Tag: Natalia Rogovin

Show Review: Big Scary, HIPS at Bottom Of The Hill, 5/16/14

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HIPS is a new project from Drew Denny of Big Whup, Natalia Rogovin of Social Studies, and Christina Gaillard of Crown Plaza. A few minutes on HIPS’ Soundcloud page and one can pretty easily discern that this project has very little to do with any of these bands. They advertise themselves as doing “DANCE JAMS // GRINDING // LATE NIGHT DRIVES // MAKING OUT.” I’ve never heard music that immediately conjures up the image of making out on the back of a van late at night while driving through a forest before I heard HIPS, but these ladies have managed to do just that.  Continue reading “Show Review: Big Scary, HIPS at Bottom Of The Hill, 5/16/14”

Local Spin: Interview With Social Studies

Social Studies from Phono del Sol
Social Studies from Phono del Sol

Social Studies have had an amazing year… They are currently gigging in support of last year’s excellent Developer, and have played high profile gigs at Noise Pop, Phono del Sol, Converse Represent, and most recently opening the Twin Peaks stage at Outside Lands. We recently had the opportunity to chat with Natalia Rogovin, Michael Jirovsky, Tom Smith, Ben McClintock, and Jesse Hudson about the past year’s experiences and the plan for the future. Special thanks to Raffi Youssoufian for helping me out with this interview. Social Studies are playing Bottom Of The Hill on Saturday, September 21st

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Show Review: Phono del Sol, 7/13/13

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Phono del Sol is quickly becoming a festival to be reckoned with. In it’s third year, attendance seems to have more then tripled their attendance from the year prior, and I think, these year, have finally solidified itself as the tastemaking music festival of the Summer. It’s the perfect situation: a sunny day in one of San Francisco’s most underappreciated spaces: Potrero del Sol Park. It has a stage pre built directly in front of a skate park, making for a stage experience unlike any other show. This year they added an additional stage, doubling the amount of music. And, much like Treasure Island, the two stages were set up so there was no overlap, and, in fact, we got to enjoy 6 1/2 hours of continuous music.

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