setlist – Page 18 – Spinning Platters

Show Review: Peter Hook and The Light performing Closer at The Mezzanine, 09/17/2011

Father and son join for a furious wall of sound

It is frequently said that when you have a formula that works, it is safe to stick with it, but only to the point where you continue to be successful, and not past the point where you’ve entered a realm of dangerous repetition. In 2010 I stated that a popular trend was for a band to go on tour and, as their setlist, play one or more of their classic albums from start to finish. Some acts, such as the Melvins or A Perfect Circle, took up this concept and played multiple albums over multiple nights, and it was a true test of stamina for their fans to make it out for two or three nights in a row to see the entire collection of songs from their catalogue. However, when bassist Peter Hook and his band The Light returned to the Mezzanine in San Francisco to perform Joy Division’s posthumous classic Closer in its entirety, it was quite clear that a nearly-one-year-long wait was a brilliant decision, as it brought a new collection of energetic fans, an explosive performance from Hook and his band, and the reminder that the power and majesty of Joy Division’s music is still fiercely present over 30 years after the release of their final record.

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Show Review: Givers with Kopecky Family Band at Rickshaw Stop, 9/8/2011

Givers. There is something about this band that piqued my interest before hearing a single note. It may be the publicity photo that I keep seeing, with the incredibly pretty girl in it. It may be the fact that there is absolutely nothing bad on their label, Glassnote Records. Or it could just be my sixth sense about bands. Anyways, I uncovered by copy of their debut full length record that was sent to me from the label. I started listening, and maybe a week later, I realized that it’s all I wanted to listen to. Then, I noticed that they were playing. So, as expected, I decided to seize the moment and go see this band.

GiversAftermath — SPOILER: This is how the show ended

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Show Review: Hanson with Meiko at Regency Ballroom, 9/8/2011

Taylor, Isaac, and Zac Hanson...in an 'mmmbop' they're grown

To most of the world, Hanson were three little boys who sang ridiculously catchy songs like “I Will Come to You,” “Weird,” and “Where’s the Love,” had millions of little girls screaming and crying, but “in an mmmbop” were gone. What most don’t know is that the brothers Hanson have never stopped making music. Since that first album that created hysteria among pre-pubescent girls, Middle of Nowhere, Hanson has released four more studio albums (2000’s This Time Around, Underneath in 2004, The Walk in 2007, and last year’s Shout it Out), the three most recent three of which have been under their own label, 3CG Records. Because Hanson made their debut in a moment of bubble gum pop insanity alongside the Backstreet Boys, ‘NSync, and countless other fluffy prefab acts, they were too easily written off with the rest as having had little to no talent. What many didn’t (or still don’t) know was that the boys had been writing their own lyrics and music all along, and now almost fifteen years later, continue to do so, rewarding loyal fans with some great pop rock tunes. Last night their “Musical Ride Tour” stopped at the Regency Ballroom, and I was lucky enough to be there to spend another memorable evening with a band I love to change people’s minds about. Continue reading “Show Review: Hanson with Meiko at Regency Ballroom, 9/8/2011”

Show Review: TFDI with Riley Etheridge & Michael Kang at Cafe du Nord, 8/21/2011

A little over two years ago, some friends and I went to see Tony Lucca at the Hotel Utah. He was playing with two dudes we’d never heard of before: Jay Nash and Matt Duke. Matt opened, and before he’d finished the first song all three of us were staring at him, transfixed (and okay, maybe a little surprised as well). Our reactions to Jay were similar, and of course we already knew we loved Tony’s music too. As the tour progressed, it didn’t take them long to realize that their fantastic chemistry shouldn’t go to waste. By the time they reached SPACE in Chicago, they were harmonizing their way through each other’s set lists, two of them flanking the third songwriter as he took center stage. They decided to record a 4-song EP, and somehow the whole project was dubbed “TFDI.” (More on that later.)

