Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
Following in his big brother Joel’s footsteps, Ethan Coen steps outside the pair’s successful filmmaking partnership with Drive-Away Dolls, his first solo narrative feature. Unfortunately, Ethan doesn’t do as well as his brother did with his 2021 award-winning The Tragedy of Macbeth. Drive-Away Dolls probably won’t win any awards, but it’s a serviceable, if mostly forgettable, attempt at a retro, low-brow comedy.
Isobel Campbell’s first release since the passing of her longtime collaborator, Mark Lanegan, is really surprising. It’s an immensely bright and sunny single, and it just feels good to listen to. It might be the single most energetic release of Campbell’s career, and I am ALL IN. This is an exciting release, and I’m eager to hear the rest of this record.
“4316” is the first single from Bow To Love, coming your way on May 17th. Preorders are happening here!
OMG! This song is so heavy that I need extra creatine to listen to it. Brennan Wedl, a recent addition to the Kill Rock Stars roster, has brought “Kudzu,” named for the invasive vine that destroys native plants. And this song is so blistering, it’s almost dangerous. Lyrically, it’s a reflection on religion and what it’s like to be raised in something you don’t believe in, which is also infinitely relatable.
I can’t wait to hear more from Wedl. This track can be found in all the usual places.
(Photos by Dakin Hardwick)
I am a new fan of Jamila Woods, having just discovered her through Spinning Platters’ intense and wonderful Album of the Year process, and I’m so glad I did. Jamila Woods is an amazing writer, and her music fills the soul. On the stormiest Sunday California has seen in a long time, I trekked through the almost deserted streets of San Francisco in the hopes that music would take away the wet and soggy feelings I’d had all weekend. Continue reading “Show Review: Jamila Woods with Madison McFerrin at August Hall, 2/4/24”
There is something about the cartoon series Avatar: The Last Airbender, almost twenty years old now, that was always unusual. Aside from being coined the first American Anime, it was nothing like any other cartoon on Nickelodeon or any other station for that matter. Taking place in a completely fictional world made up of societies and lands corresponding to the four main elements: Earth, Fire, Air, and Water, the story was a continuous adventure full of growth that built to a huge climax at the end of three seasons. But the most startling aspect of this story, for something supposedly targeted at kids, was that it was rampant with extremely adult themes, such as war, genocide, loss, and conflict. But at no point was the plot relegated to hopelessness. There was an idea of balance woven into the fabric of the story’s DNA. Countering all the negative hardships the characters have to live through, there was a cornucopia of warm moments popping up and bursting in the episodes, full of love, hope, friendship, laughter, caring for your fellow person, and fighting for what is right. Continue reading “SF Sketchfest Review: Bracing The Elements: Avatar The Last Airbender Podcast Live at The Great Star Theater, 1/28/24”
I’m not a movie person. I have seen maybe five movies in the last five years. Yes, that included the two years or so of complete pandemic lockdown and not leaving the house. I like The Bechdel Cast because I’m a fan of Jamie Loftus and Caitlin Durante more than movies. But I haven’t spent much time listening to the podcast for that reason. However, with the two of them doing a tour to discuss Barbie, the 2023 monster hit film AND the only movie I’ve seen in theaters this decade, I was glad to have some connection to the movie the two were discussing. Continue reading “SF Sketchfest Review: The Bechdel Cast at Club Fugazi, 2/1/24”
It is apparent as we arrive that The Lost Boys is a seminal coming-of-age film to more goths and their familiars than those —ahem — of a certain age. Though not sold out, The Great American is full of stylish vampires of all ages, my partner and myself included. The 1987 Schumacher Peter Pan/Anne Rice mashup maintains a certain cultural currency as evinced by a thirty year reunion back in 2019 featuring the full living cast.
Tonight features a more modest guest list — a fit Alex Winter and a near manic Timmy Capello, second-string vampire and scene-stealing shirtless saxman — the Red Room Orchestra lineup is fire. This is a blessing because when we dust off the Lost Boys Soundtrack CD, we find an abbreviated list of ten tracks representing not a post-punk goth masterpiece but a schizophrenic mash-up of late eighties pop distractions, from INXS regrettably twice-dipping into Aussie pub-rock, to late-career solo forays by Foreigner’s Lou Grahm and the Who’s Roger Daltrey, to the residual 50’s rock n’ roll hangover that plagued that decade. The unauthorized list containing all the film’s tracks is just as bewildering, including the Run DMC/Aerosmith hip-hop crossover, “Walk This Way.” We rightly remember the high points: Echo and the Bunnymen covering “People Are Strange,” Gerard McMann’s standout “Cry Little Sister,” and, of course, Tim Capello’s sweaty and inexplicable cover of Christian rock band The Fall’s “I Still Believe.” Continue reading “SF Sketchfest Review: Red Room Orchestra plays The Lost Boys at Great American Music Hall, 1/19/24”
In the early 2000s, filmmaker Laura Chinn was a teenager living with her mother in Clearwater, Florida. Chinn’s older brother Max, terminally ill with brain cancer, spent the last few days of his life in a hospice center with an internationally famous resident: Terri Schiavo. Schiavo’s right-to-die legal case spanned fifteen years, from 1998 until 2005, when the courts finally allowed her husband to remove her feeding tube. In Chinn’s feature film debut, she turns this grim early experience into Suncoast, a fictional, semi-autobiographical tear-jerker of a movie with a few tonal problems, but also much to recommend it.
The first few notes of “head” caused a difficult reaction. The extreme autotune over folksy guitars had me on edge- waiting for it to devolve into the worst of what we experienced in the 00’s. But I caught the lyrics, and that made me stay. And the song didn’t turn into what I expected it to. Instead, it’s something beautiful, anxious, and a little weird. The deeply processed vocals were balanced out with lush, acoustic guitar and strings washing the singing. Don’t understand what I mean? Just listen. This one is a masterpiece.
“head” is the first single off rousay’s debut album “sentiment,” due out April 19th. Yes, the same day as the new Taylor Swift. Anyways, you can preorder it here from Bandcamp! Tour dates below, as I can’t begin to imagine how she pulls this off live:
The Teachers’ Lounge (original German title Das Lehrerzimmer) comes from director Ilker Çatak (I Was, I Am, I Will Be), and though you may not have heard of this German arthouse film, it earned numerous end-of-year accolades and is now nominated for Best Foreign Language Film at the upcoming 96th Academy Awards. The Teachers’ Lounge is a surprisingly gripping allegorical narrative about how seemingly trivial instances, under the right circumstances and involving certain types of individuals, can build up to damaging consequences.
