Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
Rose Byrne may have lost the Best Actress Oscar race last Sunday, but I’m guessing she’ll have another chance a year from now. She delivers a similarly fierce and exceptional performance in Tow, and the movie itself is already shortlisted for my 2026 Top Ten.
Filmmakers who take big swings deserve appreciation for taking the risk, even if the swing results in a miss. Director Alexander Payne (Nebraska) took such a swing six years ago with Downsizing, a polarizing if not much-maligned film. Thus, it was refreshing to hear the promising news that Payne was reuniting with his Sideways star, Paul Giamatti, for a new dramedy. The Holdovers is as sad, clever, and intelligent as the best of Payne’s work, but with a surprising lighthearted touch that places it firmly amidst some of the most classic holiday films, and amongst the filmmaker’s best work. Continue reading “Film Review: “The Holdovers””