New Year’s Day – Spinning Platters

Show Review: The. Best. Aftershock. Ever.

Review and All Photos by: Alan Ralph @ARPhotoSF

For decades, Europe has led the way in the heavy metal and loud rock music festival space. Monsters of Rock (the originator, which started in 1980!), Wacken Open Air, Dynamo Open Air, Hellfest, Graspop, Copenhell, Rock am Ring, Rock im Park, Summer Breeze, Sweden Rock Fest and Download have always dominated the landscape with their amazing lineups year after year.

United States was never close in offering an equivalent heavy metal experience. Sure, there was Ozzfest and Mayhem Festival, but those have been gone since 2017 and 2015 and Americans have always leaned more towards indie rock music festivals like Lollapalooza, Coachella, Bonaroo, and Outside Lands anyway.

For the last twelve or so years, Danny Wimmer Presents (DWP) has been chipping away at the supremacy of the European heavy metal festivals, with Welcome To Rockville, Louder Than Life, Sonic Temple, Inkcarceration, Rock on the Range, Rocklahoma, Carolina Rebellion, and Northern California’s very own Aftershock Festival. With the best lineup it has ever had, West Coast’s Biggest Rock Festival definitely lived up to its name in 2024!

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Show Review: John 5 & The Creatures, DNA Lounge, 04/20/2022

Photos and review by: Alan Ralph @ARPhotoSF

It’s interesting when successful musicians branch out on their own solo projects. Maybe they have too much creative energy that doesn’t flow with their band and need to expand on it, or maybe they just have free time between recording and tour cycles to do their own thing. Whatever the case may be, the best moment to see these performers live is not with their marquee name bands, one hundred yards away in some stadium… no, the best time is when they are on their solo tours! Paul Stanley of KISS once performed at The Fillmore to 800 people. Joe Perry of Aerosmith also performed at The Fillmore in front of only 400 people. When John 5 is not performing to thousands of people with Rob Zombie, he very often makes solo records, tours with his own solo project called John 5 & The Creatures, and when in San Francisco, always comes back to the intimate DNA Lounge.

Single of the Week: “Auld Anxi” by Metric

I’ve had one frightening thought that has repeated in my head throughout most of the last four years, but has been amplified greatly over the course of the last 8 months: “Many Americans are so against the notion of caring about each other that when faced with the prospect of doing ANYTHING that will help improve the lives of one another, the request itself won’t just be shrugged off, but will be treated with such utter scepticism that the request itself would be viewed as purely evil and certainly will destroy our way of life.” The reality of life isn’t quite as dire as that, but the anxiety lives on. Emily Haines has always had a great gift for writing about anxiety in a clear, empathic manner. “Auld Anxi” is a rewrite of the classic “Auld Lang Syne” that might be one of the more optimistic songs ever written about anxiety. It’s like getting the warm hug from a dear friend that understands you and listens without judgement that we so badly need right now, but aren’t likely to get for another several months.

Today is the first day of 2021. This means we made it through that hellscape of 2020. I hate how few of us made it through, and it sucks that things are going to keep getting worse for a bit. BUT- the light is at the end of the tunnel. We have less than three weeks of the Trump administration left. The first two vaccines have been approved in the US, and there’s likely to be one more in the next week or two. For now, stay safe- mask up if you MUST leave your home, if you still are working, give money to causes that will help people stay home that otherwise are forced to put themselves in dangerous situations for survival. I love you, dear reader, and I want you to be there when we can finally get back to shows next year.