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Show Review: Styx with Yes at the Shoreline Amphitheatre, 8/3/2011

The definition of “arena rock” has changed shape a great deal in this modern era of music. While it’s mostly connected to which genres of music or artists can sell enough seats to fill an amphitheater with up to 22,000 people, it is also evocative of a time when a band’s show and stage set were so extravagant, flamboyant, and over-the-top that only a massive stadium could even hope to provide ample real estate for the performance. Thus, it is always quite amazing to see both of these factors fall into place, especially when the bands in question are of a somewhat-bygone era. This isn’t the 1970s, or the 1980s, but you would never have been aware that time had passed since that era, judging from the explosive response that greeted the two biggest acts of the Shoreline Amphitheatre’s KIHNCERT 2011: Chicago rockers Styx and English progressive godfathers Yes.

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Show Review: Reel Big Fish with Streetlight Manifesto, The Maxies and Rodeo Ruby Love at the Regency Ballroom, 7/15/2011

There’s a commonly-held mindset that says you cannot take ska music seriously. From a simple outside perspective, this makes sense; it’s generally very bouncy, positive-sounding music, and the horns just accentuate the level of joy, or perhaps the level of unseriousness. For what is entailed in a ska song, however, it’s remarkably rude to call it simple or childish; with 3 or 4 additional players that accompany a full band, one that’s usually churning out rapid-fire punk riffs, and with all of the members running around onstage, it’s definitely not a simple feat. The energy of the music, for those who do listen and follow it, is infectious and riotous in its intensity, and whether the lyrics are heartfelt and yearning, or slovenly and self-deprecating, wildly energetic audiences will still fill large auditoriums to see the spectacle, and chant and stamp to every word. Such was the case on Friday night, when the Regency Ballroom of San Francisco played host to two titans of the genre: the New Jersey septet Streetlight Manifesto, and the Huntington Beach veterans known as Reel Big Fish.

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Show Review: Rihanna, J Cole at Oracle Arena, 6/30/11

I’m not going to beat around the bush here… I really like Rihanna. I respect the fact that she doesn’t write her own music (or pretend to write their own music), because she doesn’t need to. I appreciate that, unlike many of her Rocafella peers, she doesn’t need to placate to the indie community for credibility. Because, quite frankly, I don’t need my pop stars hoping to get caught by the paparazzi at a Dirty Projectors show or swooning over Ratatat on their “blog.” Rihanna is a pure, classic pop star. And she knows how to handle an arena-sized live show.

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Show Review: Times New Viking, King Tuff, Spencey Dude and The Doodles at Rickshaw Stop, 6/14/11

The headliner at the Rickshaw Stop on Tuesday night was supposedly Times New Viking, the Ohio based shoegaze band touring in support of their latest release Dancer Equired, but nobody informed the audience because the majority of them were there to see the denim jacketed, Crass t-shirt wearing King Tuff blaze through his 11 song set of mind altered sixties garage rock without give one fuck about those critical darlings Times New Viking who were there to close out the night.
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Show Review: The Wombats with The Tender Box and Wild Party at The Rickshaw, 6/3/11

The Wombats’ new album This Modern Glitchhas quickly become my favorite of the year, overtaking all the others on my iPod until it spent two weeks as the only thing I listen to. So on a Friday night after a long week I had high hopes that this would be the perfect night. Continue reading “Show Review: The Wombats with The Tender Box and Wild Party at The Rickshaw, 6/3/11”

Show Review: Echo & the Bunnymen with Kelley Stoltz at The Warfield, 5/19/2011

The pictures on my wall // Are about to swing and fall

Roughly a year and a half ago, British post-punk dreamers Echo & the Bunnymen came to American shores for just a few stops to host a darkly gorgeous, orchestra-accompanied performance of their classic album Ocean Rain. No doubt inspired by the success of their tour and the continuing trend of artists who perform full-album sets at their shows, the Liverpool-based quintet was back in town with a similar formula, although taken to a much greater length. This time around, frontman Ian McCulloch and the rest of the crew were performing TWO of their older records — their debut Crocodiles and sophomore effort Heaven Up Here — with a 3-song encore after each. Lest the smallish crowd and the lower capacity of the venue place doubts in the mind of those who passed by the Warfield Theater on Thursday night, the excitement and enthusiasm from the fans was even more fervent than for the band’s Ocean Rain performance, and the group themselves performed with even greater intensity than before.

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