Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
The Wombats’ new album This Modern Glitchhas quickly become my favorite of the year, overtaking all the others on my iPod until it spent two weeks as the only thing I listen to. So on a Friday night after a long week I had high hopes that this would be the perfect night. Continue reading “Show Review: The Wombats with The Tender Box and Wild Party at The Rickshaw, 6/3/11”
Roughly a year and a half ago, British post-punk dreamers Echo & the Bunnymen came to American shores for just a few stops to host a darkly gorgeous, orchestra-accompanied performance of their classic album Ocean Rain. No doubt inspired by the success of their tour and the continuing trend of artists who perform full-album sets at their shows, the Liverpool-based quintet was back in town with a similar formula, although taken to a much greater length. This time around, frontman Ian McCulloch and the rest of the crew were performing TWO of their older records — their debut Crocodiles and sophomore effort Heaven Up Here — with a 3-song encore after each. Lest the smallish crowd and the lower capacity of the venue place doubts in the mind of those who passed by the Warfield Theater on Thursday night, the excitement and enthusiasm from the fans was even more fervent than for the band’s Ocean Rain performance, and the group themselves performed with even greater intensity than before.
Continue reading “Show Review: Echo & the Bunnymen with Kelley Stoltz at The Warfield, 5/19/2011”
If you read Spinning Platters with any regularity, you know I love Donald Glover, so let’s just get the personal stuff out of the way now. I spent all day with an increasing sense of agitation waiting to see if I was going to get a pass for the IAMDONALD show at the Fillmore tonight. I got stuck in some angry self-righteous critic reel where I actually thought I deserved a ticket. Well, I did write this review of the preview show. Then I campaigned hard for Donald Glover/Childish Gambino’s album Culdesac to win album of the year in 2010. Then I gave his fans a SXSW award (and missed The Dead Milkmen to see him!). Is it possible this makes me his biggest fan? And is it possible for a show to live up to expectations after all that? Continue reading “Show Review: IAMDONALD tour with Donald Glover/Childish Gambino at The Fillmore, 4/28/11”
The Joy Formidable is a hard band to describe to people. I’ve seen them called “ecstatic dance rock,” “evolutionary shoegaze,” and last night, one extremely drunk fan called them “the best band in the world!” over and over again until the rest of the crowd finally told him to shut up. As an admitted obsessive fan, I’m not sure I have anything particularly wise or witty to add to the conversation, other than an excited “fuck yeah!” in response to the aforementioned drunk fan. That makes me both the right and wrong person to be reviewing the band, so here I go. Continue reading “Show Review: The Joy Formidable with The Lonely Forest at Bottom of the Hill, 4/14/2011”
PJ Harvey is simply an artist. It just so happens her medium is music. Every tour for each new record is an engrossing sensory experience, completely different than the last. Having seen her perform at the Warfield for every record, minus White Chalk, (she left SF off the tiny tour), since 1998, I’ve had the pleasure and privilege to experience more than my share.
All of the shows up until now, have been full of the energy, gusto, and a hauntingly excitable sound that had left fans floored. Every show ends with just about the biggest display of genuine applause I’ve ever seen or been apart of for an artist. PJ Harvey fans seem to connect with the music fully in both a primal, intellectual, and emotional level, which doesn’t always happen with most artists.
Continue reading “Show Review: PJ Harvey at The Warfield, 4/14/11”
Keaton Simons has a degree in ethnomusicology (the study of world music). Curtis Peoples calls his style of music “coffee shop/arena rock.” At first glance, these two may seem an odd pair for a mid-week one-night stint at the Hotel Utah. The truth is, though, that the two have been friends (and sharing stages) for years. Both are LA-based singer/songwriters with mostly acoustic sets and guitars, sprinkled with a little piano here and there, and both have been so hard at work on new albums that neither has been to the Bay Area in at least a year. And both have fans that were happy to skip the Giants game in favor of a night’s worth of their music. Continue reading “Show Review: Keaton Simons with Curtis Peoples and Whitney Nichole at Hotel Utah, 4/13/2011”
In sharp contrast to the last show I went to at Oakland’s beloved Fox Theater, the crowd was overwhelmingly mellow, especially considering this could be the last time Bright Eyes plays the Bay Area. Luckily this ended up being more telling about Bright Eyes’ fans maturity than their level of worship. Just like every other time I’ve seen Conor Oberst, Mike Mogis and their team of talented musicians (this was number nine if anyone’s counting), the audience still fell into a hush while a sense of quiet worship filled the room as the band took the stage. And they held that stage for over two hours of intensity. Continue reading “Show Review: Bright Eyes with Farmer Dave Scher at The Fox Theater, 4/12/11”
Scala & Kolacny Brothers need marketing help. They admitted during their set on Tuesday night that the had sold “500,000 units in Europe, and about 50 in the U.S.,” and asked us, “tonight, let’s make it 60!” Part of this is probably due to piracy, but part of this must be name recognition. I told many people beforehand that I was going to see them tonight, and they said, “who?” I said, “Y’know, the group that does the cover of ‘Creep’ from the Social Network trailer.”
“Oh! Them! I bet that’ll be good.” But none of them came. The crowd was made up of people more likely to be seen at a classical music event than at the Independent. But then again, the Independent has proven itself to be a versatile venue. So how would a Belgian choir go over on a cold San Francisco night?
Continue reading “Show Review: Scala & Kolacny Brothers at The Independent, 4/12/2011”
October 22nd, 2006. That was the final day for a San Francisco club known as The Pound, a smallish, low building stranded out in the middle of the dreary reaches of Pier 96 near Heron’s Head Park. For true metalheads of the Bay Area, it was a dark day in history, for no venue besides the Pound was better known for providing a consistent schedule of hardcore punk, furious grindcore, and every genre of metal under the sun (which, considering metal, is quite a lot). While larger clubs like Slim’s and the Regency Ballroom have stepped up to the plate to try and appease the hundreds of roaring voices that bellow out for the return of a good metal venue, they have been hard pressed to draw the same underground caliber that the Pound was able to pull in night after night. If the Mezzanine continues to host shows like Sunday night’s Metalliance Tour, however, then we may once again have a contender that fares well in the ring.
MCR!!!! That’s all my fangirl heart was screaming while walking towards The Fox and the hoards of people, clad mostly in black, slowly making their way in to the theater. Of course, I didn’t have a ticket, just a photo pass, but trivial details will not keep me from a show! After a brief panic the ticket was procured and I made my way in and was amazed by the crowd already formed on the floor. By the excitement radiating through the room I could tell that this, the fourth time I’ve seen My Chemical Romance, was going to be the best. Continue reading “Show Review: My Chemical Romance with Neon Trees and Architects at The Fox Oakland, 3/31/11”