Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
Will Durst doesn’t shy away from political humor, and with 2012 bringing us one of the most entertaining lineups in Republican presidential primary history, it didn’t matter which one was chocolate and which one was peanut butter. Johnny Steele and four other comics made sure that both got all over each other.
Dripping late from a brisk sprint through San Francisco’s saturated cloudiness, I stepped into an alternate reality. Everything looked copasetic: the expansive and brimming Eureka Theater with Phil LaMarr and Jordan Black beginning a scene. Not quite, the truth: the expansive and brimming Eureka Theater with Lewis J. Poole and Danger beginning a scene.
Polle and Danger are two African American actors separated by age but bonded by prior convictions and thespian rehabilitation. They were bad, objectively horrible, nightmarishly stiff and unflinchingly unaware. It was brilliant. Continue reading “Sketchfest Review: Beverly Winwood’s “The Actors Showcase” 1/22/2012″
Comedy, as a method of entertainment, works best when we can relate to the entertainer, and the exaggeratedly hilarious (yet quite often true) stories that they tell. Most standup artists use this science as the core of their act, pointing out the sometimes terribly obvious, but far more often insignificant, details that we all have experienced, barely speak about, and yet go through on a regular basis. That excess blast of thought over such inane minutiae succeeds at hitting our funny bones hard, not only because of the presentation, but because we can, in fact, relate. If this is a regular formula for comedic success, then anyone willing to break the mold and give those common trivialities a winning partner with absurdity, disconnection, and whimsical rambling has the potential to turn heads, and in the case of Reggie Watts, he succeeds spectacularly, and leaves you wondering what the hell just bowled you over with laughter.
Continue reading “Sketchfest Review: Reggidency: A Reggie Watts Series”
Some of the most talented people on earth hail from right here in the San Francisco Bay Area. In fact, we have so many uber-talented musicians, writers, comics, speakers, artists, chefs, and so on, that it’s easy to take them for granted. Reggie Watts is one of those performers. He seems to be performing all the time, and everyone in the bay area seems to swoon over him. Yet, I have yet to see him. It could be due to the fact that every show sells out, no matter what the venue. Which is also how Sketchfest was able to book him four nights in a row, also giving him the ability to indulge in whatever he pleases.
Continue reading “Sketchfest Review: Reggie Watts, Garfunkel & Oates at Mezzanine, 2/1/12”
Before this weekend, I considered myself fairly familiar with the comedy of Greg Behrendt. I knew about his history with Sex and the City, his book that turned into a movie (He’s Just Not That into You), the two books he then co-wrote with his wife, and I’ve seen his standup act multiple times. More importantly, I already subscribe to the Walking the Room podcast. I felt pretty confident that I knew what to expect from Greg (and in this case, Dave Anthony as well). As for the night’s live podcast guest stars, Dave Holmes and Patton Oswalt, I knew both of them from previous work (MTV and United States of Tara, respectively), so I settled into an early weekend with a great seat from the bar at the Punchline and as the show began with Dave and Greg in miscellaneous clown costume pieces, I was in on the joke. For those who were not, though… I can only imagine what the night might have been like for some unsuspecting soul who just happened to be in town on business or something and thought he’d catch a show at a nearby comedy club. I’m sure nothing could have prepared such a person for the foul-mouthed hilarity that took place. Continue reading “Sketchfest Review: Walking the Room Live Podcast at The Punchline, 2/2/2012”
The success of Chicago experimental-alt.country-indie rock combo Wilco really defies the conventions of a successful rock band. Where most bands become as big as they will get within about 5 years of performing, these guys seem to get bigger and bigger every year. At nearly 20 years into their career, they are doing a “small venue” tour of 3,000 seat theaters, and each date on this tour seemingly sold out in minutes. SpinningPlatters were lucky enough to check them out on the third night of a mini Bay Area tour, where the hit San Jose and San Francisco on Saturday and Sunday respectively.
Continue reading “Show Review: Wilco, White Denim at The Fox Theater — Oakland, 1/31/12”
After a certain hour, the nocturnal muse of midnight, the world gets weird. Sure, reality is eternally enveloped in curiosity and every “hour” on Earth is both day and night. Still, regardless of circumstance, there is a pivotal time drenched in ethereal giddiness that inspires irrational adventures. This is evidently the best time to start a comedy show. Continue reading “Sketchfest Review: Smug Shift 1/21/2012”
starring: Daniel Radcliffe, Ciaran Hinds, Janet McTeer
written by: Jane Goldman
directed by: James Watkins
MPAA: Rated PG-13 for thematic material and violence/disturbing images
starring: Ralph Fiennes, Gerard Butler, Vanessa Redgrave, Brian Cox, Jessica Chastain, James Nesbitt, Paul Jesson
written by: John Logan
directed by: Ralph Fiennes
MPAA: Rated R for some bloody violence
It’s another week of live music, and, although it might seem to be a little slow, since every is getting amp’d for Noise Pop, there is still plenty of awesomeness. You may even get some things that you will never see again!
Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts, 2/2/12-2/8/12”