Tag: Sahar Yousefi

Interview with Bay Area Theatre Legend Andrea Gordon

Interview by Sahar Yousefi
Written by Edward Mulryne and Sahar Yousefi
 
Andrea Gordon takes the helm as Director of Play Reading and Production at the Magic Theatre in San Francisco. Photo by Jessamyn Picton, 2024.
Acclaimed theatre writer, director and producer Andrea Gordon is presenting a six-part series of monthly play readings with her company Rainbow Zebra Productions at the Magic Theatre in San Francisco. Titled the ‘Reading Series Extravaganza’, every performance will feature a piece of new writing and local actors, with casting by Liam Vincent.
 
Curious to know more about this ambitious and community-minded project, Spinning Platters recently sat down with Andrea Gordon for an interview.

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Spinning Platters’ Top 20 Albums of 2020

By The Spinning Platters Editorial Staff

What a shit year, am I right? I guess that’s the consensus all around. It was also a weird year for music… The first half of the year had a bunch of great records that were released with touring in mind, full of epic live songs that are meant to be heard in a crowd and that simply didn’t happen. The second half was full of intense projects made while in seclusion. Projects where the recording is really the only means of connecting. This was a great year for the art of the album, despite it being a terrible year for musicians to make a living. Which is why we are giving you a top 20 this year! A lot of independent artists mixed in with the big ones, so please buy a record or two, or some merch to help keep them alive and able to hit the road when it’s safe. 

A quick note: We begin this process in October, so our years is 11/1-11/1. So, yes, you will see at least one late 2019 album on this list. Continue reading “Spinning Platters’ Top 20 Albums of 2020”

Book Review: Natalie Murray’s Emmie and the Tudor King

“The reign of terror continued for nearly two decades, earning the Tudor king his famous epithet ‘Nicholas the Ironheart’.” Excerpt From Emmie and the Tudor King, Literary Crush Publishing, Copyright 2019 by Natalie Murray.

In a small town in Western Mass resides Emmie, a sensitive and inquisitive 17-year-old with lofty ambitions. The Laura Ingalls-esque young woman lives with her hardworking mother, Carol, who has taken her from London to San Diego to New England to chase after the unrequited love of her now ex-husband. Carol’s heartache and yearning for more is the aura she carries with her, a yearning that also resides in our hero. Emmie has her eyes set on an art school in London, and spends her time curating the piece of jewelry that she believes will be her ticket out of Hatfield. Continue reading “Book Review: Natalie Murray’s Emmie and the Tudor King“

Theater Review: Ubuntu Theater Project’s American Jornalero

Ubuntu Theater Project explores a fresh take on the American Dream in the West Coast premiere of Ed Cardona Jr.’s American Jornalero

Edited by Jessica Vaden

From L. to R.: Jose Rodriguez (Luis), Benoît Monin (Montezuma), Cristhian Ayvar (Marcelo), Juan J. Berumen (Michigan), and the phone that won’t stop ringing. Photos courtesy of Simone Finney, 2018.

On the corner of Hope and Haven stand six men, waiting. Four of them are jornaleros, day laborers, waiting for the work that may not come. Two are law-abiding, border protecting Minutemen, waiting to indict them with the charge of wanting a better life.

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Theater Review: Aphra Behn’s The Rover at Danville Village Theatre

Not much has changed since 1677 — Role Players Ensemble brings Aphra Behn’s The Rover to the Danville Village Theatre

Edited by Jessica Vaden

David J. Bohnet plays Don Pedro, Florinda’s overbearing brother. Nicolette Ellis is Florinda and Terrance Smith as Belville. Photos by Marian Bliss, 2018, courtesy of RPE.

Perhaps now more than ever we are questioning the social constructs that have been put into place for us, especially for those of us on the margins, or in places where our identities intersect. In an attempt at dismantling oppression, we look at its history… starting from gender bending to gender breaking, and finally, to what we assume will become the complete elimination of gender roles. Continue reading “Theater Review: Aphra Behn’s The Rover at Danville Village Theatre”