Single of the Week: “You Was Born To Die” by Adia Victoria (featuring Kyshona, Margo Price, & Jason Isbell)

You know your gonna get a real burner of a track when the video opens up with T-Bone Burnett riding in a vintage car. This song, off Adia Victoria’s latest full-length LP A Southern Gothicwhich lands in stores and DSPs TODAY, is fierce and fiery. It’s classic southern blues, with that signature T-Bone Burnett spooky reverb and Adia Victoria’s potent vocal. If you are looking for a classic murder ballad when you need that hit of catharsis, this one is for you. 

“You Was Born To Die” can be enjoyed in all the usual places, and don’t forget to grab A Southern Gothic

Film Review: Inside Llewyn Davis

‘I am a man of COEN sorrow…’

Oscar Isaac cradling the real star.
Oscar Isaac cradling the real star of Inside Llewyn Davis.

In a dimly lit smoky bar, an unshaven, slightly disheveled, solo male singer leans into a mic and begins gently singing, ‘Hang me / Oh hang me / I’ll be dead and gone.’ For the next three or so minutes, we are up close and personal to this singer, watching his calm disposition as he sings out the entirety of the song, not even once looking up at the quiet audience wrapped up in the beautiful melody, drinks, and cigarettes. This is how Inside Llewyn Davis begins, the extraordinary and immaculately conceived new film by Joel Coen and Ethan Coen, or as we know them, the Coen brothers. This singer is, of course, Llewyn Davis, and these opening lyrics are deliberately chosen to open the story — they set the tone and capture the somber outlook of the title character. Based on a pivotal moment in our nation’s cultural history, and using a fictionalized version of folk musician Dave Van Ronk to capture the experience of many lost artists of that time period, Inside Llewyn Davis is a pointedly dark and comical drama that serves as an allegorical tale and a cinematic exposé of the unfortunate “futility” of many talented artists.

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Spinning Platters Interview with T-Bone Burnett and Oscar Isaac from ‘Inside Llewyn Davis’

The towering, imposing, and yet, gentle-voiced T-Bone Burnett strolled into the room occupied by a few eager journalists.  Oscar Isaac, quiet and kind, followed close behind.  The two artists, one a musician who has been inching closer and closer to becoming a household name for three award-winning decades, the other an actor who is sharply on the rise, not wholly but in part due to his incredible performance as the lead role in the Coen brother’s newest masterpiece, Inside Llewyn Davis, sit down at the table.  Without pause, we jumped into conversation…and it wasn’t hard to get T-Bone going…

What are your five favorite film soundtracks?

T-Bone Burnett: God, I don’t know.  I can’t even think of any.

Oscar Isaac: The Mission.  Ennio Morricone.

T-Bone:  Yeah, that was a good one.  I like My Fair Lady.  Even though I think that Dr. Strangelove is a much more strange and subversive film and should’ve won the Academy Award…I’m talking like a Hollywood insider, like a movie person <<laughter>>… but I loved that musical.  You know the song, “I’ve Grown Accustomed To Her Face”?  I can barely make it through that song, it’s just so beautiful.  And “On the Street Where You Live,” It’s just beautiful songwriting and one beautiful melody after another.  It beat Dr. Strangelove, which is one of the most important movies ever.

So, one of the reasons why I called the Coen brothers was because I had become a fan of theirs after their first movie, Blood Simple, because it just had so much of my home (Texas) about it and there was a style of storytelling that I thought was really great.  And their next movie came out, Raising Arizona, that just had this insane soundtrack — “Ode to Joy” on the banjo with whistling and yodeling.  And every joke of it landed for me.  And one thing about the Coens is that there’s history in every shot.  Isn’t that right?

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Spinning Platters Weekly Guide to Bay Area Concerts, 9/30/2010-10/6/2010

Wolf Bands are playing again! I love wolf bands!!! When can I see a wolf band?!?!?

The month that has been declared as “Rocktober” kicks off this week, and despite the fact that many of our good friends are trapped in Vegas for a an expensive schmooze-fest with the indie rock elite, and I’m still kind of bummed that I won’t be able to escape to LA for what appears to be the greatest line up for a single show ever! But, I digress, this is still kind of a “Holy Crap!” week here in the bay area, filled with some pretty special stuff. Take a look!

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Album Review: Jakob Dylan – Women + Country

In 2007, a strange and unexpected musical collaboration was released. It was the brain child of legendary producer T-Bone Burnett who decided that a full album collaboration between Led Zeppelin’s Robert Plant and modern day bluegrass icon Alison Krauss would be a brilliant idea. The album, Raising Sand,  came out, and it was a moody collection of covers and originals that was both a critical and commercial success. It was a rare album that nearly everyone enjoyed, and was also the first album released on a independent label to win the Grammy for Album of the Year.

Fast forward three years, and a rather suspicious record gets released. Jakob Dylan, son of Bob and vocalist of 90’s buzz bin two-hit wonder act The Wallflowers, releases a record called Women + Country, featuring production by T-Bone Burnett and vocals by Alt.Country Super Heroine Neko Case. It all feels, I don’t know, impure? I was curious about this record, but also a bit skeptical.  So, when I got an offer to review the record for this site, I decided to take it upon myself.

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