Film Review: Blancanieves (Thoughts on the Continuing Potency of Silent Films)

Blancanieves

Imagine you enter a snow globe just after the spinning blizzard has settled. You discover you’ve been transported to a silent, starkly black and white Spain, sometime in the 1920’s. Welcome to this imaginative retelling of the classic Brothers Grimm folktale, Snow White—or known here as Blancanieves. Continue reading “Film Review: Blancanieves (Thoughts on the Continuing Potency of Silent Films)”

Film Review: 42

Chadwick Boseman as Jackie Robinson in 42.
Chadwick Boseman as Jackie Robinson in 42.

In 1947, the baseball world was introduced to the first black Major League player, the Brooklyn Dodgers’ Jackie Robinson.  This momentous occasion in the history of our national pastime (and the world, quite arguably), was met with mixed feelings from all points of the sociopolitical spectrum. 42 aims to capture the tension and excitement that surrounded the breaking of the baseball color barrier, but a hokey script forces the emotion in this disappointing and awkward historical re-enactment.

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Film Review: Disconnect

Hope  Davis, Jason Bateman, and Haley Ramm in "Disconnect."
Hope Davis, Jason Bateman, and Haley Ramm in Disconnect

 

In the vein of Crash, Grand Canyon, and Babel, Disconnect, director Henry-Alex Rubin’s riveting drama that opens today, introduces us to seemingly disparate characters whose stories intersect as the film progresses. Each of the story arcs is a provocative variation on the theme of yes, disconnectedness  – both physical and emotional  – in today’s increasingly wired, technology-saturated, online world.

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Spinning Platters Weekly Guide to Bay Area Concerts, 4/11/13-4/17/13

FEAR THE BEARD
Where have you gone, (baseball’s) Brian Wilson? You weren’t there for the San Francisco Giants’ 2012 ring ceremony.

Concerts! Shows! Performances! And this week in the Bay Area, they’re extra-beardy!

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Midnight Music Movies at The New Parkway: R. Kelly’s Trapped in the Closet Singalong

R. Kelly is a literary man.
R. Kelly is a literary man.

For our third installment of Spinning Platters “Midnght” Music Movies (this one starts at 10:30) at The New Parkway, we are thrilled to be able to present to you the first 22 chapters of R Kelly’s magnum opus Trapped In The Closet. Tickets are moving awfully fast (not just marketing speak), and you should buy them right away!

For those of you aren’t in the know, here’s a little background on Trapped: Continue reading “Midnight Music Movies at The New Parkway: R. Kelly’s Trapped in the Closet Singalong”

Is It OK For Artists to Charge High Prices For Their Concert Tickets?

How much would you pay to see these guys?
How much would you pay to see these guys?

This started with a Facebook post I made on my personal wall:

The cheap seats are $171 for The Rolling Stones at Oracle. $660 for the top price level (not including VIP which costs GKHM). Makes Prince look like a bargain.

 

To that, my friend and fellow blogger John Marcher of A Beast in a Jungle responded with a long post that started with the line, “Gordon, I want to debate this with you.” So over the next few days, we sent some emails back and forth doing just that, and getting into deep topics like whether career artists are truly artists. I promised him the last word, and he’ll have it between us. We do invite you, however, to post your thoughts in the comments.

John Marcher:

Gordon, I want to debate this with you. The prices are what they are, and they are fair. Is $250 too much to see Prince in a small venue? Absolutely not. He and his band deserve to paid for the show. The people setting up and tearing down the show deserve to get paid. They have to eat on the road and stay in hotels- and do you think Prince and his band are going to eat at fucking Mel’s Diner and stay at the Holiday Inn? Continue reading “Is It OK For Artists to Charge High Prices For Their Concert Tickets?”

Spinning Platters Weekly Guide to Bay Area Concerts, 4/4/13-4/3/13

Could they be playing with Nick Cave? I don't know... Are these seeds bad?
Could they be playing with Nick Cave? I don’t know… Are these seeds bad?

Go to shows! Everybody go to shows!

Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts, 4/4/13-4/3/13”

Show Review: Phoenix with Mac DeMarco at The Independent, 4/1/2013

Photo by Jenz.
Thomas Mars, as if he’s in front of the sun.

The announcement sent panic waves throughout the indie rockers of San Francisco: Phoenix at The Independent on April Fool’s Day. And this was not a hoax. What it was, though, was an impossible ticket. A representative of The Independent was quoted in the paper as saying the show sold out “immediately.” It sent everyone I know scrambling for tickets, wanting to be at what was officially the welcome back party for Steve Masters of Live 105, and would also serve as the unofficial kickoff to FauxchellaContinue reading “Show Review: Phoenix with Mac DeMarco at The Independent, 4/1/2013”

SXSW 2013: A Diary Of A “Crafty Veteran”

Some band playing some where in Texas...
Some band playing some where in Texas…

Having been dubbed a “crafty veteran” by one local bystander, there are a few certain truths that I have discovered seven years deep into South By South West culture. 1) Always carry your phone charger because the battery will die; the ABC’s (Always Be Chargin’) as we here at Spinning Platters like to call it. 2) Delicious food is only a food truck away when you need to take a break and refuel in-between day parties and evening showcases. And 3) there will be both bad, and good bands at aforementioned showcases. The payout for waiting through a not-so-awesome band, however, can be an amazing, week-altering experience that leads to months of fan-girl-ing out, post-South By. However, this is all contingent on actually being granted admission to that one thing one wanted to see the most. There are still things to be learned and sometimes learned the hard way.

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Film Review: Starbuck

Starbuck Photo
Patrick Huard in Starbuck

 

starring: Patrick Huard, Julie LeBreton, Antoine Bertrand

screenplay: Ken Scott and Martin Petit

directed by: Ken Scott

MPAA: Rated R for sexual content, language, and some drug material

Language: French, with English subtitles

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