Single of the Week: “Mythologize Me” by Eliza McLamb

I know, it’s the first day of Outside Lands, and, sadly, the first year in a while without an Outside Lambs area, so, of course, I have to pick a “McLamb” for Single Of The Week. Well, the pun is unintentional. The song? Purely intentional. A warm and hooky song about the lengths people go to in order to become an idealized sexual partner? Well, that ticks all the boxes for me. I love the song, and I’m ready to dig further into McLamb’s catalog. 

Eliza McLamb has recently signed with Royal Mountain Records, so expect more to come. Until then, you can enjoy “Mythologize Me” in all the usual places, and check out her podcast, Binchtopia, here! 

Film Review: “The Unknown Country”

Gladstone anchors lovely, meditative film

Tana (Lily Gladstone) pauses on her journey to her cousin’s wedding.

Lily Gladstone first garnered attention for her quietly affecting breakout role in Kelly Reichardt’s 2016 indie award winner Certain Women. She’s been back in the spotlight recently, thanks to Martin Scorsese, who cast her as Mollie, wife to Leonardo DiCaprio’s Ernest, in Scorsese’s highly anticipated upcoming adaptation of Killers of the Flower Moon. In between, Gladstone worked on several other projects (First Cow; Walking Out) and finally landed her first leading role in The Unknown Country, a beautiful, meditative film worthy of her talents.

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Film Review: “The Last Voyage of the Demeter”

The Demeter sinks slowly but surely

There are two pieces of classic literature to which I’m happily devoted in the case of any film adaptation, re-imagining, modern take, or spin-off: Charles Dickens’s A Christmas Carol and Bram Stoker’s Dracula. I’ll save any further reading into my personal attachment to these two stories for therapy, because right now the latter intellectual property has a new entry in a long lineage of film adaptations, The Last Voyage of the Demeter. Based on a short but haunting chapter from the original Dracula text, The Last Voyage of the Demeter continues director André Øvredal’s impressive filmmaking streak, but too many imbalanced components can’t keep this Demeter afloat. 

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Album Review: Dethklok – Dethalbum IV

“WE ARE ALL GOING TO DIE”

It’s been a long and difficult saga for Brendon Small, but with the upcoming release Metalocalypse: Army of the Doomstar, we will finally have a conclusion to the story of the “greatest band on earth,” Dethklok. Despite the more obvious humor of Metalocalypse, there has always been a love and adoration for heavy music, from the overarching score, guitar squealing censor blips, and the four absolute crushers of albums.

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Show Review: Buddy Guy and Eric Gales Bring the Blues to Stern Grove

Buddy Guy is a legend!  The last time I saw Buddy Guy perform was a tribute to his late friend Jr. Wells.  Almost a century later, he is better than ever and a little spicy while roasting the Grove audience.  Buddy is known for helping younger artists achieve success.  Opener Eric Gales may be young in comparison; yet, was epic on his own. Continue reading “Show Review: Buddy Guy and Eric Gales Bring the Blues to Stern Grove”

Show Review: Blondshell with Hello Mary at Cafe du Nord, 8/4/23

Every great once in a while, an artist comes along that is impossible to shake. I found Blondshell in the most old school of manners- a late-night TV performance. Since then, her self-titled debut record has been in perpetual rotation. Bright Eyes was first introduced to me as the sound of someone inserting their hand into their chest, ripping out their heart, and handing it to you. Blondshell, on record, essentially does just that. I’ve been aching to experience this live show for months at this point. 

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Single of the Week: “New York Transit Queen” by Corinne Bailey Rae

It’s been about six years since the last Corinne Bailey Rae single. And I’ve always known that Rae has been unafraid to showcase a wide variety of influences, but I never would’ve expected a super sweaty, 1:57 driving rocker to come from her. It’s so fast you could miss the song, but if you jump in before it gets away from you, you get a concise story and a solid HIIT workout all at once. 

“New York Transit Queen” is the first single from Black Rainbows, a multi-media project that Rae has been working on for the past six years, inspired by Theaster Gates’ collection at Stony Island Arts Bank. The audio portion can be pre-ordered here and will be out on September 15th. 

SPELLLING Presents: Through The Looking Glass Festival

Another day, another festival announcement… But this one is special, mostly because it’s bound to be the loveliest and weirdest event of the Fall. Atlas Obscura, the only travel website that I ever use, has teamed up with Sacred Bones Records and Oakland’s very own SPELLLING to curate a very special evening in, of all places, Children’s Fairyland. 

There will be art; there will be amusements; there will be tarot readings; there will be SUN RA ARKESTRA, for crying out loud! And, of course, SPELLLING, and LA’s Sasami (possibly the most dynamic performer I’ve ever seen on a stage), and so much more! And did I mention it’s at Children’s Fairyland from 7 pm-11 pm on Saturday, September 16th? 

Tickets are $70 and available here. Only 1200 tickets for sale, so buy fast so you don’t miss out! 

Outside Lands Set Times Announced!

It’s the time of year again!! When you get to stress over the Outside Lands, schedule for a week and a half, attempting to both optimize your experience and agonize over clashes. Not only that but there are now TWO dance music areas instead of one… So get ready to figure out the fastest way between the SOMA Tent and Dolores’ stage. Feel free to plot your own schedule here. And, obviously, if you are foolish and haven’t picked up tickets yet, you can still get Sunday GA and Golden Gate Club tickets here. 

Now, on with the schedule: Continue reading “Outside Lands Set Times Announced!”

Film Review: “Teenage Mutant Ninja Turtles: Mutant Mayhem”

“Mutant Mayhem” is packed with undeniable T-U-R-T-L-E power!

The Teenage Mutant Ninja Turtles animated series and three feature films of the early 1990s that centered around the reptilian mutant fighting foursome were hugely successful and spawned a multimedia franchise of toys, shows, and comics for decades. The hype was tempered by three mediocre films between 2007-2016, with the latter two misfires produced by Michael Bay. Nostalgia was keeping the franchise afloat, despite diminishing returns. So with a huge sigh of relief and a heart full of nostalgic glee, I’m happy to report that the series reboot Teenage Mutant Ninja Turtles: Mutant Mayhem is an energetic and artistic cinematic take on what makes the Ninja Turtles brand so fun.

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