Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
Bleached blew the doors off at the Blank Club, and luckily they weren’t DeLorean doors, because then people would have gotten decked for real, rather than that fake decking Floyd Mayweather gave Robert Guerrero earlier that evening. There’s more sports highlights herein. Buckle up.
The SFIFF continues to showcase fascinating films from around the world. It ends soon (May 9th) so visit http://festival.sffs.org/ to get tickets to this week’s final screenings.
Computer Chess
(USA 2013, 91 min)
An existential satire of 1980’s computer technology and the burning topic (as it stood at the time) of human vs. computer, set against the backdrop of a small computer chess tournament. Devotion to an 80’s feel through cinematography, fashion, and hilarious social stigmas are definitely worth the viewing, though the film dives a bit unnecessarily into the psychedelic. It’s fun to see (and remember…if you’re old enough) how the computer geek culture has changed.
Everybody socialized with the reserved excitement of a freshman orientation. Fun was to be had, sure, but to what degree was the procession supposed to fall backwards in trust. Nobody had an answer in Rickshaw Stop, San Francisco’s nook of clamoring dynamite, for what to expect from Maps & Atlases and company. Neither the crowd’s collective facade nor the ampersand-heavy line-up insinuated flame for a powder keg; that was a misguided prejudgement. Continue reading “Show Review: Maps and Atlases, Young Man, Cannons and Clouds at Rickshaw Stop, 4/26/2013”
Yes, that’s a somewhat dejected looking Tony Stark. Why the long face when his new movie has a shot at earning one billion dollars at the worldwide box office? Well, there IS something Tony can be sad about — with The Avengers 2, Thor: The Dark World, Captain America: The Winter Soldier, and likely a few more Marvel films on the horizon, this may be the last Iron Man installment for quite some time, if not ever. When Iron Man 3 takes advantage of that fact and pulls out all the stops, not including an unnecessarily complex plot and superfluous CGI, it’s a whole ton of explosive fun.
May is looking almost as crazy as April on the show front. And this time there isn’t a Coachella to blame it on. You just need to blame it on how awesome the bay area is! Now, got do some rocking. Or Else…
Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts, 5/2/13-5/8/13”
Incendiary guitar goddess Marnie Stern returned to San Francisco on Sunday night in support of her fourth and most accessible LP, the wondrously titled The Chronicles of Marnia. The show, which transpired at the Rickshaw Stop, drew a full house of giddily enthusiastic fans, or at least what passes for “giddily enthusiastic” on a Sunday night in San Francisco. By which I mean we all pretty much stood there stone-faced for three hours. But we were into it! Honest! I think Marnie might actually prefer our notoriously chill style of audience participation; when she noticed that the only overtly expressive dancers in the entire club had positioned themselves directly in front of her, she actually ordered them to go dance in front of her bassist, Nithin Kalvakota. “It’s distracting! And confusing! And it’s making me dizzy!” she protested in that vaguely “It’s Pat” voice of hers. And what the lady wants, the lady gets.
Continue reading “Show Review: Marnie Stern with SISU and E V Kain at the Rickshaw Stop, 4/28/2013”
Our coverage of the 56th Annual San Francisco International Film Festival (SFIFF) continues with a spotlight on three more festival films. Check out the SFIFF website for more info and tickets: http://festival.sffs.org/
Thérèse
(France 2012 105 min; French with English subtitles)
Cast against type, Audrey Tautou suppresses her inner gamine to mope her way through Thérèse as the title character in French director Claude Miller’s final film. “Marriage will save me from the disorder in my head,” melancholy Thérèse says as she marries for status, not love, in 1920s rural France. Rebellious and unhappy, Thérèse makes decisions with serious consequences for her family. Francophiles will relish the lush cinematography, gorgeous period costumes, and Tautou’s muted performance.
Next showing:
Will open in limited release nationwide on August 23, 2013.
Continue reading “SFIFF Spotlights #2: Thérèse / Chaika / Blackfish”
The 56th Annual San Francisco International Film Festival (SFIFF) is in full swing. From April 26th through May 9th, Bay Area cinephiles, filmmakers, and movie lovers of all ages can visit select theaters on either side of the bay to see exciting new films from all over the world.
Here at Spinning Platters, we’ll shine our spotlights on a few films we’ve had the pleasure of seeing and other festival events we’ve had the pleasure of attending. We encourage you to follow along and also visit the SFIFF website at http://festival.sffs.org/ to learn more about upcoming screenings!
Ernest & Celestine
(France/Luxembourg/Belgium 2012, 80 min)
The unlikely friendship between a hungry street-busking bear and a spirited young mouse takes center stage in this delightful French animated film. Based on the series of children’s books (which I haven’t read but now intend to), Ernest & Celestine is a charming story about friendship told through excellent voice work, a great musical score, and beautifully painted images. I was smiling all the way through. This is a title you shouldn’t miss!
Next Showing:
Wed., May 1st at 7:00PM – Sundance Kabuki Cinemas
Oh Fauxchella, how do I count the ways? While most of the world waits diligently to attend something overly populated with clutter, annoyance, and unwelcoming weather, the locally abounding intellects know you will be there for us. Engrossed entirely inside night four of eight, you gave me Bat For Lashes. While there were about seventeen other shows that night, none were more sincere than this one. So much so I’m sure the Great Pumpkin would have agreed.
While I may not be comparing Natasha Khan to a pumpkin patch, in an utmost elegance, I must say: she squashed it.
Continue reading “Fauxchella Review: Bat For Lashes at The Regency Ballroom, 4/14/13”
When you hear the phrase “Directed by Michael Bay,” you probably think of some if not all of the following things: giant robots, massive explosions, military hardware, unnecessarily scantily clad and impossibly thin women and an insane amount of quick edits. You probably don’t think “passion project.” But that’s what we get here. In order to say yes to directing Transformers 4 for Paramount, Bay insisted that he be given the opportunity to make this “small budget” film ($25 million) based on a series of articles from the Miami New Times that document the exploits of the so-called Sun Gym Gang. The real story is brutal, full of twists and turns, and more than a little weird. So how would this translate into a Michael Bay picture? Continue reading “Film Review: Pain & Gain”