Lowery’s pop-star exploration gets bogged down by metaphors and self-importance
Writer/director David Lowery (Pete’s Dragon, A Ghost Story, The Green Knight) is one the finest visual directors working today. Lowery’s deliberately paced stories pack surprisingly emotional gut punches, and he doesn’t let his distinct style get in the way of the story. Unfortunately, the same can’t be said for his latest film, Mother Mary, a musical surrealist drama. Inviting audiences to interpret the events of a film’s ending, or major moments, or striking visuals, is one thing, but requiring audiences to fill in the narrative gaps while interpreting the events of a story is a tall task, and a distracting one. Mother Mary has visual panache and vibing music, but lacks a complete story, instead relying on pretentious dialogue and dreamlike imagery to gloss over its shortcomings. Continue reading “Film Review: “Mother Mary””
