Film Feature: Carrie and Chris Pick the 2020 Oscars

Film critics Carrie and Chris on who will – and who should – win the 92nd Academy Awards

The 92nd Academy Awards air tomorrow, Sunday, February 9th, on ABC at 5:00 pm PST. Once again, Spinning Platters film critics Carrie Kahn and Chris Piper share their predictions — and hopes — for the major categories. A lot of the winners feel like locks, based on earlier award season wins, but, honestly, we’d rather have some upsets to make for an interesting show then have all our predictions come true. Fingers crossed for some liveliness!

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Film Review: Joker

I’m mad as hell, and I’m not gonna take it anymore

Joaquin Phoenix as The Joker
The Joker prepares for super-villainhood.

It’s too bad that Todd Phillips’s new film Joker has to be about DC Comics character The Joker. Within a fairly conventional origin story, albeit a super-villain origin story, a wrenchingly bleak portrait of unrelenting pain and anguish strains to emerge.

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Film Review: The Finest Hours

The dullest hours are spent with this rote seafaring rescue tale

Is Chris Pine screaming because of the CGI wave he’s encountering?  Or because he’s in this dismal movie? We’ll never know for sure.

T.S. Eliot famously wrote that “April is the cruelest month,” but, for the movie-going public, January is the harshest. The embarrassment of riches that is the late fall quality Oscar contender rush is now just a faint memory, and theaters are filled instead with middling fare that studios don’t know what to do with. Case in point is director Craig Gillespie’s The Finest Hours, which had two previously scheduled release dates before finally opening nationally today – never a good sign. A dull, paint-by-numbers mess, the picture’s suitability as a January wasteland offering makes perfect sense, but the fact that it boasts a wealth of talent both in front of and behind the camera is both puzzling and disappointing.

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