Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
Original Dillinger member Ben Weinman exhorts the crowd onward. Guitar above head in the middle of a song? Yes.
“Sometimes words just can’t express exactly how we feel. The deep complexity of our emotions is something I’ve always felt was better conveyed in song. Sometimes we are put into a situation that we don’t always know how to deal with quite right. Here’s my attempt at letting you know how I feel. All I can offer is my deepest thanks to everyone who sent a card, everyone who wrote about the situation in a zine, did a show, donated money at a show, or offered their sympathy to what amounts to be a stranger. You always put a smile on this cynical asshole’s face and helped me get through the hardest year of my life. I hope I’ll be seeing all of you soon.”
– From the liner notes of the Dillinger Escape Plan’s album Calculating Infinity by former bassist Adam Doll.
As Doll said, some emotions can’t be summed up neat and tidy through words. Sometimes what we feel can only be expressed through sound.
This is where the Dillinger Escape Plan excels. Continue reading “Show Review: The Dillinger Escape Plan in Yerba Buena Gardens at GDC, 3/2/2011”
Photos and review by: Alan Ralph @ConcertGoingPro
777 Lawrence Expressway in Santa Clara looks like any other nondescript building in any other shopping plaza. Tonight however, there is a tour bus parked in plain view in front, and upon further inspection of the parking lot, there is a sign (from God?): “3-5 Stryper”. Although the number “777” is not actually referenced by the Bible, the number “7” is traditionally associated with divine perfection. So it is with little surprise that Stryper’s return to the Bay Area would be to the hallowed grounds known as the Avalon Night Club. Continue reading “Show Review: Stryper with Cry Wolf, Skinner and Radio Friendly at Avalon Night Club, 3/5/2011”
Ben Gibbard is called out by Bob Mould at Noise Pop
Closing the Noise Pop festival with solo acoustic shows from Ben Gibbard and Zach Rogue was the right choice. People flew in from Europe, skipped the Oscars, even skipped church for an a relaxing evening at San Francisco’s Great American Music Hall. The young crowd was a mix of experienced Noise Pop festival attendees and those that made last night’s show their select choice. Continue reading “Noise Pop Show Review: Ben Gibbard at Great American Music Hall, 2/27/11”
Nearly a year ago to the day, the Fox Theater played host to the first big act of the 2010 Noise Pop Festival, which arrived in the form of Yoko Ono and the Plastic Ono Band. The group’s first arrival to the Bay Area was met with wild enthusiasm, and the set itself was a scene of sonic mass hysteria, with the warbles and shrieks of Yoko accompanying the wild swing and over-the-top rock of her backing band. It seems only fitting, therefore, that the following year needed to be kicked off in a similar manner — a night of balls-out rock, groovy jams, and snarling static chaos — which is probably the main reason why the New Jersey indie rock trio Yo La Tengo was invited to the Fox Theater for the first night of the 2011 Noise Pop Festival.
Continue reading “Noise Pop Show Review: Yo La Tengo with The Urinals at The Fox Oakland, 2/22/2011”
The weather on Saturday night in San Francisco was leaning on the side of foreboding by the late afternoon hours, with dark clouds ahead, scattered moments of showers and mist, and a vastly cold wind that was a stark contrast to the bright crispy winter days that the Bay Area had seen recently. By the time the sun dipped beneath the horizon on Saturday night, the cold and wet had amplified themselves and were coming to rest on a long line of people huddled together outside of the Warfield Theater. A large group of these people would brave the dry yet even colder evenings that followed at the Great American Music Hall. The weather was most appropriate for the mood and occasion, and for the band that was finally returning to San Francisco for the first time in over seven years: the Canadian post-rock octet known as Godspeed You! Black Emperor. Here were not the sunny glories of Sigur Rós, nor the numbing white noise of Mogwai; this was an experience that foretold the end of the world, the beginning of life, and everything in between, with eight musicians sounding like a symphony from worlds beyond.
Continue reading “Show Review: Three Nights with Godspeed You! Black Emperor”
Earlier that day, not knowing who Nicole Atkins was, I listened to two songs on YouTube. On record, she has a strong, beautiful, and towering voice. I would probably like it to Stacy Dupree, the lead singer of Eisley, every bit as pretty and powerful, but just a tad lower and a little more soulful. It was enough for me to decide to check out the show that night. I walked in expecting a well-defined showcase for that wonderful voice and a fairly relaxed atmosphere. I’m not sure I received any of it, but that isn’t necessarily a bad thing.
There’s always a war within a smaller venue show for an artist with a great voice. Do you soften up everything else and let the voice shine, or do you just say forget it, and rock out? I’ve seen both sides of the equation many times and have been disappointed by both. Most often, I tend to side with the showcase of the voice. When a voice is gorgeous, it almost feels like a waste for it to be muddled by guitar, bass, and drums that are turned up too loud. But tonight was a night for rocking, and that is, exactly what happened.
Continue reading “Show Review: Nicole Atkins, Cotton Jones, That Ghost at Cafe du Nord, 2/16/11”
Of all of the LA-based singer-songwriters I enjoy seeing live, Tony Lucca is perhaps my favorite. While his peers seem content to bask in the sun, studio, or local LA venues, Tony faithfully treks up to the Bay to play for his “neighbors” on a regular basis. Furthermore, his show is sure to be a crowd pleaser, as he’s literally got something for everyone. Face-melting vocals? Check. Sincere, relatable, clever lyrics? Check. Rockin’ guitar skills? Check. Wit and charm to spare? Check. Former-Mousketeer good looks? Check.
Wait. What? Yes, you read that right, so let’s get it out of the way now: as a teenager, Tony was part of the Disney Channel’s MMC cast, alongside the other smiling faces of Keri Russell, Ryan Gosling, and Justin Timberlake. As an adult, however, he’s been steadily working as a solo artist since 1997. Since 2006’s Canyon Songs, he has toured steadily, sharing the stage with other talents like Tyrone Wells, Keaton Simons, Curtis Peoples, and most recently, Matt Duke and Jay Nash (with whom he released the excellent TFDI EP).
Continue reading “Show Review: Tony Lucca with Joey Ryan at Cafe Du Nord, 2/8/2011”
I chose Music Night as my finale to a wonderful Sketchfest mostly because of my long-term fangirl love for Chris Hardwick (I even watched Shipmates back in the day, Shipmates!). So, just like the night before for the Nerdist Podcast, I got to Cobb’s early hoping to be right up front. I was rewarded with a front row seat for one of the best and funniest nights I’ve ever seen. With so much talent on stage: Mike Phirman, Eli Braden, Zach Selwyn, Garfunkel & Oates, David Koechner doing 10-20 minute sets each and Chris Hardwick MC-ing, it was bound to be non-stop entertainment. Continue reading “Sketchfest Review: Music Night at Cobb’s Comedy Club, 1/29/11”
