I have spent a lot of time defending different artists in my day. Usually this is because, well, my tastes are difficult to define, to say the least. (Case in point: two of my early reviews, which happened one right after the other were this and this) But, the one single artist that I come to the defense of more than any other is Yoko Ono. Everyone has an opinion about her, and generally speaking, this opinion is pretty negative. The primary cause of this is most likely either a.) they blame her for the break up of The Beatles (I still think that this was Linda’s fault) or b.) they blame her for the widespread acceptance of the avant garde. I personally don’t hold her responsible for either of these things. I also think people either don’t take her seriously enough, or take her far too seriously.
I must give a respectful shout-out to the good people of Noise Pop for making this show happen. They took a chance at booking such a divisive figure for their opening night show, and it paid off pretty nicely.
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Not In Frame: Harry Partch or Harry Patch
The Fiery Furnaces have been in the press quite a bit lately. Not because they put out a record of Fiery Furnace covers, but because of their mythical feud with Radiohead & Beck. My relationship with this band is a little strange. I saw them open for The Shins many years ago, and they blew me away. I ran out to purchase their current record at the time, Rehearsing My Choir, and was taken aback even more. They reminded me of everything the band Caroliner was trying to accomplish, only without the distraction on the costumes. I was hooked for months to this record, but never went further. I kept missing out on new releases, for one reason or another, and whenever they came around, I couldn’t make it. So, this cold November night, I decided to finally see them again. [read the whole post]
Sadness be that it is merely an island of treasure, not a planet
As we all know, this weekend is the Treasure Island Music Festival. It’s always a really good weekend, and the night shows are pretty awesome this year, too! I will be there, and you should, too! But, just in case you have a deep phobia of pirates and buried treasure, we’ve got a few more ideas for you:
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It was, indeed, an all ages show.
Michael Franti has been putting on the Power To The Peaceful festival every year since 1999, and it has always been the middle weekend in September. It’s a fun event that combines social activism and music, and is headlined by Franti every year. It’s also free. And seems to get bigger every year. This year gave us The Honey Brothers, Sly & Robbie, Alanis Morissette, and, of course, Franti and his band Spearhead.
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thanks to ario_j for providing this photo from Flickr.
Underworld formed in 1986, yet are often considered part of the mid-90’s electronica craze that also included acts like Fatboy Slim, Chemical Brothers, and Crystal Method, among others. I’ve always felt that this was a bit of an unfair distinction, only because they are a bit different from the rest. (No disrespect to any of the aforementioned acts, they are all respectable within their own genres.) I feel that they are a pop group that incorporates elements of house, trance and industrial music. They also pay much closer regard to lyrics, oftentimes telling complete stories within their songs. [read the whole post]
The ever-so-youthful sonic band.
Sonic Youth released their first record in 1982. Since then, they have averaged a new release every year and a half or so. (15 full length releases, in case you are keeping track.) This doesn’t include eps, singles, benefit compilation tracks, soundtrack work, side projects, parenting, eating, sleeping, or other such things that take up time. And, arguably, none of them have been “bad.” Sure, you might not have listened to Murray Street in a few years, but it’s still a good record. They are without peer in terms of longevity and consistency. They have a live presence that has always been a force to be reckoned with. The youngest member of the band is 47, but they still play like they are in their early 20’s.
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