A Beautiful Day in the Neighborhood Hanks adds yet another saintly character to his resume of real-life hero portrayals (see: Sully, Captain Phillips, Saving Mr. Banks, and Bridge of Spies, to name a few), cynics should unroll their eyes into a forward-facing position long enough to go see this film. First, Hanks actually isn’t even the lead here; Matthew Rhys (The Americans), as a skeptical and unhappy journalist, is. Secondly, and perhaps most critically, Hanks gives a complex and genuinely moving performance.

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Film Review: Ford v Ferrari

Damon, Bale come out winners in Mangold’s ’60s racing tale

Race car driver Ken Miles (Christian Bale, l.) and car designer Carroll Shelby (Matt Damon) discuss the possibility of building a car for Ford that could beat Ferrari at the famed Le Mans race.

Let me start this review by telling you that I know squat about car racing. Indy, NASCAR, road racing — they’re all the same to me. But what I do know is quality film, and Ford v Ferrari definitely comes out a winner in that regard. Director James Mangold’s dramatization of the battle between auto titans Ford and Ferrari for dominance at the 1966 Le Mans race is one of the most adrenaline-filled, rousing good times you’ll have at the theater this year.

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