It is impossible to go and see an electronic music concert without being exposed to a phenomenal light shot and staggeringly complex visual performance, with dancing projections and rapidly-pulsing animations taking center stage for its entire span. As a result, electronic musicians are in a constant race to push the envelope of their live productions further than they have ever been pushed before, in an effort to bring a continuously relevant and engaging visual accompaniment to their own ever-evolving musical set. When Brazilian virtuoso Amon Tobin began work on the live version of his 2011 opus ISAM, the focus on organic sounds paired with pummeling synthesizers led to the creation of a new type of visual spectacle. Developed by production company V Squared Labs, ISAM Live takes the form of a gigantic white sculpture, comprised of several stacks of cubes at differing angles, onto which a set of sequences are projected, and mapped to compensate for the 3-dimensionality of the sculpture. The unorthodox screen comes to life in a dizzying display of pulsing lights, zigzagging lasers, ever-shifting patterns and creeping shadows; with the magic of surface-mapping, the structure appears to break apart, reform, and undulate like a living creature. After a worldwide club tour that experienced a ton of sold-out shows and highly-favorable reviews, Tobin and V Squared have reworked their performance and rebuilt the ISAM surface for an even larger and more dazzling show, which found its way to the Greek Theatre in Berkeley on a chilly autumn night.
