Top 10 Albums of 2024!!!

By The Spinning Platters Team

Yes. I know everyone else had their lists finalized and posted in, what, May? Sheesh. Spinning Platters is meticulous and democratic about our process; sometimes, that takes longer. (We’ve also been hard at work on a nice new logo, and I hope you like it!) But you will see some names that are not on anyone else’s lists. And some names that are on everyone else’s because you know what? There have been some solid, instant releases this year that hold up on repeated listenings. So, without further adieu, here it is- the Spinning Platters Top 10 of 2024!

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Album Review: Vampire Weekend, “Only God Was Above Us”

“Ice Cream Piano” begins with a healthy dose of guitar feedback and pronounced strumming, and then the first few lines of the album soothingly unfold, “‘Fuck the world’ / You said it quiet / No one could hear you / No one but me / Cynical, you can’t deny it.” It’s a surprising, but no less strong, sequence of phrases on which to launch Vampire Weekend’s fifth studio album, Only God Was Above Us. The album explores the status quo, including international conflicts, generational attitudes, and society’s unrelenting grip on historical traumas. And yet, Only God Was Above Us, named after a headline quote in the Daily News from a real-life Aloha Airlines flight incident in 1988, is not overtly political. Rather, it’s a musical commentary about fatalism and disillusionment, punctuated by an ultimate yearning for hope and progress. It’s the most cohesively inspired Vampire Weekend album yet, with the band diving head-first into a (mostly) New York City urban soundscape of grunge and grit (see the album cover image above) while not abandoning their gleeful chamber pop origins.  Continue reading “Album Review: Vampire Weekend, “Only God Was Above Us””