Tis the season for seasonal songs? The time of year where serious musicians put out novelty Christmas singles to make your Christmas Playlists a little less stale and painful. 2022 breakout tween sensations The Linda Lindas have graced is with a fantastic and fun Christmas song called “Groovy Xmas.” It’s accompanying video is a joyful treat, chock full of cameos that are basically a whose who of the history of punk, as well as an appearance by the legendary cat, Monica.
You can enjoy “Groovy Xmas” in all the usual places. The Linda Lindas are also hitting the road next Summer with Paramore. And, yes, I am annoyed that they aren’t playing the Chase Center show.
I love seeing a band “off cycle” or when they don’t have anything specific to promote. They are loose. They don’t have to focus on promoting anything. It’s when a band gets to simply be themselves on stage. I’ve probably seen Bleached more than almost any other band at this point (not to dismiss their recent Single Of The Week, of course), but this may be the first time I’ve seen them like this.Continue reading “Show Review: Bleached with Thank You Come Again and DJ Omar at The Chapel, 11/15/22”
Oh, man! Remember how excited we were about Sketchfest 2021? And then Sketchfest 2022? And remember how upset we all were when BOTH of them were sidelined due to that plague that still ravages our world? And then Jean Grae and I tried to develop a machine that would suck all the virus out of the air? Well, the good news is (provided BQ 1.1 doesn’t screw everything up), everything is a go for Sketchfest 2023, and they decided to add a few more shows to the lineup that go on sale Wednesday, 11/15 at 10 am PST: Continue reading “SF Sketchfest 2023: Line Up Additions!”
Fun Fact- I had a different Single of the Week picked out for this week. I wrote it up and decided I was done. It was the debut solo single from The Raincoat’s Gina Birch. Then I landed upon “Leech” by London’s Dream Wife. This track- a throbbing post-punk anthem with heavy poetry from vocalist Rakel Mjöll that breaks out into a near scream without giving you the catharsis of a full scream- is addictive magic. If the full length is half as potent as this single, we’ve got a serious contender already in the queue for the 2023 Album Of The Year.
You can enjoy “Leech” in all of the usual places. Obviously, I’m going to keep going down this rabbit hole, and if my fellow American does the same, maybe they will pay us a visit next year?
Hopkins anchors melancholic but hopeful coming of age picture
Paul (Banks Repeta, l.) has a special bond with his Grandpa Aaron (Anthony Hopkins).
With Armageddon Time, writer/director James Gray (Ad Astra; The Immigrant) has made his Belfast. Gray’s loosely autobiographical film substitutes the dawn of the Reagan era in early 1980’s Queens for the Troubles of 1960’s North Ireland. Like Kenneth Branagh’s protagonist Buddy (Jude Hill), though, Gray’s stand-in Paul (Banks Repeta) similarly faces the confusion and challenges of growing up in a volatile and uncertain time. The result is a film that, while occasionally heavy handed, nevertheless boasts some strong performances and leaves us with a message of hope.
I feel funny using the phrase “heir apparent” when describing a newer artist in relationship with a past act. But, for Yves Tumor, calling them the heir-apparent to David Bowie is totally appropriate. Does Tumor sound exactly like Bowie? Nope. Not much at all. But the darkness, the theatricality, the hooks- all very Bowie-esque. “God Is A Circle,” lyrically, is a dark meditation on the what and why of what our parents teach us. It’s a stunning track, through and through.
“God Is A Circle” is available in all the usual spots. Expect more genius from Yves Tumor in 2023!
Throughout our cumulative years working in many components of the local music industry, the staff of Spinning Platters has been lucky enough to become friendly with quite a few bands, their management, public relations, and even their road crews. In late May, over Memorial Day Weekend, we ventured outside of our Bay Area bubble to the middle of the country (Chicago). We were subsequently offered the opportunity to cover some shows there. Now, once again, Spinning Platters had the chance to travel to Dallas (Don’t Mess With Texas!) and was informed that we would be able to cover the final show of one tour and the first show of another! What started out as simply two photo passes for Lamb of God, Killswitch Engage, Animals as Leaders, Fit for an AutopsyANDMercyful Fate, Kreator, Midnight turned into a whole lot more…
Do you remember the last time Rihanna has graced our earbuds with a solo project? It was 2016. To put it on perspective, Obama was in the White House. Since then, America elected a fucking actual fascist as President, and, somehow, made it so the Republican party could actually say out loud the stuff they mumble quietly. Overt racism, homophobia, xenophobia, transphobia, etc, went from being something pushed aside and shamed to something folks were visibly proud of! And, of course, that awful human ended his time in office by turning COVID into pure chaos instead of working hard to get the country aligned on it. And, yes, we are still picking up the pieces of that nonesense today. (I stand by the fact that if we had clear, concise COVID messaging from the get-go, we wouldn’t be in the current financial mess we are in today)
When I learned that Rihanna was dropping a new single on 10.28, the day after my birthday, it was the first time I felt a shred of optimism in, dear god, 6 years? Like, maybe- just maybe- Rihanna was the key to returning the world to order and kindness. The song itself was written in memory of Chadwick Boseman. The lyrics, however, are actually about finding strength through grief. So maybe, just maybe, Rihanna isn’t the prophet we needed, but the catalyst for building up the strength to get through the pain of now and help encourage and motivate us to fix it. Anyways- “Lift Me Up” is a stunning ballad that I’ve already listened to 10 times and will keep relistening to for the rest of the day, maybe longer. And you probably should, too.
Since Sleater-Kinney released an album of other artists covering Dig Me Out, it only seems right to spotlight this new Quasi single. Janet Weiss sounds like her car accident never happend. Her drumming is as forceful and melodic as ever. Sam Coomes’ keyboard playing is consderably more ferocious that in the past. This song is a gem. It really is a good time to jump back on the Quasi train. Assuming you ever got off.
“Queen Of Ears” is the lead single from Breaking The Balls Of History, due out on SubPop on Febuary 10th. Pre-Everythinging can be done here. Of course, you should also give this 2020 track that I missed a listen, too.
Dig Me Out is a classic record. In many ways, it opened up the worlds of both Riot Grrl and Indie Rock to bigger, more mainstream audiences. It’s also nearly perfect as it is. When it was first announced, Dig Me In left me with mixed feelings… There could be some truly great interpretations of these songs on this record. But why mess with a good thing? I mean, other than to raise money for SMYRC, an organization that provides queer and trans youth a safe place to make art, 25% of the proceeds from this release go to.
