Set – Page 2 – Spinning Platters

Show Review: An Evening With Billy Idol at The Fillmore, 8/17/10

While waiting in line to see Billy Idol last night at the Fillmore, I was talking to a friend on the phone that was rather disappointed to learn that his show was sold out, and the asking price on the streets was about $160. We were talking about Idol’s history, and I was informed that Idol was once a member of Siouxsie & The Banshees, but left the band because he felt that they weren’t taking music seriously enough. My immediate response was, of course, to chuckle, but I thought about Idol’s place in our society and realized that there is nobody else out there quite like him. He is part of the new wave era, the punk era, and the hair metal era, and managed to escape all of those trends with dignity & credibility. There is a reason that he is still able to sell out The Fillmore on a Tuesday night 30 years after his first record.

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Show Review: Toad The Wet Sprocket, Hey Marseilles at The Fillmore, 7/23/10

toad1 — Seen Here: Toad. Not Pictured: Wet Sprocket. Also Missing: The part of my brain that would tell me not to make that joke

I have a live music bucket list. That is, I have a list of performers and bands that I would like to see before I or they die. This week has been pretty good for me, in terms of knocking things off that list, but I was really excited about the opportunity to see the first band to make that list. I believe I was 12 when I first heard “All I Want.” I was watching VH-1, as I did sometimes at that age, and thought that it was one of the coolest songs that I have ever heard. At that point, I decided that I needed to see them live, yet it somehow became a difficult task. They played often throughout my high school years, but broke up before I was able to see them. When they reunited, they local shows tended to be either very intimate (selling out super fast), at wineries that are unreachable by public transit, or opening for other bands (Counting Crows, Big Head Todd & The Monsters), and it just wasn’t plausible for me. But, with everything working out just right, I’ve finally accomplished this goal, nearly 18 years later.

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Show Review: Fucked Up, Hank IV, Hollerado at The Rickshaw Stop, 5/9/10

WARNING:

The following review may contain the following:

*Explicit Language

*Violence

*Male Nudity

*Intelligent Discussion

Please proceed with caution. If your boss, or the coworker you have a crush on is looking over your shoulder, please point your browser elsewhere immediately. Continue reading “Show Review: Fucked Up, Hank IV, Hollerado at The Rickshaw Stop, 5/9/10”

Noise Pop Show Review: Yoko Ono Plastic Ono Band with Deerhoof at The Fox Oakland, 2/23/10

I have spent a lot of time defending different artists in my day. Usually this is because, well, my tastes are difficult to define, to say the least. (Case in point: two of my early reviews, which happened one right after the other were this and this) But, the one single artist that I come to the defense of more than any other is Yoko Ono. Everyone has an opinion about her, and generally speaking, this opinion is pretty negative. The primary cause of this is most likely either a.) they blame her for the break up of The Beatles (I still think that this was Linda’s fault) or b.) they blame her for the widespread acceptance of the avant garde. I personally don’t hold her responsible for either of these things. I also think people either don’t take her seriously enough, or take her far too seriously.

I must give a respectful shout-out to the good people of Noise Pop for making this show happen. They took a chance at booking such a divisive figure for their opening night show, and it paid off pretty nicely.

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Show Review: Fiery Furnaces with Cryptacize at Slim’s, 11/20/09

Not In Frame: Harry Partch or Harry Patch

The Fiery Furnaces have been in the press quite a bit lately. Not because they put out a record of Fiery Furnace covers, but because of their mythical feud with Radiohead & Beck. My relationship with this band is a little strange. I saw them open for The Shins many years ago, and they blew me away. I ran out to purchase their current record at the time, Rehearsing My Choir, and was taken aback even more. They reminded me of everything the band Caroliner was trying to accomplish, only without the distraction on the costumes. I was hooked for months to this record, but never went further. I kept missing out on new releases, for one reason or another, and whenever they came around, I couldn’t make it. So, this cold November night, I decided to finally see them again. Continue reading “Show Review: Fiery Furnaces with Cryptacize at Slim’s, 11/20/09”

Show Review: Michael Franti & Spearhead, Alanis Morissette (Power To The Peaceful 2009), Speedway Meadow at Golden Gate Park, 9/12/2009

Michael Franti has been putting on the Power To The Peaceful festival every year since 1999, and it has always been the middle weekend in September. It’s a fun event that combines social activism and music, and is headlined by Franti every year. It’s also free. And seems to get bigger every year. This year gave us The Honey Brothers, Sly & Robbie, Alanis Morissette, and, of course, Franti and his band Spearhead.

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Show Review: Underworld at The Fox Oakland 8/7/09

thanks to ario_j for providing this photo from Flickr.

Underworld formed in 1986, yet are often considered part of the mid-90’s electronica craze that also included acts like Fatboy Slim, Chemical Brothers, and Crystal Method, among others. I’ve always felt that this was a bit of an unfair distinction, only because they are a bit different from the rest. (No disrespect to any of the aforementioned acts, they are all respectable within their own genres.) I feel that they are a pop group that incorporates elements of house, trance and industrial music. They also pay much closer regard to lyrics, oftentimes telling complete stories within their songs. Continue reading “Show Review: Underworld at The Fox Oakland 8/7/09”

Show Review: Sonic Youth, Awesome Color at The Fox Theater, 8/2/09

Sonic Youth released their first record in 1982. Since then, they have averaged a new release every year and a half or so. (15 full length releases, in case you are keeping track.) This doesn’t include eps, singles, benefit compilation tracks, soundtrack work, side projects, parenting, eating, sleeping, or other such things that take up time. And, arguably, none of them have been “bad.” Sure, you might not have listened to Murray Street in a few years, but it’s still a good record. They are without peer in terms of longevity and consistency. They have a live presence that has always been a force to be reckoned with. The youngest member of the band is 47, but they still play like they are in their early 20’s.

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