“I think people still are crazy. I think definitely older. I’d say we’ve kept fans from the first record and they’ve grown up with us.”
Over a decade ago, British garage-rockers The Subways burst onto the US music scene with their 2005 hit “Rock & Roll Queen”, and followed it with a set of tours across the States, along with television appearances and an appearance at Lollapalooza. Despite the continued force with which the band kept moving in the years that followed, it took another 10 years before The Subways would come to the US again for another tour, hot on the heels of their self-titled fourth record that was released in 2015. We caught up with singer/bassist Charlotte Cooper to see what’s been happening with the band in the long time that they’ve spent away from this continent.
Grace Jones is an icon in her own right. Her sold out show in Oakland, this past September, exceeded my wildest expectations.
Like many people contributing to Spinning Platters, 2015 was a full and busy year to the point where I didn’t have the time to write and share as much as I would’ve liked. I didn’t go out often and chose to prioritize client work (and a burgeoning drone hobby) over excessive concert-going.
However, quality of the subjects trumped the quantity of shows I attended – especially compared to years past (apologies for the over-used analogy, my mind is on Holiday break). Legendary acts, big names, and a combination of both crossed my lens in the pit this year alongside some up-and-comers that should be on your radar if they’re not already.
Every year Outside Lands gets bigger and better. This year was a great year for a lot of reasons – it was an excellent, diverse and well-paced line up. They also switched up the set-up of the grounds this year, opening up walkways, adding more bathrooms and in general, making a much more comfortable festival experience. The weather was amazing, as well. None of the usual ice cold and overcast OSL, this year was all about having fun in the sun. I also got to see a slew of excellent sets of music & comedy!
One of the many great records that Spinning Platters Writers enjoyed in 2014
2014 was a good year for music — you just had to lose yourself in something unsafe. – Staff Writer Jonathan Pirro.
A lot of people seemed mighty nonplussed by 2014’s recorded music output. Sure, there was a lot of somewhat generic, unimpressive stuff. However, if you did some real hunting, you’ll find that there was some incredibly impressive stuff out there. Here are Spinning Platter’s Staff’s individual lists of favorite records of 2014, starting with my own list:
Picking a list of our Top 10 albums has become quite the task here at Spinning Platters. Every year, we share a gigantic playlist with each other, made up of albums nominated by our entire staff. For 4-6 weeks, it’s the only thing I listen to. Sometimes we find a new favorite album, and other times we find ones we actively root against. But in the end, the votes are tallied up, and we get our Official List. We’ll start this one off with number 10. Continue reading “The Official List of the Best Albums of 2014”
Evidently, a movie can be both completely predictable and completely enjoyable at the same time.
Melissa McCarthy sets up Bill Murray for the best line of the entire movie.
Before seeing St. Vincent, the debut feature from Theodore Melfi, I knew very little about it. I knew that Bill Murray plays a cranky old man who lives next door to a single mother, and he develops a relationship with this woman’s young son. That’s it. I knew it was an indie movie, so I predicted to anyone who’d listen that the movie would definitely have a scene featuring an indie rock song punctuating an important uplifting moment. About this, I was wrong. The song by The National, “Start a War,” is used to punctuate an emotionally sad moment. How predictable was the rest of the film, you ask?
We’ve got three final spotlights from the 37th Mill Valley Film Festival, which closed Sunday night after ten days of showcasing dozens of fresh and exciting titles. Festival highlights, photos, and videos are available at: http://mvff.com. We’ll see you at the Fest next year!
Wild (USA 2014, 120 min)
Cheryl (Reese Witherspoon) at the start of her long and often arduous journey.
Director Jean-Mark Vallée (Dallas Buyers Club) and writer Nick Hornby have turned Cheryl Strayed’s exceedingly popular memoir Wild into one of the best pictures of the year. Reese Witherspoon gives perhaps the fiercest performance of her career as Strayed, who, in the mid-1990s, hiked the Pacific Crest Trail (PCT) solo as a way to cope with several losses in her life. A powerful meditation on grief, healing, strength, and redemption, Vallée’s picture benefits enormously from the emotionally raw performances of is two lead actresses. Laura Dern, as Strayed’s mother Bobbi, seen in flashbacks, is devastating as a young mother whose capacity for hope and love is beyond measure. Shot on location at various points along the PCT, Yves Bélanger’s cinematography is breathtaking, and fittingly accentuates the emotional complexity of Strayed’s story.
Washed Out at Hype Hotel was the perfect way to end a long week. Also, kudos to the Hype Machine for only permitting badge/wristband holders to attend night shows, thus effectively keeping overcrowding at bay.
I haven’t been to SXSW in four years. I can’t say I was too sad about that fact, though. Ever since 2007, the festival has changed dramatically, and not necessarily for the better. To paraphrase, I don’t agree with Lady Gaga’s comment, during her keynote, that corporations are what make this festival remarkable or even possible. SX thrived long before big business descended upon Austin in droves, and will be just fine if some decided to pull out in the future.
That being said, I did enjoy seeing Big Freedia and my new Houston hero, RiFF RaFF, perform in the Doritos-sponsored tent. Yes, it was as crass an atmosphere as you could imagine from a brand targeting youth with their mass-produced, processed food; but the free chips and ample lounge seating were a relief after a long day of walking. Damon Albarn’s set was a bit disappointing at Stubb’s, largely due to the incompetence of the crew setting up between gigs, but he brought the real thunder, in the form of original Gorillaz’ members, Del tha Funky Homosapien, De La Soul, and even Snoop, at the Levi’s-sponsored Fader Fort.
Overall, I had a wonderful time. This is partly due to the fact that I was in good company alongside Michelle Viray and Dakin Hardwick, who wrote quite the remarkable review of all the bands we took in during our four-and-a-half-day sojourn. Though it’s not quite possible to see every act on one’s list, having a wristband does help in certain circumstances (like getting into the Hype Machine’s Hype Hotel for evening shows). I still wish we had discovered this guy, though. Without further ado, here is a collection of some of my favorite photos taken last week.
I didn’t go to SXSW last year. And I, literally, spent all of 2013 being sad about it. SXSW is like live music Disneyland. Sadly, complete with the lines and the getting frustrated about all of the people with Fast Passes cutting ahead of you. However, if you play your cards right, you can see an obscene amount of live music. In four days, I got to enjoy 34 bands. And I didn’t even try that hard this year.
