Film Review: Radioactive

Pike’s energy brings (half-)life to Marie Curie biopic

Marie Curie (Rosamund Pike) conducts experiments in her Paris lab.

Iranian director Marjane Satrapi, who was Oscar-nominated 13 years ago for turning her graphic novel Persepolis into a beautiful animated film, is back with another adaptation of a graphic novel. This time, however, Satrapi adapts Lauren Redniss’s 2010 National Book Award nominee Radioactive: Marie & Pierre Curie, A Tale of Love and Fallout not as an animated picture, but as a live-action drama, and the results don’t work nearly as well as Satrapi’s first big success. Radioactive tells the story of famed Polish-French scientist Marie Curie (Rosamund Pike) and her personal and professional triumphs and travails. Unfortunately, Satrapi’s new work yields a very mediocre film about a great woman who deserves a more dignified biopic than this facile, sentimental treatment.

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Film Review: Irresistible

Laughs outweigh flaws in Stewart’s smart political satire

Washington political strategists Faith (Rose Byrne) and Gary (Steve Carell) back opposing candidates in a mayoral election in a small Wisconsin town.

I try not to read reviews of any film I’m going to review so as not to be unconsciously influenced, but this week it was hard to miss the early review headlines in my social media feed for Irresistible, comedian Jon Stewart’s new picture. My fellow critics seemed to not just dislike the film, but to actively hate it. It has a 47 rating on MetaCritic right now. Ouch. I had to wonder if we all saw the same movie. Because you know what? I actually liked it. I finished watching my screener, and I assumed reviews would be positive. I was really surprised by the hostile reactions. The picture isn’t perfect, but it’s smart, relevant, and, most importantly, has some decent laughs. Am I the odd outlier here? Is my taste off? Or are my colleagues all wrong? All I can say is read on for my take, watch the picture, and then decide for yourself which camp you’re in.

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Film Review: 7500

Gordon-Levitt shines in smart airplane hijacking nail-biter

First Officer Tobias Ellis (Joseph Gordon-Levitt) attempts to stay calm after his plane is hijacked.

If you’ve been frustrated that you haven’t been able to fly anywhere for months now and have spent hours daydreaming about your next air travel jaunt, the new picture 7500 will snap you out of your reverie, and make you glad you’re stuck safely on the ground. The smart, taut thriller starring Joseph Gordon-Levitt has a few problematic story elements, but mostly succeeds as a unique take on the typical Hollywood trouble-in-the-sky action pic.

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Film Review: The Way Back

Affleck is true champ in worthwhile basketball drama

High school basketball coach Jack (Ben Affleck) tries to motivate his team. 

Remember the “Sad Ben Affleck” meme that was circulating a few years ago? Maybe you thought to yourself, “Hmmm… that would make a great film. Especially if it were combined with an underdog high school basketball movie like Hoosiers.” Well, sorry to say, but director Gavin O’Connor has beat you to it in his new Affleck-helmed picture The Way Back. But you know what? All kidding aside, despite a few flaws, the movie actually works, and Affleck delivers what’s easily a career best performance. 

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Film Review: Ordinary Love

This is no ordinary love: Neeson and Manville make cancer drama worth seeing

Husband Tom (Liam Neeson) supports wife Joan (Lesley Manville) as she undergoes breast cancer diagnosis and treatment. 

“How do you say to someone ‘don’t die’?” a character asks in Ordinary Love, which pretty much sets the tone for this grim but well done film about a long married couple coping with the wife’s recent breast cancer diagnosis. The movie is startling realistic, so much so that anyone who has been through cancer (either as a patient, or as a supportive family member/friend) may want to avoid it for the unpleasant memories it may bring back. Consider that your upfront trigger warning. But Irish husband/wife directing team Lisa Barros D’Sa and Glenn Leyburn, working from a script by Irish playwright Owen McCafferty, have crafted a nuanced, raw, and well-acted picture that, despite the downer subject matter, is worth your time.

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Film Feature: Carrie and Chris Pick the 2020 Oscars

Film critics Carrie and Chris on who will – and who should – win the 92nd Academy Awards

The 92nd Academy Awards air tomorrow, Sunday, February 9th, on ABC at 5:00 pm PST. Once again, Spinning Platters film critics Carrie Kahn and Chris Piper share their predictions — and hopes — for the major categories. A lot of the winners feel like locks, based on earlier award season wins, but, honestly, we’d rather have some upsets to make for an interesting show then have all our predictions come true. Fingers crossed for some liveliness!

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Film Feature: Highs and Lows from the 2020 Sundance Film Festival

The 2020 Sundance Film Festival concluded this weekend with Festival jurors bestowing prizes upon 28 of the 128 films shown during the ten-day Fest. All the winners can be found here, but, as I did last year, below I present my own highlights — good and bad — and let you know which films you should SEE or SKIP, should any of these be widely released at some point.

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Film Feature: Carrie’s Top 10 Films of 2019

Top 10 lists are notoriously subjective, of course; one fan’s “best” can easily be another’s “worst.” To be included on my Top 10 Films of the Year list, a film has to do two things: affect me profoundly while watching it, and stay in my thoughts long after the credits roll. Below are my ten favorite films of 2019 that meet that criteria. You can also check out my list from last year here.

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Film Review: Uncut Gems

Sandler reason enough to see stressful new Safdie brothers’ picture

Fast-talking jeweler Howard Ratner (Adam Sandler) peddles his wares.

“You are the most annoying person I have ever met,” Howard Ratner’s soon-to-be ex-wife Dinah (Idina Menzel) tells him midway through Benny and Josh Safdie’s new film Uncut Gems. By that point, you’ll be bound to agree with her. As played by Adam Sandler in a career defining performance, Howard is not exactly pleasant to spend time with. The film, too, can be equally unpleasant: it’s a frenetic, exhausting experience that may leave you emotionally spent. But Sandler is absolutely riveting, and, annoying as Howard may be, he’s a character unlike any we’ve seen before. Sandler’s brilliant portrayal of him is reason alone to give this frenzied picture a chance.

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Film Review: Star Wars: The Rise of Skywalker

Abrams is back in command, but is that all there is? 

The gang’s all here: (from l.: Chewbacca (Joonas Suotamo), Poe (Oscar Isaac), Finn (John Boyega), and Rey (Daisy Ridley) gather aboard the Millennium Falcon.

Let me say up front that what you are reading will be a completely spoiler-free review of the new, ninth and final Star Wars movie, The Rise of Skywalker. So read on without fear. I want to be careful about revealing any of the film’s surprises, since, if you’re a fan of the franchise — especially a Gen X’er one like me — you’ve waited a long time for this finale, and you deserve to watch it fresh. Instead, I’m going to talk about feeling, because feeling is big in this film.

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