We speak of SXSW a lot on this site, only because it truly is the best musical bargain out there. You travel from venue to venue seeing bands that you know & love in intimate settings, and you also get to uncover greatness. Sometimes, though, you can get so caught up in the magic of the experience overall, that you may find that the band you learned to love so much in Austin under Shiner-induced ear goggles, isn’t so dreamy in the foggy splendor of San Francisco. Woods were that band for me in Austin, and I was kind of worried that they wouldn’t do it for me here. I’ve started accumulating some of their recordings, and although they are good, they just seem so different from what I remember. But, on this hotter than normal June evening, I forced myself out of my apartment, where I was enjoying lemonade under the fan with my cat (she didn’t get any lemonade, but I did put her tuna on fridge for a bit before serving her dinner. She quite liked that), and forced myself over to Slim’s.
Continue reading “Show Review: Woods, Kurt Vile, The Art Museums at Slim’s, 6/11/10”
As most everyone knows, Bradley Nowell passed away in 1996, months before the release of their self-titled record that ended up taking the world by storm. Very few people actually saw Sublime live because of this. Which may have been to the benefit of the band, because Sublime were a terrible live band. Nowell was wasted about 90% of the time, and rarely was able finish a song. The vast majority of the people that are offended by this reformation of the band aren’t aware of this. This version of Sublime is more than just a chance for the original rhythm section to hit the road again, this is a shot a redeeming Brad Nowell’s memory
The amazing Gogol Bordello are gearing up for a very active 2010. They have a new record coming out on April 27th, called Trans-Contiental Hustle, which will probably be excellent. Around this time, they will be kicking off a 
