Album Review: St Vincent – St Vincent

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Rating: Gold

I don’t know who first used the modifier “angular” to describe a guitar style, but it’s been the most over used adjective for post punk guitar for at least 30 years now. Perhaps it means the sharp edges that you get from the syncopated and dissonant chord changes or maybe even the “stiff, awkward, and ungainly” feel the music gives you. Either way, the message that “angular” communicates is “inhuman” and “inhospitable.” From Marry Me to Actor to Strange Mercy and now St. Vincent, Annie Clark’s music has toed this line between human and inhuman, between hospitable and inhospitable, but inevitably has sided with the human. This has always been her great accomplishment as a songwriter. Her hair has gotten whiter, her clothing more plastic and her guitar playing more…angular, but she’s never lost touch with that humanity and with St. Vincent, Annie Clark is at her peak as a songwriter, guitarist and artist.

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Noise Pop Review: Bleached, Terry Malts, Mystic Braves, and Tropical Popsicle at Rickshaw Stop, 02/28/2014

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I have no idea how to describe what just happened. This entire show felt like a crazy collision of surf, classic, psychedelic, and punk rock all interlocking and interweaving together to make Bleached, a veritable Voltron of music. Looked at individually, each of these groups are amazing reminders of angsty, dreamy, teenage Southern California rock days gone by. But their presence on stage here at Noise Pop unequivocally proves that this sound is timeless, and so, too, are the people who listen to it.

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Spinning Platters Interview: Steve Sparrow of Morning Parade

Morning Parade won't be an opening band for long.
Morning Parade won’t be an opening band for long.

Recently, I had the pleasure of seeing Morning Parade open up for Biffy Clyro at Great American Music Hall. I had heard their debut album and the British hit, “Headlights,” so I thought I knew what to expect. But I was super impressed with the new, unfamiliar material they played from their EP, Alienation, so I knew I had to get in touch with Steve Sparrow, lead vocalist, and ask him about touring America, the current popularity of British rock, and what’s to be expected from their upcoming album.  He mentions my favorite band three times, so I was overjoyed with his responses, and am happy to share them with you.

Spinning Platters: You’ve just played in San Francisco. Any impressions of our city you’d like to share? Continue reading “Spinning Platters Interview: Steve Sparrow of Morning Parade”

Noise Pop Review: Throwing Muses, Mark Eitzel at Jewish Community Center of San Francisco, 2/28/14

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We were treated to the standard older-band-promoting-a-new-album set, with Throwing Muses playing a large section of Purgatory/Paradise. I know it gets boring playing the same songs hundreds of times over 30-plus years. But sometimes that’s what people want. Luckily we got some of that too. Continue reading “Noise Pop Review: Throwing Muses, Mark Eitzel at Jewish Community Center of San Francisco, 2/28/14”

Film Review: Non-Stop

Fasten your seat belts and put your tray tables in their full upright position…and keep your expectations grounded.

non-stop
Liam Neeson has….TAKEN…off.

There are two ways to go into watching Non-Stop, the new action thriller starring the infallible Liam Neeson — 1)  Expecting an intelligently crafted action film … OR … 2) Expecting an implausible and generally ridiculous action quickie that’ll keep you from being bored.  Can you guess which way will result in a better time had?

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Noise Pop Review: Courtney Barnett, Fever The Ghost, KINS, Rich Girls at Rickshaw Stop, 2/24/14

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The rise of Courtney Barnett was certainly unexpected. Her lyrically dense, country tinged song “Avant Gardener” and it’s accompanying video became a viral video sensation in the last few months of 2013. With the strength of this song, she managed to sell out every show on her visit to North America. All without a distribution deal in the United States. She closed out her tour by opening up Noise Pop 2014 in a most triumphant manner.

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Spinning Platters Weekly Guide to Bay Area Concerts, 2/27/14-3/5/14

OMG! This week is NUTS!!!

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Film Feature: Carrie and Chad Pick the Oscars

Film critics Carrie and Chad on who will – and who should – win the Oscars

The 86th Academy Awards air this Sunday, March 2nd on ABC at 5:00pm PST (red carpet coverage starts at 4:00). Here are Carrie and Chad’s predictions – and hopes – for the major categories:

BEST PICTURE:

Nominees: American Hustle/Captain Phillips/Dallas Buyers Club/Gravity/Her/Nebraska/Philomena/12 Years a Slave/The Wolf of Wall Street
Carrie: Will Win: 12 Years a Slave; Should Win: Nebraska
Chad: Will Win: 12 Years a Slave; Should Win: Her

Oscars 2

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Album Review: Fanfarlo – Let’s Go Extinct

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Rating: Bronze+
On their third full length, Let’s Go Extinct, London’s Fanfarlo deliver their most ambitious and yet most distant and uneven album to date. Though the album is well produced and performed to perfection, the music falls flat due to Fanfarlo’s reluctance to take the risks necessary to set them apart in a crowded genre. This seems like a paradox when the band is taking on bigger themes with even bigger production, but for all the grandeur at the surface, there are no new or imaginative takes on the genre nor is there any genre defining moment that would solidify Fanfarlo as an important part of the Baroque pop scene. Instead, the album bogged down by mediocre songs and overwrought imagery. That’s not to say the album lacks imagination or is devoid of musical highlights; it’s just that the album, as a whole, fails to deliver upon its ambitious promises.

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