Tag: Frankenstein

Film Feature: Carrie and Chad Pick the 2026 Oscars

Film critics Carrie and Chad on who will – and who should – win the 98th Academy Awards

The 98th Academy Awards air tomorrow, Sunday, March 15th, live on ABC and Hulu at 4:00 pm PST, with comedian Conan O’Brien returning to host for the second year in a row. As always, our Spinning Platters film critics Carrie Kahn and Chad Liffmann make their major category predictions in the hopes of Oscar pool glory. Try your own luck here, and may the best film fan win!

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Film Review: “The Bride!”

This monster mash is no cinematic smash

Frank (Christian Bale) and his bride Ida (Jessie Buckley) consider their next move.

The fact that Oscar voting closed on March 5th should work out well for actress Jessie Buckley, who is considered a Best Actress lock for her stellar turn in Hamnet. Her newest film, The Bride!, opened the next day. Had voters watched it before casting their ballots her way, they may have thought twice. Buckley is a terrific actress, but watching The Bride! you get the sense she needed to decompress from Hamnet’s emotionally taxing, heavy material. The Buckley we see in The Bride! is looser, ferocious, and over the top in a style more annoying than fun. 

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Film Review: “Frankenstein”

A thematically rich but visually mixed adaptation

Dr. Victor Frankenstein (Oscar Isaac) looks upon his creation in ‘Frankenstein.’

Director Guillermo Del Toro has been waiting to adapt Mary Shelley’s Frankenstein; or, The Modern Prometheus (that’s the full book title) ever since he saw the 1931 film Frankenstein at age eleven. His aspiration should come as no surprise to those familiar with his work — the gothic aesthetic and creature designs in his films have become synonymous with his name, like in Pan’s Labyrinth, Hellboy, and The Shape of Water. Del Toro has finally made his version of Frankenstein, produced and distributed by Netflix. The streaming company’s involvement may or may not have contributed to the film’s decision to include computer-generated (CG) animals, and imbue many of the film’s scenes with what I can only describe as a distracting “Netflix sheen.” The director’s devotion to the source text is commendable and gives the film a deeper emotional and philosophical resonance, even if the end result may baffle viewers unfamiliar with Shelley’s book. Continue reading “Film Review: “Frankenstein””