I want to start this off by saying Wild Beasts were really appreciative of the sold out crowd at The Independent. They seem like really nice guys but man did I dislike that show last night.
The show started with a narration over some sort of noise that indicated an epicness was about to occur. The band had yet to take the stage and as this English narrator talked of nature and such, the band finally took the stage.
Alice In Chains from the balcony of the Fox Theater
When last we left Oakland’s gorgeous Fox Theater, it was at the close of Wolfmother’s final screaming shreds. Two Disney concerts, two Norman Buffalo tribute shows, and one Temptations concert later, the Fox Theater needed to start its new year (having been open since February ’09) off with a bang. It therefore comes as little surprise that the grunge monsters of Alice In Chains were selected as just the right band for the task. Continue reading “Show Review: Alice In Chains and Creature with the Atom Brain at The Fox Oakland, 2/11/2010”
There’s an amazing thing that happens when bluegrass musicians get together. Anyone can be in the band at any time playing any song, and everyone will know the whole thing. This happens in jazz and blues, but you’re not going to see a bunch of indie bands trading licks and verses on a flawless version of “Oh Comely” without a little bit of rehearsal. So when Dave Rawlings showed up at The Fillmore with a tight five-piece combo, was there any question the night would end with twice as many musicians on stage? Continue reading “Show Review: Dave Rawlings Machine at The Fillmore, 2/9/10”
Since this week gives us both Valentine’s Day and President’s Day, I am going to create a theme to all our recommended shows list: Every single show listed features a performer that has had an affair with a sitting president of a country. The person that guesses which member of which band band for each show listed gets a special surprise! Please leave your guesses under the comments section. Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts, 2/10/10-2/16/10”
You would think that featuring love as your sole inspiration for so many years may provide you with more luck on the subject, but in the case of HIM, a steady relationship will always find a way to elude them. Curses! Will their tortured souls ever catch a break? For the sake of their wallets, I certainly hope not.
Tasked to review the new album, The Monitor, from Titus Andronicus, I find it difficult to expand upon my reaction to this album. “I’m pretty sure it’s better than their first album, but I sure do like it a lot less” is what I said. I think it works like this: if you’ve been loving The Airing of Grievances for over a year, and shouted “your life is over” along with the band when seeing them live four times in a week, you may find this album disappointing. Otherwise, I think you’re going to like it. Continue reading “Album Review: Titus Andronicus — The Monitor”
I wasn’t sure what to expect when I agreed to cover Friday nights show at the Great American Music Hall. I wasn’t even aware of the set up of the show; co-headliners The Thermals (whom I had never even heard of before) and Thao with The Get Down Stay Down. Because of this, I arrived late thinking TWTGDSD was the opener, the real opener just finishing as I entered the venue. Sorry Grass Widow. I promise to check out one of your various shows in Austin at this years SXSW. Continue reading “Show Review: The Thermals, Thao with The Get Down Stay Down, and Grass Widow at Great American Music Hall, 2/5/10”
This photo should help you understand Joel's line about a missing drum
Due to popular demand, this weekly Saturday column has returned! I can’t tell you how many people have clamored for its return because the writers have gone back to betting on the outcome. So which writer is collecting the pot? And which one is drinking from the king’s cup? Read on to see our top five most visited new posts of the last week. Continue reading “Week in Review: Top 5 Posts from 1/29/10 — 2/4/10”
I generally avoid Popscene when possible. There are myriad reasons for this, which needn’t be explained to anyone who’s been there. For one, it’s notoriously 18+, which: no thanks! Any club that needs to see my special grown-up wristband before letting me have a beer is a place I’m happy to avoid. Secondly, there’s the inherent wrongness of any establishment that bills itself as “San Francisco’s premier indie nightclub.” So. Much. Wrong. Third, it’s scene-y in a superficially obvious way that still makes me feel I’m Susan Boyle standing around at Danceteria or something (cue the glittery 18-year-olds: “Who at the what?”).
And finally, I resent their unassailable skill at booking the hottest, coolest young acts and forcing the rest of us to go all the way to 330 Ritch in Mission Bay to see them (plus, I’m still mad I couldn’t get tickets when they hosted Amy Winehouse for her only Bay Area show to date). But sometimes these various negatives can come together for a really amazing positive. Last night’s show was one such exception. Continue reading “Show Review: VV Brown with Ebony Bones! at 330 Ritch (Popscene), 2/4/10”
Earl Greyhound’s previous album, Soft Targets, blasted out of the box with “S.O.S.,” a dynamic mission statement that attempted to explain, in five minutes, what Earl Greyhound was all about. While the album didn’t live up to the high standards set by this blistering track, descending into middling bluesy rock numbers by the end, the promise of that one song alone has kept me interested in the band, and earned them all sorts of lauds as the “next big thing.” Now, the band’s new album, Suspicious Package, has arrived, and it also starts with I assumed to be a clear mission statement. What’s the mission this time? Continue reading “Album Review: Earl Greyhound — Suspicious Package”
