Felicity Price, Joel Edgerton, Teresa Palmer, and Antony Starr in Wish You Were Here
In my last review, I suggested you may want to see a blockbuster like Star Trek: Into Darkness instead of the independent film What Maisie Knew, since it’s a bit of a slog, and not exactly lightweight summer entertainment. This week, however, I have an indie to highly recommend, especially if you are now burned out on big budget Hollywood summer fare: the brilliant low budget Australian film Wish You Were Here. Continue reading “Film Review: Wish You Were Here”
While the echoes of Shakespeare and his work can be felt in the backbones of modern storytelling for the past few centuries, there is really nothing like the actual stories themselves, and they make for timeless tales that can be endlessly re-performed and re-interpreted. The mostly-blank canvas of a play allows for a great deal of re-imagination, and in today’s world of film and television, who better to take up such a task than a director who is known for his marvelous creativity and his own original work? Thus was born Joss Whedon’s modern take on the Bard’s well-loved tale, Much Ado About Nothing, a play highly regarded for its delicate balance of tragedy and comedy and much lauded for its look at relationships and roles of gender. The movie itself has been given a rather arduous task — doing justice to a modern interpretation of Shakespearean play is a concept often wrought with tribulation — but it succeeds magnificently, and is spellbinding in its blend of wry and somewhat slapstick humor, deeply-moving dramatic moments, and the ever-intriguing firecracker romance of its lead characters, Beatrice (Amy Acker) and Benedick (Alexis Denisof).
Gabriel Basso, Moises Arias and Nick Robinson in The Kings of Summer
Two teens bang sticks against a giant rusted steel pipe running through the forest; atop the pipe, a third teen dances spastically to the rhythm. The three kids continue like this for a while, devoid of distractions or concerns. They’re completely carefree, and we immediately yearn to free ourselves with them. So begins The Kings of Summer, a film about three teenagers who run away from their frustrating domestic lives to build a house in the woods and fend for themselves in the wilderness for a summer. The story is a familiar type of coming-of-age tale in which each character discovers something about his or herself — not just the teens, but the adults, as well (or at least a few of them). The film features beautiful cinematography and a lively soundtrack. It is wistful and sincere, yet partial and contrived. There is something inherently attractive about this film genre — the independent coming-of-age film — in which not that much reallyhappens.
I was excited to see Before Midnight, the third film in the series directed by Richard Linklater that, in a way, I felt like I grew up with. The characters of Jesse (Ethan Hawke) and Celine (Julie Delpy) have always been so strong in my closet-romantic pseudo-intellectual imagination. I’m not going to pretend for a minute that I’m not a sucker for a good romantic movie, especially ones like the Before series where the characters feel so real and the dialogue is more like a true conversation than a planned script. I couldn’t wait to see what insights and ideas the newest film would bring me. Continue reading “Film Review: Before Midnight”
Tyrese Gibson (or likely a stuntman) in Fast & Furious 6
Ludacris sums up Fast & Furious 6 rather perfectly when his character says, “we’re talking vehicular warfare.” Expecting anything less (or more) from a fifth sequel in an action franchise would be knuckle-headed. At this point, the Fast & Furious franchise has all but given up on the sense of wonder and emotional release the first movie captured so well in its focus on muscle cars and street racing. Carried on the muscular shoulders of Vin Diesel (now age 46, seriously!) and Dwayne Johnson aka The Rock, and to a much lesser extent Paul Walker, and guided by the action-trained eye of director Justin Lin, the sixth installment is a top notch action thrill ride but lacks heart. Of course, ‘heart’ isn’t even close to what the filmmakers set out to capture. Ready and rearing to continue making bank, Fast & Furious 6 puts the pedal to the metal and delivers a high-octane cinematic escape that is as entertaining as it is absolutely crazy! (see above image)
Julianne Moore and Onata Aprile in What Maisie Knew
It’s Friday morning, and you’re turning to your significant other saying, “Let’s go to the movies tonight…. What should we see?” You scroll through Fandango or skim through the Chronicle Datebook listings (okay, maybe that’s just me…) and ask, “What about this film about these two flawed people involved in a bitter custody fight over their sweet six- year-old daughter?” Your S.O. is no doubt responding…. “Ummm… how about Star Trek?” Continue reading “Film Review: What Maisie Knew”
Naming a film Epic is asking for a lot, especially when it’s based on a children’s book of a different and less demanding title, “The Leaf Men and the Brave Good Bugs” by William Joyce. Mirriam-Webster defines ‘epic’ as “extending beyond the usual or ordinary especially in size or scope.” To focus Epic on inherently small things, like insects and miniature people in a world of forest trees and underground hives, is a problem in of itself. Sure, things may look “epic” from the characters’ point of view, but from the perspective of a human being in the audience, not so much. Luckily the visuals do look epic, they just don’t feel that way. This is due in part because of the relatively banal storyline and uninspired character design for the protagonists. It’s still a very playful film with just enough depth to satisfy adults, but as it tries to balance emotion and a tone oriented toward small children, it falls short.