Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
I hope that you all have recovered from Coachella weekend, or whatever else you did last weekend. I’m sure you went to plenty of shows… But you aren’t sick of them, are you? Good.
Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts, 4/21/11 – 4/27/11”
I’ve been waiting to see this band for a long, long time. They’re one of my absolute favorites, so when I got my little fan club email about tickets going on sale, I was ALL over it. Like woke up at the crack of dawn over it. Their newest album Zonoscope was just starting to have little early “leaks” that were streamed over the internet. I’ve been beside myself for months… I was going to see Cut Copy on this US tour no matter what. Continue reading “Show Review: Cut Copy with Holy Ghost! at the Regency Ballroom, 4/16 and 4/17/2011”
The 54th annual San Francisco International Film Festival kicks off this Thursday, April 21, bringing with it two weeks of jam-packed film programming until its conclusion on May 5. Special guests and honorees this year include Oliver Stone, Matthew Barney, Zoe Saldana, Clifton Collins Jr., and Christine Vachon. The festival will also feature a live performance of the film scores of Claire Denis by Tindersticks.
For full information, check out the official festival website. But first, look after the jump for our top 15 movies to see this year at the SFIFF.
Continue reading “Spinning Platters Guide to the San Francisco International Film Festival 2011”
The Joy Formidable is a hard band to describe to people. I’ve seen them called “ecstatic dance rock,” “evolutionary shoegaze,” and last night, one extremely drunk fan called them “the best band in the world!” over and over again until the rest of the crowd finally told him to shut up. As an admitted obsessive fan, I’m not sure I have anything particularly wise or witty to add to the conversation, other than an excited “fuck yeah!” in response to the aforementioned drunk fan. That makes me both the right and wrong person to be reviewing the band, so here I go. Continue reading “Show Review: The Joy Formidable with The Lonely Forest at Bottom of the Hill, 4/14/2011”
PJ Harvey is simply an artist. It just so happens her medium is music. Every tour for each new record is an engrossing sensory experience, completely different than the last. Having seen her perform at the Warfield for every record, minus White Chalk, (she left SF off the tiny tour), since 1998, I’ve had the pleasure and privilege to experience more than my share.
All of the shows up until now, have been full of the energy, gusto, and a hauntingly excitable sound that had left fans floored. Every show ends with just about the biggest display of genuine applause I’ve ever seen or been apart of for an artist. PJ Harvey fans seem to connect with the music fully in both a primal, intellectual, and emotional level, which doesn’t always happen with most artists.
Continue reading “Show Review: PJ Harvey at The Warfield, 4/14/11”
starring: James McAvoy, Robin Wright, Evan Rachel Wood, Alexis Bledel, Kevin Kline, Tom Wilkinson, Justin Long, Norman Reedus, Danny Huston, Jonathan Groff, Johnny Simmons, Stephen Root, Colm Meaney
written by: James Solomon (screenplay/story), Gregory Bernstein (story)
directed by: Robert Redford
MPAA: Rated PG-13 for some violent content.
Keaton Simons has a degree in ethnomusicology (the study of world music). Curtis Peoples calls his style of music “coffee shop/arena rock.” At first glance, these two may seem an odd pair for a mid-week one-night stint at the Hotel Utah. The truth is, though, that the two have been friends (and sharing stages) for years. Both are LA-based singer/songwriters with mostly acoustic sets and guitars, sprinkled with a little piano here and there, and both have been so hard at work on new albums that neither has been to the Bay Area in at least a year. And both have fans that were happy to skip the Giants game in favor of a night’s worth of their music. Continue reading “Show Review: Keaton Simons with Curtis Peoples and Whitney Nichole at Hotel Utah, 4/13/2011”
Noise is probably one of the most varied genres of music out there. It can cover simple clanking if anvils, carefully executed pieces of experimental classical music, or just a thunderous barrage of sound played be traditional rock instruments. Tonight’s show at Rickshaw Stop concentrated on the latter, but was still a widely varied evening of sounds. We had the pumped up, nearly punk rock sound of Oakland’s High Castle, feminist no wave throwbacks T.I.T.S., and to cap things off, a highly anticipated reunion gig from Lightning Bolt.
Continue reading “Show Review: Lightning Bolt, T.I.T.S., High Castle at Rickshaw Stop, 4/13/11”
In sharp contrast to the last show I went to at Oakland’s beloved Fox Theater, the crowd was overwhelmingly mellow, especially considering this could be the last time Bright Eyes plays the Bay Area. Luckily this ended up being more telling about Bright Eyes’ fans maturity than their level of worship. Just like every other time I’ve seen Conor Oberst, Mike Mogis and their team of talented musicians (this was number nine if anyone’s counting), the audience still fell into a hush while a sense of quiet worship filled the room as the band took the stage. And they held that stage for over two hours of intensity. Continue reading “Show Review: Bright Eyes with Farmer Dave Scher at The Fox Theater, 4/12/11”
Scala & Kolacny Brothers need marketing help. They admitted during their set on Tuesday night that the had sold “500,000 units in Europe, and about 50 in the U.S.,” and asked us, “tonight, let’s make it 60!” Part of this is probably due to piracy, but part of this must be name recognition. I told many people beforehand that I was going to see them tonight, and they said, “who?” I said, “Y’know, the group that does the cover of ‘Creep’ from the Social Network trailer.”
“Oh! Them! I bet that’ll be good.” But none of them came. The crowd was made up of people more likely to be seen at a classical music event than at the Independent. But then again, the Independent has proven itself to be a versatile venue. So how would a Belgian choir go over on a cold San Francisco night?
Continue reading “Show Review: Scala & Kolacny Brothers at The Independent, 4/12/2011”